What do you think of this setup? (24-105/100-400)

wolfejmwolfejm Registered Users Posts: 78 Big grins
edited April 7, 2007 in Cameras
Hi All - I'm a hobbyist and I'm looking to setup a good compliment of lenses. I can afford to buy what I need, but not afford to buy lots of extras. Here's what I have Rebel XTi w/ 17-85 IS. I'm willing to sell my new 17-85 to help recover money for any new lenses.

Here are my basic needs:
- Versatility - I haven't found a specialty yet, so I want to be able to reasnoanbly explore new areas.
- Tons of family pictures
- Tons of travel pictures
- Reasonable travel size
- Lot's of beach-scapes
- Lot's of local event pictures

I'm thinking about the 24-105L IS and the 100-400L IS. I love the IS on the lens I have, and don't really want to give it up. I rented the 70-200 F4L IS for the week, and find that the close end is often too long, and the far end could reach farther. I was thinking that most shots around 105 will either be good enough with a little foot zoom, or I'll need a lot more range making it reasonable to change lenses. Seems like 200 over 105 isn't really going to be enough of a difference, so the longer 100-400 felt like a better decision for more reach.

I'm curious what others think. Would these two lenses make for a pretty complete package? Do you find it more convenient to have more overlap in your focal lengths? I don't mind the cost of the L's, because they feel like lifetime investments (you don't get to say that much anymore). If that's bad logic, please let me know!

Thanks,
Jeff :D
- Jeff
http://jeffwolfe.smugmug.com
Canon 7D / EF 24-105L F4 / Tokina 12-24 F4

Comments

  • ziggy53ziggy53 Super Moderators Posts: 24,131 moderator
    edited April 3, 2007
    Hi Jeff,

    I don't think you have enough on the wide-angle side of things. Look at your current images and see if you have many in the 17-24mm range of your 17-85mm lens images. I'll bet you find many interior shots in that wide range.

    Also throw in the 50mm, f1.8II, just because it's a bargain for low-light subjects (or the 50mm, f1.4 is that much better and still pretty reasonable.)

    I guess for you my recommendations, in addition to your list, are the Canon EF-S 17-55mm, f2.8IS (just a very nice interior lens) and the Canon EF 50mm, f1.8 or f1.4.

    You might also consider the Canon 70-200mm, f2.8IS with a 1.4x teleconverter, which is pretty usefull combination, instead of the 100-400L.
    ziggy53
    Moderator of the Cameras and Accessories forums
  • kdogkdog Administrators Posts: 11,681 moderator
    edited April 3, 2007
    I'm thinking those two lenses plus the Canon 10-22, and you've got it pretty much covered. I've got the 10-22, 17-85 and 100-400. Some day I'll trade my 17-85 for the 24-105.

    Regards,
    -joel
  • h4rrih4rri Registered Users Posts: 24 Big grins
    edited April 4, 2007
    Consider the shooting you will do too, the 24-105 whilst being a competent lense would be lacking in the lower range on a crop body. I also think that limiting yourself to f/4 might bring complications.

    I currently have the 24-105, 17-40, 100-400 and find them a little lacking in less than ideal lighting. I used the 17-85 on my 350D before the 5D upgrade and found it to be a superb lense. I wouldn't be too keen to sell up and replace it with the 24-105 if I were you. Have you considered keeping the 17-85 and getting a 24-70 f/2.8? Possibly consider the 70-300 instead of the 100-400? The IS on the latter is only good when off tripod and I find I don't use it a great deal [the lense or the IS]. I am seriously considering selling mine for a 70-200 f/2.8 IS with a 1.4x TC to save weight and gain low light performance.

    Just my two penneth worth but hope it helps :)
    H4rri
    ~~
    w: www.randomphotos.net
    #: Canon 5D - 17-40mm f/4 L - Canon 24-70 f/2.8 L - Canon 70-200 f/2.8 L IS - Canon 100mm f/2.8 Macro - 100-400mm f/4 L IS - Canon MT-24EX - Speedlite 430EX - Nikon CoolPix S200 :#
  • wolfejmwolfejm Registered Users Posts: 78 Big grins
    edited April 4, 2007
    Thanks to everyone for the suggestions. Clearly this is a matter of personal taste, and it seems I'll have to spend some money to develop my tastes a little more!

    h4rri, I'm curious. Why don't you use the 100-400 more often? I'm not sure you're going to save weight making that switch, considering the 70-200 weighs more before adding the TC.

    I have been considering the 70-300 too, but figured the build quality and extra 33% reach might be worth the upgrade. Then again, it knocks $900US off the project too. ne_nau.gif
    - Jeff
    http://jeffwolfe.smugmug.com
    Canon 7D / EF 24-105L F4 / Tokina 12-24 F4
  • h4rrih4rri Registered Users Posts: 24 Big grins
    edited April 4, 2007
    wolfejm wrote:

    h4rri, I'm curious. Why don't you use the 100-400 more often? I'm not sure you're going to save weight making that switch, considering the 70-200 weighs more before adding the TC.

    Laughing.gif hadn't checked the weight out just assumed it would be less but I guess with a static aperture throughout the range the optics would be heavier.

    Don't know why I don't use the 100-400 alot, wasn't a conscious decision I just seemed to stop sticking it on. It's quite a beast and not at all easy to handhold and I guess I don't go for the type of photography were it gets widely used.

    Hopefully with the better weather on it's way I might use it alot more. If you do go for one it is a superb lense with both great reach and build quality. I am never disappointed with the images it produces either. Something like the 70-200 would fill a gap in my focal range if I dropped the 24-105 in favour of the 24-70 though so would be my reason for sale.

