Can this underexposed and noisy photo be saved? [solved]
urbanaries
Registered Users Posts: 2,690 Major grins
I could not have screwed this one up more. Luckily before I got too far into the shoot, I realized I was in Manual with ISO 1600 but this was before that. As you can tell it's underexposed, and noisy as hell.
I do not currently have a noise reduction program and/ or I2e. I have read several threads on i2e and haven't read anything about its noise reduction.
Luckily, I shot in RAW. I currently edit using LR 1.0 and Photoshop CS2 on a PC. Here is the JPEG straight out of camera.
Any help or advice would be much appreciated. The non-group portions of the shoot went great, so I could re-shoot fairly easily, although I would rather avoid doing that to the client if possible.
I do not currently have a noise reduction program and/ or I2e. I have read several threads on i2e and haven't read anything about its noise reduction.
Luckily, I shot in RAW. I currently edit using LR 1.0 and Photoshop CS2 on a PC. Here is the JPEG straight out of camera.
Any help or advice would be much appreciated. The non-group portions of the shoot went great, so I could re-shoot fairly easily, although I would rather avoid doing that to the client if possible.
Canon 5D MkI
50mm 1.4, 85mm 1.8, 24-70 2.8L, 35mm 1.4L, 135mm f2L
ST-E2 Transmitter + (3) 580 EXII + radio poppers
50mm 1.4, 85mm 1.8, 24-70 2.8L, 35mm 1.4L, 135mm f2L
ST-E2 Transmitter + (3) 580 EXII + radio poppers
0
Comments
PM coming.
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RAW file sent about 30 minutes ago, let me know if you didn't get it.
Thanks Andy!
50mm 1.4, 85mm 1.8, 24-70 2.8L, 35mm 1.4L, 135mm f2L
ST-E2 Transmitter + (3) 580 EXII + radio poppers
OK Team, let's see your best shot!
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GreyLeaf PhotoGraphy
I''ll give the RAW a shot when I get a chance.
Duffy
Link to full size
Indianapolis, Indiana
Please.
Pretty please.
I'll be your friend.:D
GreyLeaf PhotoGraphy
50mm 1.4, 85mm 1.8, 24-70 2.8L, 35mm 1.4L, 135mm f2L
ST-E2 Transmitter + (3) 580 EXII + radio poppers
Nikon D300
Nikkor 85mm f/1.8D
Tamron 28-75 f/2.8
Nikkor 80-200 AF-D ED f/2.8
2 Alien Bees AB800
Nikon Speedlight SB800
Elinchrome Skyport Triggers
Click for link to O.
http://photos.mikelanestudios.com/
Indeed, Jody! You are a true talent both behind the lens and behind the keyboard. I'd love to know how you salvaged all of that detail. Please, do tell! [hint]mini-tute?[/hint]
BTW Jody, everytime I visit your site, I know I can write off the next hour or so!!! So many great shots.
Indianapolis, Indiana
Hi, sorry if I interrupted, but I played with your pic, hope you don't mind...
Wow, so many great renditions, it's hard to pick one I like best! Keith, did you run a median filter and then an unsharp mask? I tried that a few different ways and got similar results to yours, just curiosu.
Tentacion, your edit looks great too, it's small though so I can't see much detail.
Again thanks everyone for taking on the challenge....awesome, awesome work!!!
50mm 1.4, 85mm 1.8, 24-70 2.8L, 35mm 1.4L, 135mm f2L
ST-E2 Transmitter + (3) 580 EXII + radio poppers
THanks
:D:D
Stephen Skoutas
http://stephenskoutas.com
sskoutas@gmail.com Certe, toto, sentio nos in kansate non iam adesse
Please feel free to retouch and repost my images. Critique, Suggestions, and Technique tips always welcomed.
Its so easy. First, in PS, duplicate the image layer. This is a good idea so that the original is not altered. You can always delete the duplicate later if you don't like it or if you really mess up.
With the duplicated layer seletect Choose your "burn" tool. Its icon looks like pinching fingers.
