Why so much noise at ISO200?
Please help.
I am not sure what is going on with my pictures. Some come very sharp, while others "look" sharp, but are not.
here is an example of what I mean. This picture looks nice and sharp, but when I zoom in, I see a lot of noise and not sharp like other pictures I see online or even the ones I have taken with same lens.
Is this an element of:
1. Picture was not in focus originally?
2. Due to light quantity and quality, the digital produces noise even at ISO200?
3. The lens is bad
4. Sensor is dirty
5. Some other thing I can't think of.
This picture was taken with the 50/1.8 which is usually very sharp. So I am thinking, it is not the lens, but possibly the focus and/or light.
Can someone shed some light on this??
My camera and lenses are listed below. This was shot at ISO200 in semi-shade.
Thank you
I am not sure what is going on with my pictures. Some come very sharp, while others "look" sharp, but are not.
here is an example of what I mean. This picture looks nice and sharp, but when I zoom in, I see a lot of noise and not sharp like other pictures I see online or even the ones I have taken with same lens.
Is this an element of:
1. Picture was not in focus originally?
2. Due to light quantity and quality, the digital produces noise even at ISO200?
3. The lens is bad
4. Sensor is dirty
5. Some other thing I can't think of.
This picture was taken with the 50/1.8 which is usually very sharp. So I am thinking, it is not the lens, but possibly the focus and/or light.
Can someone shed some light on this??
My camera and lenses are listed below. This was shot at ISO200 in semi-shade.
Thank you
>>>>>>>>>>>>>>>>>
WildViper
From Nikon D70s > Nikon D300s & D700
Nikon 50/1.8, Tamron 28-75/2.8 1st gen, Nikkor 12-24/4, Nikkor 70-200/2.8 ED VR, SB600, SB900, SB-26 and Gitzo 2 Series Carbon Fiber with Kirk Ballhead
WildViper
From Nikon D70s > Nikon D300s & D700
Nikon 50/1.8, Tamron 28-75/2.8 1st gen, Nikkor 12-24/4, Nikkor 70-200/2.8 ED VR, SB600, SB900, SB-26 and Gitzo 2 Series Carbon Fiber with Kirk Ballhead
0
Comments
WildViper
From Nikon D70s > Nikon D300s & D700
Nikon 50/1.8, Tamron 28-75/2.8 1st gen, Nikkor 12-24/4, Nikkor 70-200/2.8 ED VR, SB600, SB900, SB-26 and Gitzo 2 Series Carbon Fiber with Kirk Ballhead
Is the photo noisy? Yes and no, several factors determine in camera noise, and honestly what I'm seeing doesn't so much look like chroma noise, or even luminence noise, but artifacting. The ambient temperature, ISO setting, and how you expose the scene will determine the amount of noise visible. Remember that shadows will display more noise then highlights, and at ISO 200 what you have is not uncommon. A digital sensor is more "data rich" to the right side of the histogram, so noise in the shadows are ok, the way to counter this is to expose for the highlights without blowing them out, then pushing the exposure back using camera raw, or if the difference is extreme, blend the exposures digitally.
By the way there's nothing wrong with auto-exposure if you're watching the scene and apply exposure compensation that's appropriate.
2. Dynamic range in dslr isn't the best and shadowed areas will not pull in the greatest detail. The minute you bump up the exposure in RAW processing or increase the contrast and lightness in post processing, you are going to see noise in those areas.
3. coulorbox brings up a very good point about the exposure, so again, what's the exif? Did you manually set the AV and TV, set it at auto, and how did you set the camera for exposure, evaluative, center weighted?
Dark red doesn't have much for the sensor to record. Half the sensor is green, 1/4 is blue, and one quarter is red sensitive. Now add to that, the red color is dark, and you are not giving the camera much to work with above the noise threshold.
Shooting red is always risky with our current crop of cameras. More light would help, but that is a balancing act too because red pegs out easy too.
"Failure is feedback. And feedback is the breakfast of champions." - fortune cookie
Not sure how to attach the EXIF...it is part of the non-crop JPEG, but guess it didn't come through.
Anyways, this was shot on Manual exposure with f/1.8, 1/30sec, Metering Mode was CenterWeight. And ISO was 200. No Exposure compensation and no other light, except daylight.
I appreciate the point of the red subjects. Will keep in mind. However, this happens to me even on non-red.
Just feel something I am doing is wrong. When I look at pictures of other people's, they look perfectly sharp.
