Tamron 28-75/2.8 XR Di very soft.
Hi
I bought a Canon 30d and the lens mentioned in the title yesterday.
I was taking photos all day and when I got home I was pretty disappointed.
There where almost no sharp images. I figured that I had the wrong settings somewhere or I was spoiled with the anti-shake that was in my Sony A-100 because I had been taking pics around 1/60 most of the day.
I have now been testing different settings and I have come to the conclusion that my lens is at fault. Here follow some 100% crops from this setup. These were taken with a tripod and mirror lock-up to avoid confusion. BTW I have yellow walls in my room, does that show? :rofl
I would love some feedback even though I am pretty sure that my assumptions are correct it would be great if you could confirm it since i have a fairly long drive to return the lens.
Thanks
// Sebastian
I bought a Canon 30d and the lens mentioned in the title yesterday.
I was taking photos all day and when I got home I was pretty disappointed.
There where almost no sharp images. I figured that I had the wrong settings somewhere or I was spoiled with the anti-shake that was in my Sony A-100 because I had been taking pics around 1/60 most of the day.
I have now been testing different settings and I have come to the conclusion that my lens is at fault. Here follow some 100% crops from this setup. These were taken with a tripod and mirror lock-up to avoid confusion. BTW I have yellow walls in my room, does that show? :rofl
I would love some feedback even though I am pretty sure that my assumptions are correct it would be great if you could confirm it since i have a fairly long drive to return the lens.
Thanks
// Sebastian
Canon EOS 30D | Sigma EX 18-50/2.8 DC
Sony A-100 | Sony 18-70 kit lens | Tamron 70-300mm 4-5.6 | Minolta 50mm 1.7
// Sebastian
Sony A-100 | Sony 18-70 kit lens | Tamron 70-300mm 4-5.6 | Minolta 50mm 1.7
// Sebastian
0
Comments
What happens with subjects at a greater distance, or at least what you would consider a normal shooting distance? (I would suggest around 2 meters or more for my shooting style with a lens of this range in an "event" situation.)
What happens at infinity? This could be the most critical test and could indicate a defective lens.
Moderator of the Cameras and Accessories forums
Moderator of the Cameras and Accessories forums
Thanks
// Sebastian
Sony A-100 | Sony 18-70 kit lens | Tamron 70-300mm 4-5.6 | Minolta 50mm 1.7
// Sebastian
Thanks
// Sebastian
Sony A-100 | Sony 18-70 kit lens | Tamron 70-300mm 4-5.6 | Minolta 50mm 1.7
// Sebastian
Before you do, try to get hold of another lens of known quality (from someone you trust) to rule out the camera as the problem. Maybe one of the Canon "L" series lenses or a good prime.
Best,
Moderator of the Cameras and Accessories forums
If yours isn't sharp at f/5.0, then you should try to locate another copy to compare with.
You are aware, I hope, that all images out of the 30D need to be sharpened, and none are ever going to be crisp out of the camera.
"You miss 100% of the shots you don't take" - Wayne Gretzky
Here is an full frame shot, captured with a Tamron 28-75 Di on a Canon full frame 5D shot at f4, 1/160th with electronic flash. This image I shot for a fellow asking about the use of the Tamron lens on a full frame camera. This image is straight from RAW - no contrast enhancement, no sharpening, no processing whatsoever. This should give you an idea what this lens images look like at 28mm at f4. The image does not look that great, but check out this image shot with the very same lens on a 20D at f3.5 at 28mm which I think is a very acceptable shot.
Your lens or camera does not seem to be capturing sharp images at the short focal length. Is the image capable of being focused with manual focus? Is this a blurry lens or just an unfocused image due to inaacurate AutoFocus?
Moderator of the Technique Forum and Finishing School on Dgrin
Thanks for all your help, it is greatly appreciated. I have tested the Tamron on a different body with similar results. It seems that wide open it is completely useless. I will return that lens and I will make sure that a get a good copy before I drive all the way back home this time. I haven't been able to test my 30d with a good lens since i don't know anyone with a good canon lens. I did test with the 18-55 kit lens and i get better results with that lens.
Do you gain anything from doing sharpening in the camera instead of USM in PS?
David_S85: Do you use any in-house sharpening? It must be sharper than this?
Pathfinder: Thanks for the examples but the 20d image isn't a 100% crop (right?) so it's hard to see the sharpness
Anyway, thanks for all your help and quick answers.
// Sebastian
Sony A-100 | Sony 18-70 kit lens | Tamron 70-300mm 4-5.6 | Minolta 50mm 1.7
// Sebastian
If you mean in-camera sharpening, then no, I don't. I keep the camera sharpening neutral, which also custs down on noise at any ISO. I then sharpen them up in software after editing and resizing. Sharpening is usually the last post-edit step.
Good luck with your lens swapping. Keep us updated.
"You miss 100% of the shots you don't take" - Wayne Gretzky
Sebastiian, the first link I posted is a link to the full 12Mb image as it came from the Raw processor. If you do not see a full frame image click on the "Original" tag - the gallery permits access to the original full frame from my 5D, and the image is slightly soft in the corner, but sharp enough to read standard newspaper text shot in a two page spread. Sharpening, either in camera or via Photoshop would make this image look much better. All shots from my digital cameras look slightly soft at 100% viewing without any sharpening. But not like your unfortunate lens.
You are right the image from the 20D is not a full frame original file, that gallery only allows access to the Large image, not the Original.
Moderator of the Technique Forum and Finishing School on Dgrin
Please let us know what happens with your copy. Have you thought about returning or exchanging it? I also wonder if it could be a focus issue with the body. (?)
David_S85: Hehe, yes I meant in-camera. Thank you.
Pathfinder: Yes I can see the full frame. Though I'm not completely sure what images usually look like from a 5d but I think it looks good.
Seymore: I intend to exchange the lens. I am pretty sure it isn't an issue with the body. The lens had the same problem on another body. But I have not been able to test my camera with a really good lens, just the 18-55 kit and a tamron 70-300. None of which are very sharp.
I'll keep you posted ()
// Sebastian
Sony A-100 | Sony 18-70 kit lens | Tamron 70-300mm 4-5.6 | Minolta 50mm 1.7
// Sebastian
If you can, return the lens. Otherwise, make sure you bring your camera along when you pick a new copy. I have experience with 2 copies which work fine on 2 separate cameras but when the lenses are swapped, neither camera+lens combo can focus correctly at 28 mm. Sigh....
thw: Thanks for the info. That sounds like bad news. I have been thinking about getting a nice prime instead. My Minolta 50mm f1.7 was always on my Sony so I might get the 50mm 1.4 or the 85mm 1.8.
// Sebastian
Sony A-100 | Sony 18-70 kit lens | Tamron 70-300mm 4-5.6 | Minolta 50mm 1.7
// Sebastian
Just my 2 cents
Eric
It's better to be hated for who you are than to be loved for who you're not.
http://photosbyeric.smugmug.com
Thanks for your help, you are all great
// Sebastian
Sony A-100 | Sony 18-70 kit lens | Tamron 70-300mm 4-5.6 | Minolta 50mm 1.7
// Sebastian