Canon 24-105/f4L-IS vs Tamron 28-75/f2.8
I'm considering swapping lenses around for my 20D - here's my proposal:
Keep:
Canon 17-55 kitty (just 'cuz)
Canon 70-200mm f/4L
Sell:
Tamron 28-75mm f/2.8 and
Sigma 50-500 (Bigma)
Buy:
Canon 24-105 f/4L IS
Future:
something wide - say 10 or 12mm on the wide end
Any comments/advice? Here's my thoughts...
I love the Tamron but the L is slightly wider and has IS. Is it worth swapping these 2 lenses as my main walkaround glass? Does the IS make up for losing the f2.8 speed?
The Bigma is a very nice lens but doesn't fit into my shooting style.
The kit lens isn't great and it really isn't wide enough either so I would replace that next with a 10-22 or something similar.
Of course I could just sell the Bigma, keep the Tamron and get something wide now...but the 24-105 is tempting me...:rolleyes
Keep:
Canon 17-55 kitty (just 'cuz)
Canon 70-200mm f/4L
Sell:
Tamron 28-75mm f/2.8 and
Sigma 50-500 (Bigma)
Buy:
Canon 24-105 f/4L IS
Future:
something wide - say 10 or 12mm on the wide end
Any comments/advice? Here's my thoughts...
I love the Tamron but the L is slightly wider and has IS. Is it worth swapping these 2 lenses as my main walkaround glass? Does the IS make up for losing the f2.8 speed?
The Bigma is a very nice lens but doesn't fit into my shooting style.
The kit lens isn't great and it really isn't wide enough either so I would replace that next with a 10-22 or something similar.
Of course I could just sell the Bigma, keep the Tamron and get something wide now...but the 24-105 is tempting me...:rolleyes
0
Comments
As you know from another thread, I am also pondering the lens lineup now. FWIW, I have never missed IS on the Tamron, as it is both fast and light weight. I also really like the 2.8 for night and indoors shots or when it's time for some really narrow DOF. I also like the short minimum focal distance. The extra 4 mm on the wide end wouldn't do much for me, but an extra 30 on the long end sounds really convenient. Maybe the IS would be more important on the long end. I guess the answer to your question is the same as to mine: "Well, it all depends..."
Regards,
For those that may be interested, that particular copy is very sweet.
In response to your question about IS make up for loosing f/2.8 - remember, IS doesn't stop action. So, if you are shooting in a low-light situation, all the IS in the world will not eliminate blur caused by subject motion.
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DJ,
I had purchased the 24-105L prior to going to Kuwait. This lens is fantastic, very versatile and covers the range for 90% of my shooting situations, built like a tank and image quality is superb. Yes it has a stop less then the 24-70 f2.8L, but unless you need the shallower DOF or shooting a lot of indoor shots, the second generation IS is SUPERB, the lens is smaller then the 24-70 and has a bit more reach.
For the dislikes.... it vingettes just a bit and has noticeable distortion at 24mm. Small gripes, but very acceptable for it's inherent range, although image quality is excellent wide open.
My 2 cents worth.
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and
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Andy, in that gallery you describe that picture as being a sample of the bokeh the 24-105 can produce....that's not bokeh, that's something else (DoF effect or something I guess). Bokeh would have to have out of focus light sources in the background like this http://Davidson.smugmug.com/photos/74312530-L.jpg (all those little circles are the bokeh).
Yes, I'm nitpicking.
Ok, but to further the point you were making, I think people forget that 105mm f/4 has less depth of field than 75mm f/2.8.
:nono
Bokeh, is the quality of the out of focus areas, Richard. Sure, it can be how the specular highlights are,
but it can also be this:
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Andy, I was kidding...see...get it? :uhoh
I think I should delete my post and then you should delete this one that I am replying to so that there will be no record of my stupidity.