Improvisational studio!
Been playing around with the idea of having a simple studio setup at home, and even though what I've got is pretty jury-rigged, it was a lot of fun. I have limited experience with all things light-related so this was a big project of mine.
Skin tones OK? Backdrop too distracting? I couldn't stop the lens down enough to get it blurred, or back up further because of the length of the room. But still opinions/advice/constructive criticism is welcome!
Skin tones OK? Backdrop too distracting? I couldn't stop the lens down enough to get it blurred, or back up further because of the length of the room. But still opinions/advice/constructive criticism is welcome!
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I can't comment on the skin tones, but the backdrop is definately noticable (in a not so good way) particularly in the last shot (and to some degree, but not as bad, on the 2nd and 3rd shots. I wonder if you could blur it in PS
C.
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check out my (sports) pics: ColleenBonney.smugmug.com
*Thanks to Boolsacho for the avatar photo (from the dgrin portrait project)
Nikon D300
Nikkor 85mm f/1.8D
Tamron 28-75 f/2.8
Nikkor 80-200 AF-D ED f/2.8
2 Alien Bees AB800
Nikon Speedlight SB800
Elinchrome Skyport Triggers
the mask thing?-
well, whatever-
the backdrop in the last one, is, well----
cool
My setup consisted of lots of soft natural light from two big windows behind me (facing south, so indirect), a backdrop stand that my husband constructed for me that worked very well, a dropcloth and a 580EX flash that I bounced off the walls to get the shadows. That's it. I wouldn't mind having real lamps perhaps, but currently I don't have any plans to do enough studio work to really justify it.
Oh and I was very inspired by gmonkeh's recent beautifully minimalized studio work.
As for cleaning up the backdrop... are we talking about Andy's handy-dandy white background tutorial?
Photos that don't suck / 365 / Film & Lomography
Well thank you, that's really nice to hear Yeah Andy's tute is perfect. But first you have to clone out the creases and other stuff from the background. Make sure you use a soft low opacity (around 25%) clone brush. And just do a few passes. Using low opacity allows for a more subtle clone job.
Lex
Nikon D300
Nikkor 85mm f/1.8D
Tamron 28-75 f/2.8
Nikkor 80-200 AF-D ED f/2.8
2 Alien Bees AB800
Nikon Speedlight SB800
Elinchrome Skyport Triggers