A few more bird shots.
Taken a couple of days ago using the 70-200 f2.8 sigma lens. All have had some cropping done as the reach of 200 is not enough. When I returned with the teleconverter I somehow managed to change the settings to A-dep and all were horribly out of focus: I call this series, "Coming in to land"
Regards Ralph
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"Osprey Whisperer"
OspreyWhisperer.com
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Hi there Aussieroo, I got myself a Pelican last weekend too
I love to watch them, they are "So Matter Of Fact" and can be quite intimidating at times too.
Those that are used to people are not backwards in coming forward for a free feed are they, others are more timid, and some just ignore you like your not even there
I'd like to get a decent in flight shot one of these days, thanks for sharing.
They're like watching a small water plane come in for a landing.
...... Skippy
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Skippy (Australia) - Moderator of "HOLY MACRO" and "OTHER COOL SHOTS"
ALBUM http://ozzieskip.smugmug.com/
:skippy Everyone has the right to be stupid, but some people just abuse the privilege :dgrin
Geelong is a place I have always wanted to spend some time in. We did 3 weeks in Apollo Bay a couple of years ago and are looking forward to doing that area with the van again one day. My daughter visits there regularly as her husbands brother and family live there.
Thank you for your comments. Pelicans sometimes are considered "easy shoots" almost as bad as shooting ducks to some. But like you, I love their grace and style plus with a 200mm lens you can still get a reasonable frame fill. The smaller birds you need a lot more patience and a longer sharper lens. One day I may aspire to one of those.
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How many photographers does it take to change a light bulb? 50. One to change the bulb, and forty-nine to say, "I could have done that better!"
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Outstanding question. I always expose for my subject. I shoot in aperture priority, matrix metering, and make EV adjustments based on the lighting and the subject. Spot metering is just too slow , IMHO, for wildlife photography.
This will make the background darker but remember its the background and the viewer's attention will be on your subject (hopefully ). I will usually handle the darker background in my post work. I will create a duplicate layer and brighten up the background. This of course will bring out some noise too. So I apply noise reduction to the dup layer. I then make it a mask and I "paint" out the subject and flatten the layers. You are left with a well exposed and sharp subject and a lighter background with some loss of details in the background. This loss of detail in the background is no big deal because you usually don't want a sharply detailed background competing for the viewer's attention with your subject.
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How many photographers does it take to change a light bulb? 50. One to change the bulb, and forty-nine to say, "I could have done that better!"
I appreciate the help. I will give this a run today when I get a chance to get out with the camera gear.
I have been browsing your most excelent gallery and am in awe of your work. I have checked out your exif info with great interest. I am wondering just what lens you are using. Some of your shots are listing 200mm and yet you are so close to someof these birds you couldn't have been more than a few meters away from them. Do you use a "Hide"? Other photos have 720mm on them leading me to understand you must have a big lump of glass in front of your Nikon. I realise I will be limited with my 70-200mm for some time and the sharpness I get with the 2X's converter isn't good enough to even warrant using it I don't think unless the light is really brilliant. Your light in a lot of the shots must have been fabulous as you achieved such fast shutter speeds considering the zoom and apperture settings. But no one becomes an over night success so back to more practice for me. Thanks again for your help.
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