which canon L series lens to get?????
wheresdavid
Registered Users Posts: 297 Major grins
I will be taking a one year trip (well actually the 2nd year of a two year trip) and i am trying to decide which L series lens to get. I can only afford one L series and i am thinking about the 24-70 2.8 or the 70-200 2.8. i have an xti, & i dont care about size - weight of the lens. i enjoy taking photos more of people than landscapes. I was leaning for the 24-70 but now i am wondering if the 70-200 is a better option. i can use the 70 end for portraits or zoom in to get non portrait type shotsin markets ... I have heard that both sigma and tamron make good glass in the 24(28) -70 (75) range.
any thoughts??
any thoughts??
0
Comments
I think the 24-105f4 IS L is a better L lens if you only buy one L lens.
The 24-70f2.8 L is a great lens, but on an xTI, a Tamron 28-75 f2.8 Di will function very nicely and leave you money left over to get a Canon 70-200 f4 L as well. The Tamron 17-50 f2.8 is another very nice lens for a crop body camera like the xTi.
Just a thought.
Moderator of the Technique Forum and Finishing School on Dgrin
Take a look at your own shot history and try to determine what focal length you used most. Factor in any recollection about shots that were missed because you didn't have something longer, or shorter.
You have to learn from "your" experience. We can only relate "our" experience, which probably won't do you much good.
My own recommendations for a good travel package:
I think the Canon EF-S 17-55mm, f2.8IS is a great all-a-round lens for the 1.6x crop cameras. A good alternative is the Sigma 18-50mm, f2.8 EX DC Macro or Tamron 17-50mm, f2.8 XR Di II LD, if you can do without the IS of the Canon lens. I think that would cover around 50% - 60% of all opportunities.
Another set of opportunities could be solved with the Canon 70-200mm, f4L (with or without the IS). And finally, ultra wide vista landscapes really cry for a Canon EF-S 10-22mm, or the Sigma 10-20mm.
So three lenses is what I would really recommend, but the 17-55-ish range is the first one to satisfy.
I would also add either the Canon EF 50mm, f1.4 or f1.8 for low-light work.
Moderator of the Cameras and Accessories forums
I can use mine in my house for head shots, half shots and my house is not vrey big.
If the need or desire for a landsape shot arises, just whip out the kit lens (if you have one) stop her down to f8 or so and you'll get very nice results:D
Gene
It seems you travel quite a bit, not a one time deal. So I go for the gusto ... get the 70-200 and tight faces that you'll get with this lens. Next time you travel pick up the 10-22 EF-S or the 17-55 EF-S for the wide(r) stuff.
I have the 24-70, the 70-200 and the 10-22, I rarely use the 24-70 because, typically, I shoot at the ends of the zoom, so for 70mm I rather use the 70-200 because I have more range to get tighter and on the 24mm end ... the 10-22 covwera this with room to go wider. So for long term, if you bracket the 24-70, you won't need this range/length at all.
I just reviewed a gallery of a guy who shot his entire visit to Japan with a Lensbaby. Interesting, but outside the box for must photo albums. But, since he will be returning to Japan ... I guess he felt can experiiment a bit.
Good Luck and Good Shooting,
Gary
Unsharp at any Speed
Now thats really nonsense. The number of keepers depends
on how you photograph and not on the focal lengths of the
lenses you use.
― Edward Weston
The longer the lens the less shots will be available, but the ones you get (in general) will have more impact due to inherit attributes of the longer focal length. Conversely, with the 24-70, there will be more photo opportunities within that zoom range ... but the photos will not have as great of an impact (in general), once again, due to the inherit qualities of the 24-70.
Gary
Unsharp at any Speed
the sigma 10-20 and the canon 24-105. it's a perfect pair. Inside, Outside, Wide angle, zoom, you got it ALLLLLLL covered.
- RE
www.rossfrazier.com/blog
My Equipment:
Canon EOS 5D w/ battery grip
Backup Canon EOS 30D | Canon 28 f/1.8 | Canon 24 f/1.4L Canon 50mm f/1.4 | Sigma 50mm f/2.8 EX DI Macro | Canon 70-200 F/2.8 L | Canon 580 EX II Flash and Canon 550 EX Flash
Apple MacBook Pro with dual 24" monitors
Domke F-802 bag and a Shootsac by Jessica Claire
Infiniti QX4
Every photographer is different and some will prefer images with the
isonating and flatening effect that a telephoto lens will produce. These
people will have more keepers with a long lens than with a short one
because they prefer those images. Other photographers might love
the wide angle effect of 24mm and will pick their keepers accordingly.
