Can these be un-blaa'ed?
DigiEyE
Registered Users Posts: 75 Big grins
I went into the city the other day and took a couple of nice shots but 2 of them really earked me. I know they could have been better. Is there anything I could do with these or should I scrap em?
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If you really want to save them, play with curves, maybe a toning layer, levels - stuff that will bring them out.
Catapultam habeo. Nisi pecuniam omnem mihi dabis, ad caput tuum saxum immane mittam
http://www.mcneel.com/users/jb/foghorn/ill_shut_up.au
and maybe play with some black and white along with contrast?
Kevin
www.rightangleimages.com
I made a temporary section for them, maybe some of the experts can clue me in. http://digieye.smugmug.com/gallery/1580154
Appreciate it guys
Looks like a couple of possibilities to me.
The first is your aperature. It's at 5.6, and I think you've missed the focus. I'd set a narrower aperature, to give yourself more depth of field. And I'd play with setting the focus at or near infinity. Focusing at night is extremely difficult.
It also looks like it might have been a hazy night, but that's just a guess.
Catapultam habeo. Nisi pecuniam omnem mihi dabis, ad caput tuum saxum immane mittam
http://www.mcneel.com/users/jb/foghorn/ill_shut_up.au
I'm not sure what the rules are here for editing other peoples stuff, so if I've stepped on any toes, I will be happy to remove the attachment. I'm new here.
Duffy
You convert the picture to LAB and open a curves adjustment layer. Find a point that is in the quartertone area and lock it by control clicking on it. Then move the dark endpoint of the curve halfway between zero and the point you chose. (This will darken the picture and increase contrast in the dark areas. It will look like too much for right now. You can play with this as you like.)
Then on the A and B curves, you select a control point that is off neutral, somewhere in the mid range of the dominant tones you want. On this picture I think I used something like -4 on the A and -2 on the B, but I don't remember exactly. Now make the curve look like an extremely steep, almost vertical straight line on both the A and B curves. This will make extreme color shifts which look ridiculous. It will also shift some of the greens into red, and some of the blues to yellow. (Vice versa if your control point is a positive instead of a negative number.)
Now take this ridiculous looking result, and reduce the opacity on the adjustment layer until it looks good. For this picture, I think that was somewhere around 15%.
This formula often does nice things for extremely flat images that need some interesting color variation.
I hope this helps.
Duffy