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Judging a lens

mercphotomercphoto Registered Users Posts: 4,550 Major grins
edited January 3, 2005 in Technique
What is a good way to judge a lens? This is what I want to do: figure out, for each of my lenses, what aperture range produces the best image -- where does it fall off (on both ends). I plan to use a tri-pod, remote shutter release, probably mirror-lock-up as well, and a stationary object. But should it be a flat object (printed piece of paper?) should it be a 3D object? I'm not wanting to judge depth of field, just sharpness across the frame.

I'm leaning towards a printed sheet of paper. I'm guessing a mixture of text and line graphics?

Thanks.
Bill Jurasz - Mercury Photography - Cedar Park, TX
A former sports shooter
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    dkappdkapp Registered Users Posts: 985 Major grins
    edited January 3, 2005
    Another good judge of a lens is the color reproduction. I've never done this with any of my gear, but I think the smugmug test color sheet would be perfect for something like this?

    calibration-print-435.jpg

    A larger version can be found at this link:
    http://www.smugmug.com/help/print-color

    Just scroll towards the bottom.

    Let me know what you think.
    Dave
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    wxwaxwxwax Registered Users Posts: 15,471 Major grins
    edited January 3, 2005
    What are you trying to measure. Sharpness? Eveness of light across the entire frame (no vignetting?) Color saturation? Dunno, you might need more than one test card to get all that and whatever else folks test for. ne_nau.gif
    Sid.
    Catapultam habeo. Nisi pecuniam omnem mihi dabis, ad caput tuum saxum immane mittam
    http://www.mcneel.com/users/jb/foghorn/ill_shut_up.au
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    pathfinderpathfinder Super Moderators Posts: 14,697 moderator
    edited January 3, 2005
    mercphoto wrote:
    What is a good way to judge a lens? This is what I want to do: figure out, for each of my lenses, what aperture range produces the best image -- where does it fall off (on both ends). I plan to use a tri-pod, remote shutter release, probably mirror-lock-up as well, and a stationary object. But should it be a flat object (printed piece of paper?) should it be a 3D object? I'm not wanting to judge depth of field, just sharpness across the frame.

    I'm leaning towards a printed sheet of paper. I'm guessing a mixture of text and line graphics?

    Thanks.

    I always thought shooting an evenly lit shaded brick wall was a good subject for this kind of study. Like you said - tripod, timer, Mirror LU, make sure the film plane is parallel to the subject plane. Lots of straight lines to display pin cushion and barrel distortion. Easy to judge sharpeness at center versus edge as the image is the same all across. Can't tell much about color with this though.

    But Norman Koren a retired engineer and photgrapher deluxe has spent a lot of time thinking and writing about this subject as you can see here. He may offer more detail than you are prepared for though.
    http://www.normankoren.com/Tutorials/MTF5.html

    He offers some nice image files for lens test subjects also.

    His webste is a veritable fountain of knowledge if you can follow the math.
    1drink.gif
    Pathfinder - www.pathfinder.smugmug.com

    Moderator of the Technique Forum and Finishing School on Dgrin
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