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tmlphoto
Registered Users Posts: 1,444 Major grins
Thomas
TML Photography
tmlphoto.com
TML Photography
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very neat-
george
My Gallery
You must be the King of Macros.
Very detailed shot, especially its red eyes area.
Question: How do all of you that do macros get that black-void background?
My Gear
Camera: Nikon D50
Lens: Sigma 18-50mm F3.5-5.6 DC
Flash: Nikon SB600 SpeedLight
Vertical Powergrip: Opteka Platinum Series
Flash Diffuser: Lightsphere II (Clear)
Teleconverter: Quantaray 2x
Lens Filters: 2 SunPak UV 58mm
Card: Lexar Platinum II 512mb/60x
Bag: Canon 200DG
Printer: Canon PIXMA iP6700D
Fisher-Advent Audio
Thanks George. Glad you liked it.
TML Photography
tmlphoto.com
Thankyou Awais, your comments are always appreciated.
TML Photography
tmlphoto.com
Thanks Zoom, the black background is a "side effect" of using such a small aperture that even daylight lit objects are black. Only objects that are illuminated with the flash show up. Try taking a pic at ISO 100 f/11 1/125, your image will be completely black. It is a good technique to simplify the background. Some folks use a second flash to light the background. The other option is to use a tripod with a slow enough shutter speed to get the proper exposure. This will give a more natural background, but any motion will ruin the picture.
TML Photography
tmlphoto.com
You're welcome!
All that sounds neat. But I don't think I can get an ISO of 100 while it's in A, M, P or S. Just 200, 400, 800 and 1600 in those settings. Other ISO numbers can be just about anything if I set the camera on the other settings, such as Auto.
I have no idea how to get an aperture of F11 unless it's on any setting except for A, M, P and S. While in Auto or the other regular settings, I've seen it at ISO 100 (or even 50... I think) and as high as an F10.
Could I get a picture that large and sharp/vivid with a 50mm F1.4 lens (which is the next lens I'd like to try out)... or did you crop and enhance all of your macros? All I have is an 18-50mm and 70-300mm and one 2x teleconverter and no extension tubes yet. I'm still working on getting a Lighsphere... Clear or Cloud. Just haven't decided yet. I've heard the LS is great for macros, as well as portraits and just about anything else.
My Gear
Camera: Nikon D50
Lens: Sigma 18-50mm F3.5-5.6 DC
Flash: Nikon SB600 SpeedLight
Vertical Powergrip: Opteka Platinum Series
Flash Diffuser: Lightsphere II (Clear)
Teleconverter: Quantaray 2x
Lens Filters: 2 SunPak UV 58mm
Card: Lexar Platinum II 512mb/60x
Bag: Canon 200DG
Printer: Canon PIXMA iP6700D
Fisher-Advent Audio
You have to be in Manual mode to set both the f/stop and shutter speed as I described.
The 50mm is a sweet lens, but you are not going to really get macro shots unless you mount it to extension tubes, preferably reversed, which is another discussion all together. I am using a 100 2.8 macro lens which also doubles as a very nice portrait lens, especially on a 1.3 or 1.6 cropped sensor. I use Kenko extension tubes in order focus more closely. The shot above is only slightly cropped. Hope this helps.
TML Photography
tmlphoto.com
Brian V.
http://www.flickr.com/photos/lordv/
http://www.lordv.smugmug.com/
Yes, it was alive.
TML Photography
tmlphoto.com
Thanks LV. Yes, it was with the twin flash. I moved my main light to the right side and have been adjusting the postions a little bit.
I think that the larger flashes may work better than the dedicated macro flashes, but they sure are heavier.
TML Photography
tmlphoto.com