sRGB versus RGB
mercphoto
Registered Users Posts: 4,550 Major grins
I'm confused about color spaces. I know RGB is "bigger" than sRGB. I also know that sRGB is roughly the gamut of a monitor, which is slightly bigger than that of printers. Simplification, I know, but its close enough for discussion.
Should I upload Adobe RGB, or should I upload sRGB jpg's to smugmug? Seeing as how I'm a person who does little post-processing, should I just shoot my 20D on sRGB JPG and be done with it?
Thanks.
Should I upload Adobe RGB, or should I upload sRGB jpg's to smugmug? Seeing as how I'm a person who does little post-processing, should I just shoot my 20D on sRGB JPG and be done with it?
Thanks.
Bill Jurasz - Mercury Photography - Cedar Park, TX
A former sports shooter
Follow me at: https://www.flickr.com/photos/bjurasz/
My Etsy store: https://www.etsy.com/shop/mercphoto?ref=hdr_shop_menu
A former sports shooter
Follow me at: https://www.flickr.com/photos/bjurasz/
My Etsy store: https://www.etsy.com/shop/mercphoto?ref=hdr_shop_menu
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What's with sRGB and sRGB IEC61966-2.1?
Really confusing, and a pain in the butt.
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You should upload to smugmug in sRGB. Browsers only show this profile, so pictures in aRGB will appear flat & washed out.
I shot in aRGB & change to sRGB before I upload.
Hope this helps.
Dave
http://www.lifekapptured.com (gallery)
I absolutely agree with dkapp. I save my files in my archives on my hard drive as 16bit *.psd in AdobeRGB. But when I upload a file to smugmug I convert them to 8 bits via Image>Mode>8 bits/channel and then Image>Mode>Convert to Profile and use these settings
If you do not specify sRGB, smugmug strips the ICC info and the image ends up looking kind of less saturated than it should.
Moderator of the Technique Forum and Finishing School on Dgrin
Here's our help topic on it: http://www.smugmug.com/help/display-color
It's not true that Adobe RGB is bigger — it has the same number of bits to represent it — but it is true that it's broader — it can represent more colors, but in coarser gradations since it has the same number of bits to cover a broader area.
It turns out the conversion from Adobe 98 to sRGB is hard because some computer has to make decisions for you about how to represent colors in the Adobe 98 file that don't exist in sRGB.
So.... Counterintuitively, you end up with a poorer sRGB file by going through Adobe 98 first.
In most cases, and to most eyes, it won't make a difference because few naturally occurring colors are outside sRGB, especially ones that can be printed or displayed.
Since virtually all pro and consumer printers in the US expect sRGB files, including EZ Prints, Ofoto, Shutterfly, Costco, Walgreens, Wolfe's, whcc, and the web expects sRGB, our advice is to stick with it unless you have a client who expects Adobe 98 (a magazine, for example).
Thanks,
Baldy
You just made my life, from here on out, easier. The 20D is being switched to sRGB for most my shooting from here on. Thanks everyone!
A former sports shooter
Follow me at: https://www.flickr.com/photos/bjurasz/
My Etsy store: https://www.etsy.com/shop/mercphoto?ref=hdr_shop_menu
Richard
Good info, but still, what about this?
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Likewise, Adobe 98 is variously referred to as Adobe RGB, aRGB, Adobe RGB (1998) and SMPTE-240M just to confuse everyone as much as possible.
Well, I set my JPEGS on my NEW 20D to sRGB, and it comes out with all the extra stuff on the end. I also set PS to sRGB, but when I open a file from the camera, I get a mismatch because it says it's a different profile. All this on a Mac.
Dgrin FAQ | Me | Workshops
In either case, Baldy, thanks for the great info. I had given up on the "broader" aRGB a long time ago when all my web images looked flat. It always bothered me knowing that I was working in an inferior color space, but now that I know its actually what 99% of the world (browsers, printers) expect, I'm much happier!
moderator of: The Flea Market [ guidelines ]
And Scott Kelby, author of many best-selling Photoshop books and the president of the National Association of Photoshop Professionals, says in one of his books, "The first thing you should do is change Photoshop's default color space to Adobe 98. sRGB is fairly ghastly for photographers. I wouldn't even recommend it to web designers."
I think it kills Bruce that the web doesn't make use of his beloved ICC profiles, but there's no way CNN and eBay are going to triple the size of small images by attaching the profile.
(Ironically, the images Bruce uses on his website to show the gamut of Adobe 98 are actually sRGB files with no ICC profile attached.)
And it kills Scott to think that a camera could capture a color that sRGB can't reproduce perfectly.
But as Dan Margulis is fond of saying, the sRGB tide swept the web and printing services and many color experts are having trouble coming to grips with it. But he also says sRGB covers virtually all naturally occurring colors and it's an unusual image that has something outside sRGB's gamut. And Adobe 98 is the worst of the RGB spaces if your file is bound for CMYK, he says (I don't know why that's true).
Anyway, the web is an sRGB world and we have to deal with it. Going Adobe 98 doesn't improve the situation, it worsens it.
I see absolutely stunning images in sRGB every day.
moderator of: The Flea Market [ guidelines ]