Guidlines for baby's skin tone?

Shane422Shane422 Registered Users Posts: 460 Major grins
edited May 9, 2007 in Finishing School
I'd like some opinions on the skin tone of the shot. I've followed the "Pleasing Skin tones" tutorial, and I believe my CMYK numbers look good. But I'm wondering if babies shoulnd't have a bit more magenta in them. The CMYK values here are taken from the #1 color sample here.
150895872-M.jpg

Comments

  • gmachengmachen Registered Users Posts: 22 Big grins
    edited May 8, 2007
    I believe infants usually should have equal M & Y.

    (Ditto very light skin female caucasians, or very little more Y.
    And go easy on the Y with Afro-Americans, or they'll go orange.)

    Y never should be less than M with anyone, any age, any race.
  • pathfinderpathfinder Super Moderators Posts: 14,708 moderator
    edited May 8, 2007
    Your pixel numbers are where thay say Caucasian skin resides, but I believe, that infants are more rosy than that myself. That means slightly higher magenta than for adults.

    Infants have those juicy pink capillaries in their skin, that adults do not have. It will vary some whether infant) or adult) is cold or hot also.
    Pathfinder - www.pathfinder.smugmug.com

    Moderator of the Technique Forum and Finishing School on Dgrin
  • BinaryFxBinaryFx Registered Users Posts: 707 Major grins
    edited May 8, 2007
    The general rule of thumb is that yellow is *generally* equal or slightly higher than magenta for an "ideal" caucasian tan in neutral lighting, with the cyan ranging from 1/4 to 1/2 the magenta value (with 1/3 being a mid level choice).

    For caucasian faces and children, the yellow is often lower with higher cyan and magenta than the ideal (depending on lighting of course).

    On a side note, I would expect the screen cap of the user interface "INFO" palette to be neutral gray, as in equal R=G=B values...but it is not (have you tinted it, or is this a sign that neutrals are being lost in the conversion/publication of the web image).


    Hope this helps,

    Stephen Marsh.
    http://members.ozemail.com.au/~binaryfx/
  • Shane422Shane422 Registered Users Posts: 460 Major grins
    edited May 8, 2007
    Thanks for the input. I'll bump up the magenta just a hair, but keep it equal or below the yellow value. I recently started using a Huey Pantone for Calibration and I'm still getting my eyes and brain to recognize what correct color actually looks like. I had quite a problem with being too red before.

    I'm not sure why my "Info" tab is not neutral grey, but it does not measure as neutral grey for me either. My values are (C:10, M:8, Y:17, K:0)
  • ruttrutt Registered Users Posts: 6,511 Major grins
    edited May 8, 2007
    150979268-O.jpg

    The baby's got to look alive!

    I just ran through the Dan Margulis portrait technique. This should always be the first thing you try when you want to make people look good (and healthy.)
    1. Green channel luminosity mask to add depth. I might do this more than once if I were fussing.
    2. A+B channel overlay blends in LAB with B at 61% to make more rosy (and the color sampler still shows way more B than A (yellow than magenta.)
    3. Flatten A+B and reduce combined overlay opacity to 70%
    4. HIRALOAM (bably) + conventional (scale) USM sharpening left and an excersise for the reader.

    Maybe that Huey is the problem? I hated mine.
    If not now, when?
  • BinaryFxBinaryFx Registered Users Posts: 707 Major grins
    edited May 9, 2007
    Shane422 wrote:
    Thanks for the input. I'll bump up the magenta just a hair, but keep it equal or below the yellow value.

    Sweet, I personally would lower the Blue/Yellow channel first, then adjust the Green/Magenta to suit...but all roads lead to Rome!

    I recently started using a Huey Pantone for Calibration and I'm still getting my eyes and brain to recognize what correct color actually looks like. I had quite a problem with being too red before.

    With luck it will look like your output! If that is correct is another story, but I would hope that you now have a close match between monitor and print.

    I'm not sure why my "Info" tab is not neutral grey, but it does not measure as neutral grey for me either. My values are (C:10, M:8, Y:17, K:0)

    Do you have some sort of "Theme" running in the MS Win OS???

    A screen capture of the Photoshop palettes/elements would usually be expected to read as equal RGB values (it is pointless describing gray balance in CMYK numbers unless one knows exactly what CMYK condition is being spoken of (gray balance is not linear over the tonal range), LAB and editing/working space RGB is less misleading for neutral values).

    Stephen Marsh
    http://members.ozemail.com.au/~binaryfx/
  • jjbongjjbong Registered Users Posts: 244 Major grins
    edited May 9, 2007
    BinaryFx wrote:
    Sweet, I personally would lower the Blue/Yellow channel first, then adjust the Green/Magenta to suit...but all roads lead to Rome!

    Also consider reducing cyan, which is a red killer. Less cyan should give
    you a rosier look.

    John
    John Bongiovanni
  • ruttrutt Registered Users Posts: 6,511 Major grins
    edited May 9, 2007
    jjbong wrote:
    BinaryFx wrote:
    Sweet, I personally would lower the Blue/Yellow channel first, then adjust the Green/Magenta to suit...but all roads lead to Rome!

    Also consider reducing cyan, which is a red killer. Less cyan should give
    you a rosier look.

    John

    The overlay blends of Dan's portrait technique have this side effect because they'll increase positive A+B values.
    If not now, when?
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