Info on Chrom-Key Please..........
Can anyone give some info on using Chroma_Key Backgrounds? With Christmas coming up I have some customers that want to have Christmas Portraits done. A decient background is about $180 so I was thinking about using the chroma key system. You can get a bunch of BGs on CD so I thought that would be cool, cost less, and give me many more options then buying actual Muslin type BG's. Does anyone use Chroma Key? Can anyone show me some examples of Chroma Key BG's in the finsihed product? Thanks in advance for any help you can give me on this.
All the best, Mike
All the best, Mike
"I feel way more like I do right now then I did earlier today"
http://www.mikehaner.blogspot.com
http://www.mikehaner.blogspot.com
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I've shot folks against a keyable background, here's what I ran into.
You have to get very even lighting on your background, so it's easily selected and removed. Your subject can't be too close to the background, or you'll get reflected light on them, which will screw-up your selection. And of course, they can't wear whatever color you choose for your keyable background. And making a clean selection of hair is always a tough deal, with the potential for taking tons of time.
What seems like an easy way to change backgrounds might end up being more work than you expect.
Should you go this route, I'll be very interested to see if your experience is a good one.
Catapultam habeo. Nisi pecuniam omnem mihi dabis, ad caput tuum saxum immane mittam
http://www.mcneel.com/users/jb/foghorn/ill_shut_up.au
Sid is giving good advice.
If you really want to pursue, look at Corel KnockOut 2 and [FONT=Verdana, Arial, Helvetica, sans-serif]Ultimatte for better control. I used [/FONT]KnockOut 2 at my previous employer and it works well, but still takes time in extra preparation and processing requirements. In most cases, it was more trouble than worth.
If you blue-screen, you may often have to provide an inverse-colored rim light on the subject to eliminate a blue "halo" on the subject, cast by the background. Green-screen has a similar effect.
I think Reflecmedia and Chromatte is the current best technology, with the highest cost, but easiest setup.
http://www.bhphotovideo.com/bnh/controller/home?ci=1&sb=ps&pn=1&sq=desc&InitialSearch=yes&O=product.jsp&A=search&Q=*&bhs=t&shs=Chromatte&image.x=13&image.y=5
ziggy53
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Catapultam habeo. Nisi pecuniam omnem mihi dabis, ad caput tuum saxum immane mittam
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Mike
http://www.mikehaner.blogspot.com
I can show you how the reflected light from a keywall gets on your subject, though.
Here's an original size image. The guy was about 1-2 feet from the wall.
http://www.wxwax.smugmug.com/photos/60499672-O.jpg
You'll see green in his hair and on his face.
Catapultam habeo. Nisi pecuniam omnem mihi dabis, ad caput tuum saxum immane mittam
http://www.mcneel.com/users/jb/foghorn/ill_shut_up.au
http://www.mikehaner.blogspot.com
I never go on boats.
Catapultam habeo. Nisi pecuniam omnem mihi dabis, ad caput tuum saxum immane mittam
http://www.mcneel.com/users/jb/foghorn/ill_shut_up.au
And take lots of shots.
Bogan Tripod. Gaint Yukon 25' Bike,
Like it or not we most often get what we deserve in the end.
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I was just looking at a book explaining how to do this the other day - but Im not going to tell you what it was
Sorry! Silly moment over ( too much coffee), HERE:
http://www.ilex-press.com/publishing/product.php?productid=16201&cat=0&page=1
In the explanation it shows you how to make abackdrop in photoshop- saving you a fortune in real backdrops!
Whether it works or not is another question but it sounds good in principle if you like photoshopping:):
...pics..
Catapultam habeo. Nisi pecuniam omnem mihi dabis, ad caput tuum saxum immane mittam
http://www.mcneel.com/users/jb/foghorn/ill_shut_up.au
Catapultam habeo. Nisi pecuniam omnem mihi dabis, ad caput tuum saxum immane mittam
http://www.mcneel.com/users/jb/foghorn/ill_shut_up.au
Sorry for the delay. I was hoping to get back from the artist in this project the final poster print he was creating however I no longer wish to wait. So I took one of the Photographs and created my own redition of what he was building to show what I had done on the Project.
The thing I learned here was that the green can reflect on the white with little effort on the part of the photographer. I took a background I am using elsewhere to give a taste of the power of this tool. I have recently ordered my own Chromakey and once the studio lighting is up to speed I will shoot some more .
Thank you for your thoughts and coments.
Bogan Tripod. Gaint Yukon 25' Bike,
Like it or not we most often get what we deserve in the end.
Catapultam habeo. Nisi pecuniam omnem mihi dabis, ad caput tuum saxum immane mittam
http://www.mcneel.com/users/jb/foghorn/ill_shut_up.au
Thanks guys and gals, you folks are just wonderful.
Mike
http://www.mikehaner.blogspot.com
Oh Isee lad a "N" camera user.... I guess we will forgive ya.. I use to shoot with "N" cameras and Curse "C" cameras back in the day but then "N" Got to big fer thier britches... Started ignoring thier customers... Did stupid things like put the auto focus in the camera body instead of the lens... So My "N" camreas were sold but one and the "C" cameras came to live with me. Before that I shot with "M" cameras but that got to expensive...
Bogan Tripod. Gaint Yukon 25' Bike,
Like it or not we most often get what we deserve in the end.
Catapultam habeo. Nisi pecuniam omnem mihi dabis, ad caput tuum saxum immane mittam
http://www.mcneel.com/users/jb/foghorn/ill_shut_up.au
Even still, you'll be setting yourself up for a lot of post production work. Once you have your keyed area knocked out, you can do a lot of stuff with color replacement to function like a spill supressor to knock that green reflection down, but its still a fair amount of work. If you're up for that, Chroma Key is a lot of fun. but if you're just doing it to save a bit of money, you may be setting yourself up for a steep an unrewarding climb.
I've done quite a bit of chroma key stuff, primarily for video (although my last project was in HD, which is approaching photo resolutions) and although I do honestly dread it, the final result can be really satisfying.
Canon 40d | Canon 17-40 f/4L | Tamron 28-75mm f/2.8 | Canon 50mm f/1.8 | Canon 70-200mm f/4 L