three views of the albert bridge
Andy
Registered Users Posts: 50,016 Major grins
today i'm in london, and i had the good fortune of being able to shoot with our man gubbs we had a bit of uncooperative weather, what else is new in london, eh? anyhow, we had decided to shoot the albert bridge, one of the many crossings of the river thames in london. gubbs is not only a fine photographer, but a heckuva great guy to hang with, too. this was our second outing together, and by now, gubbsie knows that it's not just about the photography, but about the food, too :lol3 and so, after doing the bridge, and then some night street shooting, we enjoyed a really fine meal in an olde english restaurant.
for the first shot, i applied the shooting techniques and post processing techniques described in this nightshooting tutorial
canon 1Ds Mark II, 16-35 f/2.8L aboard, @ 31mm. settings: iso 100, f/13, 6/10ths second, negative exposure compensation of -1.33. in post, developed from raw two exposures, one for the majority of the scene, and one for the pink-ish siding of the bridge. blended in post (for blending tutorial, check out the hall of wisdom here on dgrin
this shot, one of the supporting columns of the bridge. shot with my 16-35 f/2.8L at 16mm. there are some folks who say that this lens can't work on a full-frame body, i'll post a 100% crop from the full size file when i'm back in the states ... amazingly sharp! exif: iso 100, 2 seconds, f/13, negative exposure compensation of -2/3s.
and here's gubbsie, posing with the albert bridge behind him. shot with an 85mm f/1.8 lens. iso 800, f/1.8, aperture priority mode, negative 2/3s exposure compensation.
enjoy (shooting bridges with a friend) photography,
for the first shot, i applied the shooting techniques and post processing techniques described in this nightshooting tutorial
canon 1Ds Mark II, 16-35 f/2.8L aboard, @ 31mm. settings: iso 100, f/13, 6/10ths second, negative exposure compensation of -1.33. in post, developed from raw two exposures, one for the majority of the scene, and one for the pink-ish siding of the bridge. blended in post (for blending tutorial, check out the hall of wisdom here on dgrin
this shot, one of the supporting columns of the bridge. shot with my 16-35 f/2.8L at 16mm. there are some folks who say that this lens can't work on a full-frame body, i'll post a 100% crop from the full size file when i'm back in the states ... amazingly sharp! exif: iso 100, 2 seconds, f/13, negative exposure compensation of -2/3s.
and here's gubbsie, posing with the albert bridge behind him. shot with an 85mm f/1.8 lens. iso 800, f/1.8, aperture priority mode, negative 2/3s exposure compensation.
enjoy (shooting bridges with a friend) photography,
0
Comments
p.s. so where d'ya eat...and whaddya eat..fish and chips and mushy peas? steak and kidney pud? god I'm hungry..
Eric
It's better to be hated for who you are than to be loved for who you're not.
http://photosbyeric.smugmug.com
Nice shots of the bridge!
Enjoy the rest of your trip, (when do you return?)
Tim
Speak with sweet words, for you never know when you may have to eat them....
I liked the detailing on the first bridge shot. And I love the street shot of the man on the bridge............is he carrying a tripod? I am shocked! Gubbs, did Andy make you do that? (That is a hefty tripod, too)
On the first bridge shot, uh, Andy, I think I remember the tutorial that you are referring to, can you show more of the water, and whatever, under this bridge, too. I feel kind of like the supports are going nowhere.......or something. If it is fog, maybe you could empasize that, so I know... rather than crisp, then "nothing". Other than that it is gorgeous.
ginger
Great shots and great story
Looks like the 1Ds has found a good home.
Thanks
Fred
http://www.facebook.com/Riverbendphotos
Except in the Gubbs shot, that is. Somehow you made his hair look gray.
Catapultam habeo. Nisi pecuniam omnem mihi dabis, ad caput tuum saxum immane mittam
http://www.mcneel.com/users/jb/foghorn/ill_shut_up.au
Nice to meet you, Gubbs.
"The Edge... there is no honest way to explain it because the only people who really know where it is are the ones who have gone over."-Hunter S.Thompson
As always very nice. But I did want to thank you for getting that 1Ds Mark II. When you had the Rebel, last week I think, I used to get very envious, looking at photos I could never duplicate with the same camera. My skin was so green I had to have it dyed back to my normal color, :cry Now of course I have an out. I just say, "I could do that, if I had a 1Ds Mark II!" Your chances of ever proving that wrong are the same as my winning the lotery.
Thanks for sharing,
Sam
i'll likely responsd again... but on looking at shot number one again, i'm not happy with the in-post work done on the water. the thames is dirty & brown, and it was low tide, so it was pretty ugly under there, and i just accentuated the curves there and masked away the rest. ginger, i like your suggestion, and i'm gonna try my fog machine on it when i get back to my proper system at home studio...
d'ya know how hard it is to edit 20mb raw files on a teeny tiny laptop?
and the saturation question... i didn't change anything on the saturation, that blue sky was really that blue. i can tone it down in post... but this is what happens at long night exposures sometimes, so i'll have to look at that again too, thanks!
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Tim
:cry i wont show any of my london bridge photos now.
gubbs.smugmug.com
Don't worry, I'll return the compliment this evening when I get home once I've had a chance to do the post.
Thanks for a great afternoon and evening
Ooh! Mrs G asked if we could possibly have a copy of the ugly bloke under the bridge?
Thanks again!
gubbs.smugmug.com
indeed. and you should take some lessons from sid, he's a much better caddie than you are
fun time, gubbs, looking forward to some shots from you i have more to process but i'm waiting to do that on my big system, too hard on this tiny laptop to work with the big files ....
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andy
and, thanks (waiting to see if you know how to run the "slimming" filter in photoshop
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1Ds Mark II, 16-35 f/2.8L @16mm, f/8, iso 200, -1/3 ec
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my smugmug
gubbs.smugmug.com
aww everyone knows that's just the distortion from the extreme ff wide angle
and if you believe that, i have a bridge in brooklyn i'd like to sell you
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As usual, great work
The thing that scares me about you is your consistency. People, architecture, landscapes, color, black & white, sunlight, available light, Photoshoped, untouched... all with outstanding results.
Now get him back.
cletus, you've totally made my day! thank you so much for commenting. i *do* try very very hard to present my best, all the time. it's very worth it to me to hear that i'm doing it right, because i do aim for reactions such as yours...
thanks so very much
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London is one of my very favorite places; nice shots. However not this time of year...
Last time we spoke was over at Phil Ask ey's 1D/1Ds forum. (James L Wilson)
I'll keep an eye out on these pages too. JW
welcome to dgrin, jw i'm so glad you stopped by. thanks for joining, and we all look forward to your contributions!
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