Look at the options you have for the burn tool
For a quick toning down choose the Range as highlights. Choose a brush size and type appropriate for the area you are working in (zoom in on the area if needed). I typically use a soft brush so the edges a not harsh but rather faded when I paint with the tool. I also typically drop the exposure down a lot so that the burning is gradual. Each pass over the area will burn the area a little bit more.
GreyLeaf PhotoGraphy
I have a lot of tools in my PS toolbox.
Even though I use Noise Ninja, I still eliminate noise in RAW using the Luminance slider. I'm at work so I can't tell you exactly where it is, but you'll find it with a little searching.
I use Pixel Genius for sharpening. I love that program.
The rest was done in RAW with exposure, and LAB adjustements, along with some dodge work.
You'll notice in my work I tend to have more contrast and a little less HDR when it doesn't help the primary subject. While I like what Jody did, the faces seem a little washed out at the expense of being able to see everything in the shot. It's a personal preference.
The clients finally placed an order, and ended up ordering the image Jody worked up, and it printed successfully, to client's satisfaction...clap
However, the only other shot they ordered, I wasn't so concerned about, and their 8x10 printed horribly. After seeing my own attempt at a rework, Andy says to refund their money...just wanted to make one last ditch effort before going black and white!
original print (printed w/ Smugmug autocolor; final result was grainy and weird blue highlights in hair)
My rework (CS2 noise reduction, reset white and black points, and lowered red saturation)
Link to Original File:
http://lynnehulbertphotography.smugmug.com/gallery/2847906#152653379
any thoughts? (besides whipping me with a spiked noodle)
50mm 1.4, 85mm 1.8, 24-70 2.8L, 35mm 1.4L, 135mm f2L
ST-E2 Transmitter + (3) 580 EXII + radio poppers
XTi, G9, 16-35/2.8L, 100-300USM, 70-200/4L, 19-35, 580EX II, CP-E3, 500/8 ...
DSC-R1, HFL-F32X ... ; AG-DVX100B and stuff ... (I like this 10 years old signature :^)
And I still can't resist
XTi, G9, 16-35/2.8L, 100-300USM, 70-200/4L, 19-35, 580EX II, CP-E3, 500/8 ...
DSC-R1, HFL-F32X ... ; AG-DVX100B and stuff ... (I like this 10 years old signature :^)
Wow, this looks great!! Thanks for taking the bait!! you did a miracle job on the skin tones, and preserved the shadow detail in the dark sweater, which I could not do at all.
Care to share your technique?
50mm 1.4, 85mm 1.8, 24-70 2.8L, 35mm 1.4L, 135mm f2L
ST-E2 Transmitter + (3) 580 EXII + radio poppers
I used probably everything from standard palette, no plug-ins, no actions,
no automatic functions.
Cropping, rotating, brightness, contrast, saturation, hand color balance,
some shadow variations, some background remodelling ,
sharpening twice, noise twice (both at different levels).
One thing should be done here as I do on previous family portrait - removing sun line - on this one removing shadow.
But it's time consuming process and I'm so lazy
XTi, G9, 16-35/2.8L, 100-300USM, 70-200/4L, 19-35, 580EX II, CP-E3, 500/8 ...
DSC-R1, HFL-F32X ... ; AG-DVX100B and stuff ... (I like this 10 years old signature :^)
XTi, G9, 16-35/2.8L, 100-300USM, 70-200/4L, 19-35, 580EX II, CP-E3, 500/8 ...
DSC-R1, HFL-F32X ... ; AG-DVX100B and stuff ... (I like this 10 years old signature :^)
I'm not so concerned about the sun shadow, its not intended to be a pristine studio backdrop...
the skin tones however were of major concern, and you did a great job. I used most of what you referred to in your explanation but as you know the various settings and order yields an infinite range of results!
I appreciate your taking a stab at the image, you clearly have improved upon my original foible. In the interest of time, I think I probably should convert to black and white for the client.
50mm 1.4, 85mm 1.8, 24-70 2.8L, 35mm 1.4L, 135mm f2L
ST-E2 Transmitter + (3) 580 EXII + radio poppers