I'll agree that it's nice to be able to see at least some part of the subject's face, but to me it's not always necessary. This is one of those shots where the composition, lighting (especially around the hair), depth of field and monochrome rendering really work together--we can easily imagine the contemplative expression on her face. What a great shot!
I might adjust the levels to get deeper shadows, but that's because I like contrasty images with rich, inky shadows. But the lower contrast of this shot may work better as is.
Rjpat, I deliberately kept her face out of this shot.... I have several others with her face nicely lit by this window, but wanted something a bit more... contemplative. Thanks for your comments! I do appreciate everyones input!
Thanks, ubergeek! My only issue with the more contrasty version (see below) is that there is something brighter on her left hand. I should PS it out, but haven't taken the time. I think it was something on my lens. UGH! But I think you're right... I'm starting to like the higher contrast version. If I go too high (dark), though, I lose too much detail in her hair and back and I like that you can see them... (JMO, though!) Thanks for your kind remarks. Any comments for the higher contrast version? Is this what you were thinking?
My only issue with the more contrasty version (see below) is that there is something brighter on her left hand. I should PS it out, but haven't taken the time. I think it was something on my lens. UGH!
It may have been something on the lens, but it looks like flare to me (it is opposite a pretty bright window, and you may have had the sun in the frame or at least very close to it). In any case, a little bit of the "burn" tool in Photoshop and it's gone (see attached).
But I think you're right... I'm starting to like the higher contrast version. If I go too high (dark), though, I lose too much detail in her hair and back and I like that you can see them... (JMO, though!) Thanks for your kind remarks. Any comments for the higher contrast version? Is this what you were thinking?
I downloaded the image and tuned the contrast to my preferences using the "curves" tool (I don't know if you use levels, curves or what, but curves give the most control). I set the black point slightly higher and applied just a gentle "S" curve. I don't know if the result is "better"--just different--and it does look a lot like the version you came up with.
Whether you like the higher contrast or not, it's a great shot either way!
Comments
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I might adjust the levels to get deeper shadows, but that's because I like contrasty images with rich, inky shadows. But the lower contrast of this shot may work better as is.
Cheers,
Jeremy
Jeremy Rosenberger
Zeiss Ikon, Nokton 40mm f/1.4, Canon 50mm f/1.2, Nokton 50mm f/1.5, Canon Serenar 85mm f/2
Canon Digital Rebel XT, Tokina 12-24mm f/4, Tamron 28-75mm f/2.8, Sigma 30mm f/1.4, Canon 50mm f/1.4
http://ubergeek.smugmug.com/
Rjpat, I deliberately kept her face out of this shot.... I have several others with her face nicely lit by this window, but wanted something a bit more... contemplative. Thanks for your comments! I do appreciate everyones input!
Thanks, ubergeek! My only issue with the more contrasty version (see below) is that there is something brighter on her left hand. I should PS it out, but haven't taken the time. I think it was something on my lens. UGH! But I think you're right... I'm starting to like the higher contrast version. If I go too high (dark), though, I lose too much detail in her hair and back and I like that you can see them... (JMO, though!) Thanks for your kind remarks. Any comments for the higher contrast version? Is this what you were thinking?
www.tippiepics.com
I downloaded the image and tuned the contrast to my preferences using the "curves" tool (I don't know if you use levels, curves or what, but curves give the most control). I set the black point slightly higher and applied just a gentle "S" curve. I don't know if the result is "better"--just different--and it does look a lot like the version you came up with.
Whether you like the higher contrast or not, it's a great shot either way!
Cheers,
Jeremy
Jeremy Rosenberger
Zeiss Ikon, Nokton 40mm f/1.4, Canon 50mm f/1.2, Nokton 50mm f/1.5, Canon Serenar 85mm f/2
Canon Digital Rebel XT, Tokina 12-24mm f/4, Tamron 28-75mm f/2.8, Sigma 30mm f/1.4, Canon 50mm f/1.4
http://ubergeek.smugmug.com/
www.mandraleephotography.com
Life is a compromise of what your ego wants to do, what experience tells you to do, and what your nerves let you do.
I love the second version of this shot. Well done and thanks for sharing it!
http://clearwaterphotography.smugmug.com/