How To Get the eyes to pop like this?
Cuties02q
Registered Users Posts: 643 Major grins
Just wondering if anyone know how this photographer gets the eyes to pop like this???
http://alwblog.typepad.com/photos/uncategorized/2007/04/25/15.jpg
http://alwblog.typepad.com/photos/uncategorized/2_56.jpg
http://alwblog.typepad.com/photos/uncategorized/3_40.jpg
http://alwblog.typepad.com/photos/uncategorized/1_89_2.jpg
Is this ? is in the wrong place feel free to move it :thumb
http://alwblog.typepad.com/photos/uncategorized/2007/04/25/15.jpg
http://alwblog.typepad.com/photos/uncategorized/2_56.jpg
http://alwblog.typepad.com/photos/uncategorized/3_40.jpg
http://alwblog.typepad.com/photos/uncategorized/1_89_2.jpg
Is this ? is in the wrong place feel free to move it :thumb
Part time photographer...Full time mommy
My equiment: Nikon D50, Nikon D300, SB-600, 30mm 1.4, 50mm 1.4, 85mm 1.4, 70-200mm 2.8
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My equiment: Nikon D50, Nikon D300, SB-600, 30mm 1.4, 50mm 1.4, 85mm 1.4, 70-200mm 2.8
WEBSITE
BLOG
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I have moved this to Finishing School as that is most likely where you will ge the help you are seeking.
Moderator of the Technique Forum and Finishing School on Dgrin
My equiment: Nikon D50, Nikon D300, SB-600, 30mm 1.4, 50mm 1.4, 85mm 1.4, 70-200mm 2.8
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In one of the magazines, I have a tutorial on eyes. Other than brightening the whites, it involved putting eyeliner around the eyes and the pupils, creating catchlights, and boosting the color. A bunch of steps. But I'd have to find the magazine to tell you the precise moves.
Catapultam habeo. Nisi pecuniam omnem mihi dabis, ad caput tuum saxum immane mittam
http://www.mcneel.com/users/jb/foghorn/ill_shut_up.au
Read here:
http://alwblog.typepad.com/blogging_with_audrey/2006/04/eyes.html
www.casongarner.com
5D MkII | 30D | 50mm f1.8 II | 85mm f1.8 | 24-70mm f2.8L | 70-200mm f2.8L IS II | Manfrotto 3021BPRO with 322RC2
very interesting-
my next assignment with the grandkids!-
That is why I am asking here because it doesn't really look natural or like anything I have seen
My equiment: Nikon D50, Nikon D300, SB-600, 30mm 1.4, 50mm 1.4, 85mm 1.4, 70-200mm 2.8
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This is somewhat contrary to fill flash, which generally produces larger pupils that most folks find preferable.
Other than that, she is using large aperture lenses and is very careful to focus on the eyes, which is usual. (Shallow DOF)
Moderator of the Cameras and Accessories forums
But that also lets the viewer see the iris detail rather than a dark larger pupil, and the brighter light to the eyes helps as there is frequently shading of the eyes in some photos.
Moderator of the Technique Forum and Finishing School on Dgrin
Her site claims that...Chicago children's photographer Audrey Woulard is an on-location photographer that specializes in natural light commercial photography for babies and children.
www.casongarner.com
5D MkII | 30D | 50mm f1.8 II | 85mm f1.8 | 24-70mm f2.8L | 70-200mm f2.8L IS II | Manfrotto 3021BPRO with 322RC2
Here is an example of my dd!!
My equiment: Nikon D50, Nikon D300, SB-600, 30mm 1.4, 50mm 1.4, 85mm 1.4, 70-200mm 2.8
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Have your subject face the lightsource. Be mindful of what is behind you. Multiplie catchlights add sparkle to the eyes. Shallow depth of field causes the viewer to focus on the eyes.
In this image of your daughter... what is she looking at? What is in front of her? If she isn't facing the light source...then her eyes will be dark.
Try to be mindful of your surroundings before you snap the shutter...and it will help you predict your results a bit better.
For me.. I am very aware of the light source. I really try to look at my subjects faces before I snap the shutter. In my workshops, I show images that I captured right as I upload them.. so no.. no photoshop "over-doing". (in fact.. you hotlinked a few examples I captured right at one of my workshops..)
By the way.... I don't own a reflector!
Hope that helps!
~A
My equiment: Nikon D50, Nikon D300, SB-600, 30mm 1.4, 50mm 1.4, 85mm 1.4, 70-200mm 2.8
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Yes, I went and looked at a number of my portraits, and the thing I noticed is where there is strong light, it seems impossible to keep them from squinting. So how do you get good light on the face, and on the eyes in particular, without squinting?
Thats why. The eyes are dark because they are shaded. I think if you have a child that is very sensative to light.. perhaps a reflector would work better for you. Also you want to make sure they are facing ambient light... which doesn't always mean the VERY bright light.
