If you had one lens....
ShannonHeat
Registered Users Posts: 222 Major grins
If you could choose only one lens, what would it be? Say, you're shooting a variety of events.....weddings, sports, dance, portraits......etc.
Shannon 
Canon Digital Rebel XTI, 430ex, sigma 24-70 f2.8 macro, a crummy kit lens, 4gb cf, and tons of batteries.
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Canon Digital Rebel XTI, 430ex, sigma 24-70 f2.8 macro, a crummy kit lens, 4gb cf, and tons of batteries.
www.heatonphotography.net
http://picasaweb.google.com/heatonphotography
www.myspace.com/heatonphotography
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If Canon, 17-85 is or 50mm prime.
Although most photogs would probably choose their Nikon 28-70 f/2.8, Canon 24-70 f/2.8, or Tamron 28-75 f/2.8 :P.
Just some food for thought :P.
- Ansel Adams.
Well, I have a Canon, and am on a budget for now, so the 17-85is is prime:D
Canon Digital Rebel XTI, 430ex, sigma 24-70 f2.8 macro, a crummy kit lens, 4gb cf, and tons of batteries.
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Really depends what you think you'll be shooting more of. I could get by with only either lens.
We never know how something we say, do, or think today, will effect the lives of millions tomorrow....BJ Palmer
70-200 2.8 IS or non-IS.
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nuff said.
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I'll second that.
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for what you mention ( you left out landscapes) I would choose amn 85mm FL
If you brought landscapes into the equation it woulsd have to be the 35L
...pics..
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"The future is an illusion, but a damned handy one." - David Allen
If you need to restrict yourself to one lens, then you need to restrict your projects as well. There is no way that a single lens can cover every shooting situation.
IMHO, the critical range to cover for common events (using a 1.6x crop camera) is 18-50mm-ish. I do know a local pro that uses a Canon EF 24-105mm, f4L IS for school and portrait work, but they no longer do weddings. The first time you need a wide lens for a large wedding group, I think the 18-20mm range would become the obvious solution.
During the wedding ceremony, you usually won't use flash, so you need something fast. The 50mm, f1.8 is an inexpensive option, but the EF 50mm, f1.4 is that much better. This is a good length for the B&G plus pastor. It gives a pretty good working distance, so you don't have to invade the front of the sanctuary.
The Canon 70-200mm, f2.8L is pretty handy for the reception, if there are multiple things going on and you need the extra reach.
For portraiture, especially a single head-and-shoulders, a slight tele prime like the EF 85mm, f1.8, is pretty valuable. The 70-200mm can double for this role, but the prime has much better control over background. The EF 85mm, f1.2L is a great choice, but much, much more expensive.
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So, first choice would be the 70-200/2.8, second choice the 24-70/2.8. Really the 70-200 gets the job done for all of the tasks depending on how far back you can get (portraits could be difficult in restriucted space & tight close-ups will get tired after a while).
Now, I see these kind of threads pop up every now & then and always ask myself: what's the point of the question? The whole point of using a SLR body is for the interchangeable lenses optimized for the task at hand. If you don't have more than one lens in the bag, either you just bought the kit or are missing the point. Otherwise just stay with a P&S fixed lens camera and save the expense.
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Something in this range-
For APS-C sensors - 17-55
For FF sensors - 24-70
Generally speaking, if you expect to be paid then you need additional lenses in order to justify the payment with the product. i.e. Weddings- one needs a variety of focal lengths and skill to deliver a typical wedding package and receive a typical wedding package compensation. If you chagre a typical rate and deliver less then you're ripping the customer off ... and conversely if you charge less then you better inform the customer to expect a lesser package.
Gary
Unsharp at any Speed
But I don't believe Cartier-Bresson ever did comissioned work ... but then again, I also believe he could shoot a wedding just with a 50mm.
So when you become as skilled as Cartier-Bresson, maybe one lens will do ya ... but till then all us lesser beings use a variety of lenses.
Gary
Unsharp at any Speed
Fred
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Since at times I need to switch lenses, which isn't a quick task to accomplish.
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If I ever have to revert back to just one lens.....it will be the 70 - 210 (or 200 which ever Siggy is offering or which ever the camera mfg offers).......................
Most people say that weeding photography can not be done with only one lens. I am very glad you shared the fact that it can. I don't have major bucks to spend on lenses just yet, so I need to make do with one, unfortunately. Right now I have a standard kit lens, and oddly enough, it seems to take some great, clear shots. :ivar
Canon Digital Rebel XTI, 430ex, sigma 24-70 f2.8 macro, a crummy kit lens, 4gb cf, and tons of batteries.
www.heatonphotography.net
http://picasaweb.google.com/heatonphotography
www.myspace.com/heatonphotography
XTi, G9, 16-35/2.8L, 100-300USM, 70-200/4L, 19-35, 580EX II, CP-E3, 500/8 ...
DSC-R1, HFL-F32X ... ; AG-DVX100B and stuff ... (I like this 10 years old signature :^)
Years ago, I used to use a Mamiya C330 with an 80mm (standard) lens for all formal shots. Later, I added a Hasselblad 500C with a Planar 120mm for some portrait shots. The reception was almost always shot with a 35mm camera and a few lenses (Pentax at first and later a Canon AE1 Program).
Now the requirements have changed and most B&Gs want dozens of formals, from 1-2 shots to large group, and then hundreds of candids. I just can't imagine being efficient with a single lens.
The Canon "kit" lens, EF-S 18-55mm, f3.5-f5.6, is not an absolutely horrible lens, and my two copies are sharper at their wide position, which is where I prefer. Used at 18mm and f5.6 or 55mm at f8, it can produce pretty nice results. The problem is when you need to use it wide open, as in available light shots. I just don't like the results at all.
One thing I must stress is that shooting a wedding is an extremely serious affair. With many shots you literally get one chance to get it right. Shooting with a single camera and a single lens is not a good strategy, and if anything goes wrong, it can cost both your reputation and your bankroll.
Always have redundancy and backup. Film cameras can still be viable, as well as some advanced digicams (the Sony f828 was a fairly popular wedding camera because it could focus accurately in little to no light, and it had the fastest lens in its class.)
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We all pay lip service to the notion that it's not the camera, it's shooter. And it's true. However, the right tool can permit you to get a shot you might not otherwise be able to achieve.
It's top of my mind because in the last week I've shot softball with a pricey long lens that delivered great bokeh, something a less pricey lens wouldn't have been able to give me. And I've made a stadium shot that only a fisheye could deliver.
I guess I'm trying to say that while a good photographer can deliver good work with any equipment, some effects can only be achieved with specific gear. At least, that's how I see it.
So, if you have a job, you need to make sure you have the right tools for that job.
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yup. on a full frame camera this is definitely the best choice.
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I know what you mean ziggy, but Cartier-Bresson shot with one lens.
... and he was very selective with his projects. There is much he did not do, but by concentrating and focussing his attention to a singular task, he is remembered as possibly the best photojournalist that ever lived (certainly he is listed among the first).
That need not diminish the respect other photographers are due for their own contributions to modern photography, much of which "is" accomplished with zoom lenses.
Henri also never did his own processing, never used flash and he only shot B&W film. Does anyone suggest those same restrictions for their efforts today?
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