    Oh and the push-pull zoom is a absolute pleasure to use :)
    H4rri
    ~~
    w: www.randomphotos.net
    #: Canon 5D - 17-40mm f/4 L - Canon 24-70 f/2.8 L - Canon 70-200 f/2.8 L IS - Canon 100mm f/2.8 Macro - 100-400mm f/4 L IS - Canon MT-24EX - Speedlite 430EX - Nikon CoolPix S200 :#
  • HiSPLHiSPL Registered Users Posts: 251 Major grins
    edited April 4, 2007
    I would recommend a monopod to deal with any weight issues. The 70-200 2.8 IS is a bear to hand hold, but real nicely balanced on a monopod...
  • wolfejmwolfejm Registered Users Posts: 78 Big grins
    edited April 5, 2007
    70-200 F4 IS w/ TC?
    In an effort to control weight, at the cost of reach, how about taking a 70-200 F4 IS and putting on the 1.4 TC? I know this will drop image quality some. The whole reason I'm looking at the L lenses is for great image quality. How would images produced like this compare to images from the 100-400, or even the 70-300 IS? I'm just wondering if the TC will negate the IQ of the L.
    - Jeff
    http://jeffwolfe.smugmug.com
    Canon 7D / EF 24-105L F4 / Tokina 12-24 F4
  • kdogkdog Administrators Posts: 11,681 moderator
    edited April 5, 2007
    wolfejm wrote:
    In an effort to control weight, at the cost of reach, how about taking a 70-200 F4 IS and putting on the 1.4 TC? I know this will drop image quality some. The whole reason I'm looking at the L lenses is for great image quality. How would images produced like this compare to images from the 100-400, or even the 70-300 IS? I'm just wondering if the TC will negate the IQ of the L.
    TCs always degrade quality, but even more so on a zoom. I do hear tell the 70-200 F2.8 takes a TC1.4 pretty well, but still not as sharp as the 100-400 in the lengths where they overlap. And of course, you only get 280mm with that combination. Not sure about the 70-200 F4 IS. That might actually work ok. The 100-300's do not take a TC well at all as far as I know.

    I really love my 100-400 and it's probably on my camera more than anything else. For wildlife, it's absolutely the best choice in a Canon zoom. Plus I love it for compressed landscapes and panos, and people shots when you want to "reach out and touch someone".

    For the me weight thing is a complete non-issue. I used it on a monopod for maybe the first week, then I never used the monopod again. You won't even notice the weight after a day or two of shooting. The larger issue is the conspicuity of the thing. Big white lenses with lens hoods draw a lot of attention. I may buy a 70-300 DO some day just for shooting in public places. So if you don't really need the reach, and if you can live with a little worse image quality, then one of the 70-300's might be a better bet.

    I also have a 50mm F1.4 for low-light situations, although I could really dig some F2.8 zooms as well. But after a while it all starts getting ridiculous. deal.gif

    Cheers,
    -joel
  • ziggy53ziggy53 Super Moderators Posts: 24,131 moderator
    edited April 5, 2007
    wolfejm wrote:
    In an effort to control weight, at the cost of reach, how about taking a 70-200 F4 IS and putting on the 1.4 TC? I know this will drop image quality some. The whole reason I'm looking at the L lenses is for great image quality. How would images produced like this compare to images from the 100-400, or even the 70-300 IS? I'm just wondering if the TC will negate the IQ of the L.

    I don't think you would like a TC on top of the f4 version of the 70-200mm. The lens drops to an effective f5.6 and autofocus may be (probably will be) compromised. The 1.4x TC works fine with the 70-200mm, f2.8L, and that's the only recommendation I am first-hand familiar with.
    ziggy53
    Moderator of the Cameras and Accessories forums
  • W.W. WebsterW.W. Webster Registered Users Posts: 3,204 Major grins
    edited April 5, 2007
    wolfejm wrote:
    I'm curious what others think.
    I'd think a 70-200mm, with or without a TC, would be a more versatile alternative than a 100-400mm. With the 1.6x crop factor for your body, an effective 640mm reach at the long end of 100-400mm seems a little excessive and unnnecessary for the typical shooting you've stated. headscratch.gif

    And have you considered a 24-70/70-200mm combo to squeeze a little more at the wide end?
  • wolfejmwolfejm Registered Users Posts: 78 Big grins
    edited April 7, 2007
    One of the things I'm currently shooting is kite surfing. I can't say I'll always shoot this, but it's fun for now and there's lots of it to choose from where I live. Tried this with my 17-85 and the results were pretty lame. I tried it with the 70-200 + the 1.4 yesterday and the results weren't bad. I had trouble shooting into the sun, but that's a different story.

    Anyhow, this one sport (and the thought of other shots on the water) are what's pushing me to the longer end of 300+. Almost everything else I considered for this lens is well within the 70-200 or even too close for that. I shot for my wife's childrens group in a parade this weekend with the 70-200 and it was too long. I had the same experience at a blues event. The lens was great for the stage shots, and difficult for everything else.

    I do have one specific question: If I put the TC on the 70-200 F4, will that combo likely perform far better than the 70-300 IS in terms of IQ? I hate to spend $1500+ on a system that in the field will perform like a $600 lens, especially when the less expensive lens is more convenient.

    For fun, here are a couple of the kite surfing shots
    (280mm, and he was close to me)
    141803811-L.jpg

    Had to crop and process this quite a bit to get the shot even at 280mm (into the sun)
    141802422-L.jpg


    Typical of my shots with the 85
    137712599-L.jpg
    - Jeff
    http://jeffwolfe.smugmug.com
    Canon 7D / EF 24-105L F4 / Tokina 12-24 F4
Sign In or Register to comment.