I am never doing indoor shots again.
Outdoor shots, I feel like I'm catching on. Indoors...OMG. O.M.G. This session was a disaster. We planned on outdoor, but it hot, humid, and the only time she could meet was noon, so we did indoors w/ a backdrop. I have no lights, so we used the light from her huge sunroom. I HATE THESE ALL. The baby is at that BAD age--wouldn't sit still. Ugh. I think my niche is location shots, NOT indoors. I didn't enjoy this at all!
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I'm not very versed at portraits, so take this info with that in mind...
(Unless they are bouncing around on a bull or horse )
Years back I was trying my hand at some portraits in about the same situation with the lack of proper lighting equipment. I did find a pretty good solution to the setup (or lack thereof) that you were in.
I took an old cheap frosted plastic shower curtain and hung it up, using it like a scrim. Just remember to keep it as close to your subject as possible. Diffused light re-aligns the further away from your subject that you get the diffuser.
Anyway, hope that helps.
I love these pictures. I think the lighting looks terrific!
- Wes
Comments and constructive critique always welcome!
Elaine Heasley Photography
Window light indoors is the best for portraits! Look at the nice even lighting you got -- the photos are fine, and I bet the parents will absolutely love them!
Also, remember you can use a big sheet of white cardboard to bounce the window light onto the subject too!
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Well, she wouldn't sit still, so I felt like I didn't get a GOOD shot of her, KWIM. When I'm on location, I tell the parents to let the babies do their thing and I'll get some photos when they turn the right way. It takes minimal work, but lots of time waiting. Of course, we manipulate positions, encourage them to look certain ways, etc., but outdoors it is WAY easier to get the to be in a good location. Here, I had maybe 4' to play with, and she was all over the place. The room is gorgeous--a sun room w/ one whole wall (vaulted ceilings too) of windows and two huge windows on each side. WOW. And can you believe the red lips on this child? I didn't do a thing to them, infact I desaturated the red in a couple of them because her face was reddish.
Anyhow--I DON'T think any of them but one (the one w/ the canon lens cap) are sharp, I think they all look "Wal-mart-ish" and I just think they kind of look phony. I can't really explain what I don't like, I guess.
Oh well...this is one of my very best friends, so it's not like I was going to charge her, anyhow!
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Like Dee said get you a big sheet of white posterboard or foam core. Use it to reflect a little light on your backdrop. I think that will give you more depth and that might be what you think is missing.
** Feel free to edit my photos if you see room for improvement.**
Use what talents you possess: the woods would be very silent if
no birds sang there except those that sang best.
~Henry Van Dyke
One thing I find that *really* helps with indoor shots is to give them some things to focus on. Then they aren't moving *as* much. usually. Like the canon lens cap. Maybe that could be her favorite lovey. Or a blankie she plays hided and seek with. I also, when there isn't much room, focus on the face instead of the upper body and that helps some. I get the mom/dad to play peek-a-boo with a toy or themselves. I long feather on a stick can get some fun expressions - just tickle and pull it out of the shot...
Just some ideas!
Still very cute! (But I know where you're coming from. Try 'em in B&W and I bet you lose that "Walmartish" feel to them for the most part!)
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If you had lights, she still wouldn't sit still. I guess you have very high standards, Jan. These look pretty good to me.
Regards,
Anyhow, I did some antique-y actions to a few. Let me know if this helps. I thought her shirt look kind of vintage, so maybe a vintage color would work.
The PP on the first of the second set is to die for. Care to provide some details?
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I believe I did that action then decreased it slightly so the original popped out a bit more. I can't really remember. I need to start writing down what I do in PP.
trying to turn it into something (probably a frog ).
Scott: the PP you're asking about is probably mostly achieved by mixing
a B&W version of the image with the original colour version at 50 or so percent.
I'm not saying that this is all that was done here, but it'll get you most of the
way there, I think.
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BTW: GREAT SHOTS ALL OF THEM........
And Art, I never thought of removing the lampshades!!! BRILLIANT! (why didn't I think of that before! rofl)
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