Seriously, I don't care for these at all. But to get something like #1 you could do some radical curves then add noise. Or as Photodoug mentioned, push the amount in curve/highlight without compensating the saturation. Then add noise. Or shoot at the highest ISO the camera allows. Then add noise (if needed)
It appears that the first shot has smoke across the forearm, contributing to the "ice" effect as the poster puts it. I think shadow/highlight was losely applied, more highlight than shadow, such as this:
Don't think too much about photoshop... At first, you need a big strobe : it's all about light's "shape". After that, in photoshop, don't be afraid of contrast or saturation.
Don't think too much about photoshop... At first, you need a big strobe : it's all about light's "shape". After that, in photoshop, don't be afraid of contrast or saturation.
It's ain't really about high iso.
Moreover, I'd rather say "sweaty" than "icy"
i dont know why but, this effect really gets me going.
Don't think too much about photoshop... At first, you need a big strobe : it's all about light's "shape". After that, in photoshop, don't be afraid of contrast or saturation.
It's ain't really about high iso.
Moreover, I'd rather say "sweaty" than "icy"
What's a Strobe? hahahaha, really, I don't know
Byron M.
"... anger, frustration, deception, loneliness are its meal... don't feed him" - Donatto on Zeoneth
High Pass filter?
Perhaps try the Photoshop High Pass filter (filter/other). I have not tried to recreate the effect, but on first blush this is what it reminded me of.
Opacity, blending modes may be needed via the fade command or a duped layer. Perhaps selective application to restricted tonal ranges via the layer option blend if sliders or layer masks.
This filter is most commonly used with blending modes as an alternative to the USM filter, but it also has other uses. My website has a links page where there is more deeper info on this filter.
Comments
here is another example:
its more than that i think...
Seriously, I don't care for these at all. But to get something like #1 you could do some radical curves then add noise. Or as Photodoug mentioned, push the amount in curve/highlight without compensating the saturation. Then add noise. Or shoot at the highest ISO the camera allows. Then add noise (if needed)
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before
after shadow/highlight abuse
yea or nay?
It's ain't really about high iso.
Moreover, I'd rather say "sweaty" than "icy"
i dont know why but, this effect really gets me going.
What's a Strobe? hahahaha, really, I don't know
Byron M.
Yeah, me too, but I never gave it a try myself
A strobe? I mean: a studio flash. Isn't it what we call a strobe?
Perhaps try the Photoshop High Pass filter (filter/other). I have not tried to recreate the effect, but on first blush this is what it reminded me of.
Opacity, blending modes may be needed via the fade command or a duped layer. Perhaps selective application to restricted tonal ranges via the layer option blend if sliders or layer masks.
This filter is most commonly used with blending modes as an alternative to the USM filter, but it also has other uses. My website has a links page where there is more deeper info on this filter.
Hope this helps,
Stephen Marsh.
http://members.ozemail.com.au/~binaryfx/
http://members.ozemail.com.au/~binaryfx/
http://prepression.blogspot.com/