So whom here has experience with ..
gus
Registered Users Posts: 16,209 Major grins
canons MP-E macro 65mm f/2.8 1-5x ?
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Decisions.....
Do you recon this lens would be wasted without that flash ???
Ach...sorry, no personal experience with it. But if you want to talk about a 100/2.8 macro, I can do that.
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I am used to my macro at 19mm (3/4") & i like it that way. Thats what macro is in my book.
what's the advantage of that lens over the 100mm canon macro?
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There are several shooters with that lens on the macro thread at Fred Miranda, 'gus. A standard macro lens and extension tubes or a 500D close up filter can provide some of what it offers, but not 5:1, maybe 2 or 3:1
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I think it makes it much easier. If you are creative I would think you could easily figure out how to make two cheap flashes, maybe some diffusion material, some clamps and arms, work well. It will take more time, but once you have a set up it would work well. You loose the E-ttl feature which is nice, but it can be done without it.
Here is a product that would help, you could use reflectors. They require more still and effort, but are a cheap solution.
Here is an article showing it used with reflectors. They do not look as close as you would be with the 65 macro, but you could still figure out how to make it work.
Here are the results with 20D 1.6x crop, full frame for this camera. These were one shot each, quick and hand held so don't go 100% on my focus. Sorry all I had were US coins, I can measure them later if you are not familar with their size.
At 1X.
At 5x
The L and O files are available, the O's are a bit large, just modify the URL, sorry I am on the run.
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I am sure it would give you more reach - but it is kind of delicate - it is just velcroed together, and whether that would survive in a concert audience population I am not sure. It is also large and sticks up quite a bit above the camra.
The concept is really quite simple - it is a Fresnel lens that bends the peripheral rays of the electronic flash beam more parallel to the axis of the lens. I wonder if the big holder to displace the Fresnel about 6 inches in front of the flash tube is really needed. I suspect that a fresnel could be velcroed right over the front of the flash tube itself and accomplish much of the same thing - but maybe with a more concentrated versus diffuse light quality.
That might actually work bewtter in a concert environment
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If you need more that 1:1 macro with the 100 or other lens you can always add an extension ring that will work well. I would think it would be the best answer for those who need a lens to shoot regular portraits and a lot of macro work. 1:1 is still very tight on the 20d size sensors, I would think the macro ring would get you a lot closer. I would love to have the setup I tested, but not sure if I could swing the money, for me I would go with a 100 or possibly the 180 macro and add an extension ring when I need to get really close.