Yet another entry into my deluge of amateurish photography attemps...
I'm trying my amateurish best to find the best way to process skin. What do you guys think of this one? I used the degrunge technique (HighPass + Blur) with a little added twist of my own.
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http://www.reverbphotography.com
Nikon D300
Nikkor 85mm f/1.8D
Tamron 28-75 f/2.8
Nikkor 80-200 AF-D ED f/2.8
2 Alien Bees AB800
Nikon Speedlight SB800
Elinchrome Skyport Triggers
Nikon D300
Nikkor 85mm f/1.8D
Tamron 28-75 f/2.8
Nikkor 80-200 AF-D ED f/2.8
2 Alien Bees AB800
Nikon Speedlight SB800
Elinchrome Skyport Triggers
0
Comments
like the composition too-
and she's very pretty-
Overall, the texturing needs to be diminished quite a bit.
On the plus side, you did a really nice job of maintaining the light/shadow features, especially along her right cheekbone.
I think you have a really good start, it just needs some refinement.
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50mm 1.4, 85mm 1.8, 24-70 2.8L, 35mm 1.4L, 135mm f2L
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There are manys ways to do it, this is just one way i do mine.
Gavin
www.gjohnstone.com
dak.smugmug.com
I like the texture though but I'm thinking I should do my dodging and burning "after" I do the skin smoothing so the parts of the skin that are supposed to be smooth remains smooth.
Thanks for the feedback guys/gals, really appreciate it.....
Lex
Nikon D300
Nikkor 85mm f/1.8D
Tamron 28-75 f/2.8
Nikkor 80-200 AF-D ED f/2.8
2 Alien Bees AB800
Nikon Speedlight SB800
Elinchrome Skyport Triggers
Portland, Oregon Photographer Pete Springer
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In this case I have to say both the colour and the texture are still off. Having said that I also have to say my Photoshop technique is not that great I'd probably end up with a plastic looking skin.
Ted Szukalski - Gallery of Digital Photography
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Ted:
See my post above. The best trick I've seen is to use the emboss filter to add texture to help with the plastic look-- and I learned that trick from the book 'Skin'.
Here's a sample using one of the techniques from that book and the emboss filter (I don't have access to the original right now, or I'd post a before and after shot). Maybe I'm a little biased, but I think the post-processing work here looks fairly natural:
Portland, Oregon Photographer Pete Springer
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