WildViper
From Nikon D70s > Nikon D300s & D700
Nikon 50/1.8, Tamron 28-75/2.8 1st gen, Nikkor 12-24/4, Nikkor 70-200/2.8 ED VR, SB600, SB900, SB-26 and Gitzo 2 Series Carbon Fiber with Kirk Ballhead
Here is your EXIF:
Make - NIKON CORPORATION
Model - NIKON D70s
Orientation - Top left
XResolution - 240.00
YResolution - 240.00
ResolutionUnit - Inch
Software - Adobe Photoshop CS2 Windows
DateTime - 2006:10:01 16:52:15
ExifOffset - 216
ExposureTime - 1/30 seconds
FNumber - 1.80
ExposureProgram - Manual control
ISOSpeedRatings - 200
ExifVersion - 0221
DateTimeOriginal - 2006:08:08 19:48:06
DateTimeDigitized - 2006:08:08 19:48:06
ShutterSpeedValue - 1/30 seconds
ApertureValue - F 1.80
ExposureBiasValue - 0.00
MaxApertureValue - F 1.74
MeteringMode - Center weighted average
LightSource - Auto
Flash - Not fired
FocalLength - 50.00 mm
UserComment - (C) Anand 2006
SubsecTime - 09
SubsecTimeOriginal - 09
SubsecTimeDigitized - 09
ColorSpace - Uncalibrated
ExifImageWidth - 466
ExifImageHeight - 700
SensingMethod - One-chip color area sensor
FileSource - DSC - Digital still camera
SceneType - A directly photographed image
CustomRendered - Normal process
ExposureMode - Manual
WhiteBalance - Auto
DigitalZoomRatio - 1 x
FocalLengthIn35mmFilm - 75 mm
SceneCaptureType - Landscape
GainControl - None
Contrast - Normal
Saturation - Normal
Sharpness - Hard
SubjectDistanceRange - Unknown
1/30th sec. could also have camera shake, in addition to the most excellent advice you have been given.
ziggy53
Moderator of the Cameras and Accessories forums
Saving either of these pictures locally, and then viewing them using ACD See Photo Pro Manager shows the complete EXIF info. I use ACD See (and have for years) because it is a very fast photo management program. I especially appreciate that I can add Captions in ACD See very quickly (in the IPTC Caption field) and they will be picked up automatically as captions when uploaded to Smugmug.
Skip
http://skip-dechert.smugmug.com
1/30 is also too slow for that focal length handheld. You might think you're steady, but you're not going to get a sharp shot. Try taking a pic handheld at that shutter speed and the same pic but using a tripod and compare the two.
I've started becoming accustomed to using a tripod when I can. It makes a big difference. This shot would benefit from one. You can stop down for a larger DOF and do a longer exposure.
For flowers, you'll have to practice. Like Shay said, reds are a pain, as are bright yellows. After awhile you'll get the hang of how to expose properly to get the detail you desire.
good to know, I'll have to look into that program. I used ACD See many many years ago, but haven't checked it out in a while. Sounds like I need to.
The basic software includes both image viewer and image browser (thumbnails).
Like ACD See, you can also add both EXIF Comments and IPTC information.
http://www.IrfanView.com
ziggy53
Moderator of the Cameras and Accessories forums
http://ted.mielczarek.org/code/mozilla/fxif/
BTW, FxIF gives this:
Camera Make: NIKON CORPORATION
Camera Model: NIKON D70s
Image Date: 2006:08:08 19:48:06
Flash Used: No
Focal Length: 50.0mm (35mm equivalent: 75mm)
Exposure Time: 0.033 s (1/30)
Aperture: f/1.8
ISO equiv: 200
White Balance: Auto
Metering Mode: Center Weight
Exposure: Manual
Exposure Mode: Manual
Comment: (C) Anand 2006
http://www.chrislaudermilkphoto.com/
So simple the idea, yet I never thought about it. THANK YOU!
I shall try this again and post the result here. Of course, it will be different flower.
Wow...Tripod!!!
WildViper
From Nikon D70s > Nikon D300s & D700
Nikon 50/1.8, Tamron 28-75/2.8 1st gen, Nikkor 12-24/4, Nikkor 70-200/2.8 ED VR, SB600, SB900, SB-26 and Gitzo 2 Series Carbon Fiber with Kirk Ballhead
I have not yet upgraded my setup. Right now one mall store POS tripod Thom mentions in stage 3, and a shared setup my sister and I inherited consisting of some older Cullman gear. When I do buy it will be a Feisol 3301 and RRS BH-40LR; won't completely break the bank and will do the job; both parts have gotten glowing reviews every time I've seen them mentioned (some from very picky users).
http://www.chrislaudermilkphoto.com/