For example.. if you are taking a child's picture..and there is a brick wall behind you...therefore the wall is what the child is facing.. then their eyes will be dark.
You want to look for open shade.
Good light doesn't equal strong light. You want to look for ambient light.
For example...when shooting outdoors...I wouldn't have a child look towards the sun (i.e. strong light...). I would rather place the sun behind my subject.. but there wouldn't be anything blocking the ambient lighting that faces my subject.
Catapultam habeo. Nisi pecuniam omnem mihi dabis, ad caput tuum saxum immane mittam
http://www.mcneel.com/users/jb/foghorn/ill_shut_up.au
Have to say that after reading this post, I immediately went to your site. It's a shame that all of your workshops are booked - it would be great to learn some of these techniques hands-on. I've got an 18 month old who I'm constantly trying to get this type of effect on.
Couple of questions:
From the photos on your site, it appears that the studio gets incredible light. Is it also just large white walls to act as natural reflectors and get that effect on the eyes?
As far as 'gear', I checked the exif on some photos and saw that many are with a 50mm or 85mm focal length (on the Fuji's cropped frame). Are these your main staples? I would have guessed 100-135mm lenses...
Do you have any other guides/DVDs available in lieu of attending a workshop in Chicago?
Thanks,
E
Two of my more successful attempts with my son:
My site | Non-MHD Landscapes |Google+ | Twitter | Facebook | Smugmug photos
You have some serious talent and I know that the DGRIN community would benefit from your knowledge.
Like wxwax said, I too will be practicing this technique.
www.casongarner.com
5D MkII | 30D | 50mm f1.8 II | 85mm f1.8 | 24-70mm f2.8L | 70-200mm f2.8L IS II | Manfrotto 3021BPRO with 322RC2
My equiment: Nikon D50, Nikon D300, SB-600, 30mm 1.4, 50mm 1.4, 85mm 1.4, 70-200mm 2.8
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Love that last image of your son!
As for gear.. I have 3 camera bodies that I tend to shift through... depends on what camera I grab first out of my bag! So it is either the Nikon D200, Fuji S5, or the Nikon D2X. My favorite lens is the 85mm 1.4... I don't use the 50mm too much. It depends on the conditions I am shooting in. When on location.. some homes just don't allow me to utilize the 85mm properly because the focal length is too long.
As for my studio... its tons of windows...26 windows that are 6ft tall. I don't have many white walls...mostly reddish brick.
With DVD's...etc.. it is definitely in the works. I just can't give workshops too much anymore because my schedule just doesn't allow me to do so.
RTP - I would love to post more here! It seems like a great community. I actually just came back here after my assistant found all these hits to my blog from here...and I am sitting on the PC waiting for my next appointment to arrive!
~A
I'll definately be on the lookout for that DVD.
You should also consider looking at other areas of dgrin. There's a contest under the Contests and Challenges section going on for the 'best' photographer. I had imagined some contributions from you - especially for the latest theme (translucent...eyes). Hate to invite such a strong competitor to the contest but you may find it a lot of fun.
E
My site | Non-MHD Landscapes |Google+ | Twitter | Facebook | Smugmug photos
It's called "Eye Pop". You do it in photoshop with a layer mask. You duplicate the layer and change the style to color dodge- or any that look good (just look at the eyes- ignore everything else). Then "Layer". "Layer Mask", "Hide all". Change your forground color to white, select a brush and start painting away at those eyeballs. The layer that you masked will start to show up. Fiddle with opasity and hardness until you get the result you want.
Here are my first attempts at it. A little overdone but fun!
http://flickr.com/photos/34792747@N00/473843403/
http://flickr.com/photos/34792747@N00/491887524/
Hope that's what your looking for!
Yes, but she says she does this WITHOUT Photoshop!
Elaine
Comments and constructive critique always welcome!
Elaine Heasley Photography
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My equiment: Nikon D50, Nikon D300, SB-600, 30mm 1.4, 50mm 1.4, 85mm 1.4, 70-200mm 2.8
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Catapultam habeo. Nisi pecuniam omnem mihi dabis, ad caput tuum saxum immane mittam
http://www.mcneel.com/users/jb/foghorn/ill_shut_up.au
Big difference.
Now you need to get that DOF locked in. Her left eye is a little OOF. That's probably the result of having it at a low apereture and being pretty close to her.
This is just my observation...I noticed that majorty of Audrey's shots are straight on. Meaning that the eyes are the same distance to the sensor. If there is a slight head turn the eyes are still in focus. Probably due to being far enough from the subject and increasing the DOF.
Also, she does a good bit of camera tilts. I guess that is to give the straight on shots some flavor.
However, there is no rule to having both eyes in focus.
www.casongarner.com
5D MkII | 30D | 50mm f1.8 II | 85mm f1.8 | 24-70mm f2.8L | 70-200mm f2.8L IS II | Manfrotto 3021BPRO with 322RC2