Wide angles in narrow canyons (many pictures)
kdog
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Ya'll have probably seen Aaron's (anwmn1) fantastic shots he got while we were in Page shooting the slot canyons. My shots can't compete with his, although perhaps the wider lens I used (the Canon 10-22) will offer a slightly different perspective.
Here is a selection of shots from three canyons we visited. Sorry for the length of this post -- it's tough to choose from all the shots we got down there. There are many, many more I would have wanted to post.
Upper Antelope Canyon. This was a guided tour, and it was fairly crowded
#1
#2
#3
#4 The ghost
Lower Antelope Canyon. Self-guided, and only a few other people, which made it very nice.
#5
#6
#7
#8
#9
#10
Next day was Canyon X, guided tour led by local pro Jackson Bridges. There were only six of us in the Canyon for as long as we wanted. Nice.
#11 - The approach
"Never shoot the sky", said Jackson, well into this second day of shooting. The canyons work best with indirect lighting. Any direct lighting messes up your shots. Oops.
#12
There were some amazing chambers.
#13
#14 the gargoyle
#15
#16 Pro/guide Jackson Bridges helps Aaron's friend Sarah set up a shot
#17 Aaron prays his shots come out OK
Lots more shots in my gallery here.
http://www.jacara.com/cpg144/thumbnails.php?album=31&page=2
Thanks for looking!
-joel
Here is a selection of shots from three canyons we visited. Sorry for the length of this post -- it's tough to choose from all the shots we got down there. There are many, many more I would have wanted to post.
Upper Antelope Canyon. This was a guided tour, and it was fairly crowded
#1
#2
#3
#4 The ghost
Lower Antelope Canyon. Self-guided, and only a few other people, which made it very nice.
#5
#6
#7
#8
#9
#10
Next day was Canyon X, guided tour led by local pro Jackson Bridges. There were only six of us in the Canyon for as long as we wanted. Nice.
#11 - The approach
"Never shoot the sky", said Jackson, well into this second day of shooting. The canyons work best with indirect lighting. Any direct lighting messes up your shots. Oops.
#12
There were some amazing chambers.
#13
#14 the gargoyle
#15
#16 Pro/guide Jackson Bridges helps Aaron's friend Sarah set up a shot
#17 Aaron prays his shots come out OK
Lots more shots in my gallery here.
http://www.jacara.com/cpg144/thumbnails.php?album=31&page=2
Thanks for looking!
-joel
0
Comments
Ghost one is really amazing. All shots look great. Enjoyed your trip in pictures.
www.intruecolors.com
Nikon D700 x2/D300
Nikon 70-200 2.8/50 1.8/85 1.8/14.24 2.8
I really like shots 8 and 12. It is okay to break the rules every now and then.
Thank goodness I was praying and I had you to help recover those shots.
It took FOREVER to get all the sand and dirt off me after that last shot!
Very nice Joel- look forward to seeing more landscapes from you!
Aaron Newman
Website:www.CapturingLightandEmotion.com
Facebook: Capturing Light and Emotion
Images in the Backcountry
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I get a bit claustrophobic in tight places - did you guys ever feel that way?
I noticed that your and Aaron's photos were slightly different colors. His more orange and red, yours tan. Why? Different post processing, different light, (different film?)
Thanks
Z
I shoot Olympus he shoots Canon...
Joel shot primarily Apeture Priority where I shot full manual and was constantly making adjustments to get the look I wanted.
Post process for me was primarily sharpen, a little contrast, and sometimes adjustments to exposure and temp though very little since most of mine were jpg to start.
So far everyone that shot with us has had different looks and styles which made the trip that much better. So many possibilities!!
Aaron Newman
Website:www.CapturingLightandEmotion.com
Facebook: Capturing Light and Emotion
I really enjoyed your picts. I think my favorites are # 5 and #7. The color on 5 really pops and # 7 the lines really draw me into the photo. Great job.
s:D
http://sheilalatta.smugmug.com
Thanks much for the compliments, Marina. I'm glad you like 'em.
-joel
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-joel
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Thanks, Mike! Coming from you, that's quite a compliment.
-joel
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Thanks and regards,
-joel
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