"Less oportunities" with a tele ... 24-70 produce images with "less impact"
... even you will have to agree with me that these things are highly
subjective and cannot be generalized - especialy not from one's own
photographic experience.
― Edward Weston
I am not talking about "every photographer", I am only talking about one photographer, Wheresdavid ... and I am responding to Wheresdavid's original thread of "i enjoy taking photos more of people than landscapes. I was leaning for the 24-70 but now i am wondering if the 70-200 is a better option. i can use the 70 end for portraits or zoom in to get non portrait type shotsin markets."
Gary
Unsharp at any Speed
Fast glass is great. If makes for a brighter viewfinder for easier composition and lenses of 2.8 or faster opens up a better level of autofocus which is more accurate and faster.
The 24-105 has Image Stabilization (IS) which is very handy in low light, IS allows you to handhold you camera two to three stops under "Rule-of-Thumb". As an example, if you're shooting at 105mm your rule of thumb shutter speed should be around 1/125 of a sec. With IS you can handhold at 1/30 or some steady people can go to 1/15 of a second with good sharp results. The problem is that IS only compensates for handshake (camera movement), so if the subject moves during a long exposure, the image will be blurry.
Otherwise you will have to increase the ISO or use a tripod. In essense IS delivers better image quality to stationary subjects when you don't have a tripod.
Gary
Gary
Unsharp at any Speed
I shoot images in museums at 1/13th and 1/15 frequently. Couple this with ISOs of 1250 or 1600, and I can capture images in very dim light indeed. For example, this was shot at f4.5 ISO 1000 at 1/5th second hand held, yes, one fifth of a second..
The image is overexposed because it looks rather bright, but it actually was amost as dark as a movie theatre.
IS does not help if you need to shoot high speed action like sports or racing, but for many images it can be quite useful. It is kind of like a poor tripod in a sense. It will not allow shutter speeds of many seconds, but 1/8th sec or less are frequently quite useful. The ability to capture motion blur with a longer shutter speed and no tripod is not always a liability, but even an assett. Think moving water or moving lights in traffic. You can capture them without a tripod sometimes.
IS is why the 24-105 f4 IS L is my most frequently used lens, especially for walkabout.
Moderator of the Technique Forum and Finishing School on Dgrin
― Edward Weston
- RE
www.rossfrazier.com/blog
My Equipment:
Canon EOS 5D w/ battery grip
Backup Canon EOS 30D | Canon 28 f/1.8 | Canon 24 f/1.4L Canon 50mm f/1.4 | Sigma 50mm f/2.8 EX DI Macro | Canon 70-200 F/2.8 L | Canon 580 EX II Flash and Canon 550 EX Flash
Apple MacBook Pro with dual 24" monitors
Domke F-802 bag and a Shootsac by Jessica Claire
Infiniti QX4
thanks to everyone for all their input.
Dave
For low light situations you will need light lens much more than dark IS.
P.S. for any case - light, water, emergency...
keep cheap EF 50/1.8 Mk.II in your back pocket.
It can be Life Saver
XTi, G9, 16-35/2.8L, 100-300USM, 70-200/4L, 19-35, 580EX II, CP-E3, 500/8 ...
DSC-R1, HFL-F32X ... ; AG-DVX100B and stuff ... (I like this 10 years old signature :^)
However, I do agree that the 50/1.8 is a good one to have along for those black-cat-in-a-coalmine situations. I always have mine in a corner of the bag just in case. It's small, light, and cheap so no reason not to.
http://www.chrislaudermilkphoto.com/
i think that i will have to leave my new (old) 80-200 at home. this baby is a tank, and i will have to just put a little more wear on my shoes to zoom in, or miss a few shots (we cant get em all can we?).
i keep saying, "who the he?¿ put all the rocks in my bag? i travel light, 3 shirts, 2 pairs of pants but it is the tripod, 3 lenses, filters, DVDS that are adding up.
Fast enough with modern high ISO cameras, light enough to carry all day and, I believe, it is every bit the equal of the 24-70 f2.8 in sharpness.
When I went through Antelope Canyon in a sand storm, the 24-105 went with me. In the light beam in the upper left and the lower right corners of this image, you can easily see the individual grains of sand as they fall in mid air.
Moderator of the Technique Forum and Finishing School on Dgrin
It *IS* an "L" lens. All the examples I've seen tell me the 24-105 is every bit as good as the 24-70 in equivalent settings. I'd say go for it & lighten your load. The 24-105 is smaller & lighter than the 24-70 as well (don't have to have all that glass to make the f2.8 possible). It seems to me the 24-105 is as perfect a match for your needs as you'll find; it is certainly a better match than the 24-70.
http://www.chrislaudermilkphoto.com/