A few questions from a site virgin...
Greetings,
I am currently using a Rebel 300D, and I have a 28-135 IS lens.... f stop I'm not certain of (at work, can't look..), but it's a 600$ or so, I think the f3.5-5.6.
One of two things is going transpire this year.. I'm either going to Tanzania or I am riding across the US.... and I would like nothing more but to take some serious, professional grade shots along the way of the stunning scenery I am bound to encounter, and put them up somewhere for sale.
I've been shooting on an amateur basis for years, some more serious shots than others, but can usually put the lens where I want it and get the shot I want, as long as I don't get elaborate with motion blurs and such. I've done some limited but nice macro stuff with as well, the lens is pretty versatile.
I guess where I'm at is this... I've come to realize that I need to get a nice telephoto zoom, and the only one that's gonna meet my needs at the moment is the f4 100-400 IS USM L, and that maybe, perhaps... my body needs an upgrade. Wishful thinking, I know, and it seems that maybe it won't really be -needed- per se as 'nice to have'.... nice as in 5D nice.
running around in my head though are the configurations:
300d, 1.6 lens mult native, 28-135, 100-400L,
5D, no mult, twice the MP, same lens combo
Would the 100-400 be "too much lens" for the 300D? Not that I have a choice if I want 400 zoom... (thankfully the cheapest of the L series...)
Would the 28-135 not being an L be limp on a 5D? Am I gonna shoot myself in the wildlife foot losing the native multiplier of the smaller ccd?
How's the image quality on a 24x36-ish print... I've never tried it.
To answer the obvious question... yes, I've been happy with the rebel in every respect since I've had it, although sometimes it likes to get a little creative on its autoexposure... but I also don't necessarily want to be limitted to a small print size, either.. my only gripe is when shooting raw, you get the jpg too.... if I wanted the jpg, I wouldna selected raw..
Just trying to wrap my head around the finer points of digital photography so luck plays far less of a factor than opportunity
TIA,
Mark
I am currently using a Rebel 300D, and I have a 28-135 IS lens.... f stop I'm not certain of (at work, can't look..), but it's a 600$ or so, I think the f3.5-5.6.
One of two things is going transpire this year.. I'm either going to Tanzania or I am riding across the US.... and I would like nothing more but to take some serious, professional grade shots along the way of the stunning scenery I am bound to encounter, and put them up somewhere for sale.
I've been shooting on an amateur basis for years, some more serious shots than others, but can usually put the lens where I want it and get the shot I want, as long as I don't get elaborate with motion blurs and such. I've done some limited but nice macro stuff with as well, the lens is pretty versatile.
I guess where I'm at is this... I've come to realize that I need to get a nice telephoto zoom, and the only one that's gonna meet my needs at the moment is the f4 100-400 IS USM L, and that maybe, perhaps... my body needs an upgrade. Wishful thinking, I know, and it seems that maybe it won't really be -needed- per se as 'nice to have'.... nice as in 5D nice.
running around in my head though are the configurations:
300d, 1.6 lens mult native, 28-135, 100-400L,
5D, no mult, twice the MP, same lens combo
Would the 100-400 be "too much lens" for the 300D? Not that I have a choice if I want 400 zoom... (thankfully the cheapest of the L series...)
Would the 28-135 not being an L be limp on a 5D? Am I gonna shoot myself in the wildlife foot losing the native multiplier of the smaller ccd?
How's the image quality on a 24x36-ish print... I've never tried it.
To answer the obvious question... yes, I've been happy with the rebel in every respect since I've had it, although sometimes it likes to get a little creative on its autoexposure... but I also don't necessarily want to be limitted to a small print size, either.. my only gripe is when shooting raw, you get the jpg too.... if I wanted the jpg, I wouldna selected raw..
Just trying to wrap my head around the finer points of digital photography so luck plays far less of a factor than opportunity
TIA,
Mark
0
Comments
If you don't already have, you may want to consider a good (at least respectable) tripod for the trip. I rarely go on any trips without the tri or monopod.
As far as the lenses... A Nikon shooter here, so I can't address your lenses. But, good luck and enjoy your trip.
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Don't know, but I suspect that you will find that the 28-135 will perform in a fashion similar to that on your dRebel. If you know the lens and you know where it performs best, you should be alright.
You should have no problem getting posters from a dRebel image - lots of resolution to work with. There are others here who are more expert in this than am I.
Sounds like you are in for a extreme amount of fun! Enjoy!
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go with the rebel 28-135 and 100-400 if you need get a kenko coverter 1.4 that should round you out nicely::D
“the farther back we look the farther forward we see.”—A. Theodore Kachel
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I wholeheartedly agree. I had that lens and body. Both very good. Not to get into a lens/$/f-stop comparison, I eventually went for the 24-70 f/2.8 L on my 5D. I would keep the body, get the best zoom you can and then seriously look at the EF 17-40 L, or the EF-S 10-22 for more wide angles for that body when you are out west. Down side of the 10-22 is it won't go on the 5D, but it is less $$ and wider than the 17-40.
-Fleetwood Mac
Great idea... woudl serve me well on the Savannha too...
Thanks guys... you've saved my brain :=) Keep the reb, buy the glass. Now, to see how to fit it all in my pelican!!!!
http://www.terrawolf.com/
http://thewanderingwolf.blogspot.com/
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I'll vouch for this route also - I'm still using a DRebel and have been spending my money on lenses and a studio flash rig
Lets just say it's right behind riding.... But then again, so is everything else.
http://www.terrawolf.com/
http://thewanderingwolf.blogspot.com/