Thanks for taking the time to make these videos, they look really helpful. I'll have to take a proper look once I have the internet back at home.
While they pretty much chart the course of a single job from beginning to end, I've tried to focus each one on different techniques that would be useful apart from the project context. I'm going to try to post one on smoothing later today.
Hope they're useful.
There are two ways to slide through life: to believe everything or to doubt everything; both save us from thinking.
—Korzybski
I have seen a number of retouching techniques that later on in the process blend back in bits and pieces from the orginal. However, once use the liquify tool, the pixels have moved around too much to make that possible. It seems me that if you could, you would do your liquify moves before you clone so you still can blend back in bits of the original. Is there a specific reason you clone first and liquify later?
I have seen a number of retouching techniques that later on in the process blend back in bits and pieces from the orginal. However, once use the liquify tool, the pixels have moved around too much to make that possible. It seems me that if you could, you would do your liquify moves before you clone so you still can blend back in bits of the original. Is there a specific reason you clone first and liquify later?
I'm not sure what you mean about blending back bits of the original; in the first two videos I do precisely that when working on minimizing the wrinkles. By the time I get to the liquify filter, there isn't a lot left that requires reblending.
However, your point is valid, and it's possible that in a different situation I would have done some sculpting first. I've tried to focus each video around a specific type of work flow; in the real world it doesn't always work that neatly. You do a little of this, a little of that, then you think "Hmmm, could've gone further with that," and you got back and do some more. Also, in this particular project, the admittedly artificial purpose is to drastically alter everything; there's not a lot of the original that I'd want to blend back into the finished product.
There are two ways to slide through life: to believe everything or to doubt everything; both save us from thinking.
—Korzybski
I Can't Open Movies, Just Get A Transparent Gif!!! Help Me Please.
Those movies were saved as attachments, and older attachments are broken at the moment. You're doing nothing wrong, we just need to get it fixed, and it'll be a bit.
really nice tutorial , but i prefer for the last child photo to use the brush slightly removing these red areas .. by using brush and the tool that gets the color tone .. professionally
Comments
Would love to have video for the others too
Duffy
—Korzybski
—Korzybski
Dgrin FAQ | Me | Workshops
Hope they're useful.
—Korzybski
WTG, Edgework!
Dgrin FAQ | Me | Workshops
of videos.
In the last one you mention a link to an article about the techniques you use.
Can you please post that link? Thanks.
http://bertold.zenfolio.com
http://dgrin.smugmug.com/gallery/1169397
Anyway, my thanks to you as well, Edgework! It's been good to see the smoothing tut in a video now.
It seems people are on a holiday or something. Hope you're not getting discouraged for the next 93 parts... Fame does not always come quickly
Dgrin FAQ | Me | Workshops
—Korzybski
In the days before the dual processor I played more though, waiting for PS to process something...
—Korzybski
I have seen a number of retouching techniques that later on in the process blend back in bits and pieces from the orginal. However, once use the liquify tool, the pixels have moved around too much to make that possible. It seems me that if you could, you would do your liquify moves before you clone so you still can blend back in bits of the original. Is there a specific reason you clone first and liquify later?
However, your point is valid, and it's possible that in a different situation I would have done some sculpting first. I've tried to focus each video around a specific type of work flow; in the real world it doesn't always work that neatly. You do a little of this, a little of that, then you think "Hmmm, could've gone further with that," and you got back and do some more. Also, in this particular project, the admittedly artificial purpose is to drastically alter everything; there's not a lot of the original that I'd want to blend back into the finished product.
—Korzybski
Yeah i'm looking for that retouch pro article mentioned in the movie.
Chris
Detroit Wedding Photography Blog
Canon 10D | 20D | 5D
Here you go:
http://retouchpro.com/tutorials/?m=show&id=147
http://retouchpro.com/tutorials/?m=show&id=149
http://bertold.zenfolio.com
Thanks!
Chris
Detroit Wedding Photography Blog
Canon 10D | 20D | 5D
Please help! I try to open these files up, and nothing happen, just the picture of the face. Any clue ?????
Thanks
I Can't Open Movies, Just Get A Transparent Gif!!! Help Me Please.
Those movies were saved as attachments, and older attachments are broken at the moment. You're doing nothing wrong, we just need to get it fixed, and it'll be a bit.
Sorry!
Dgrin FAQ | Me | Workshops