Sigma 80-400 OS Flash Problem
RayLarson
Registered Users Posts: 199 Major grins
I am still test driving my new Sigma 80-400 OS. I am, for the most part, loving it. There is an odd occurance and maybe someone has some insight. On "Auto" and this lens installed the internal flash will open but not fire. If I put my 18-200 back on the flash works fine. Any ideas?? I was hoping to check this lens out at the 80-120mm range with flash. I haven't tried an external flash yet.
Ray Larson
Nikon D80, D300, D700 all gripped, Nikkor 50 f1.8 Nikkor 18-200 VR Nikkor 70-200 VR f2.8 Nikkor 28-300 VR, Sigma 50-150 f2.8 Sigma 80-400 OS Sigma 150-500 OS Nikon SB600
Nikon D80, D300, D700 all gripped, Nikkor 50 f1.8 Nikkor 18-200 VR Nikkor 70-200 VR f2.8 Nikkor 28-300 VR, Sigma 50-150 f2.8 Sigma 80-400 OS Sigma 150-500 OS Nikon SB600
0
Comments
I think it was a dirty pin or something. Now it is working perfectly.
Nikon D80, D300, D700 all gripped, Nikkor 50 f1.8 Nikkor 18-200 VR Nikkor 70-200 VR f2.8 Nikkor 28-300 VR, Sigma 50-150 f2.8 Sigma 80-400 OS Sigma 150-500 OS Nikon SB600
I do not recommend using it with pop-up flash. The flash is too near the axis of the lens and it's a physically long lens, so there is a strong possibility you'll get lens shadows in your shots with pop-up flash -- especially at the wider focal lengths.
You're more likely to get away with it at the longer end of the focal lengths, but then, your subject is likely to be more distant, possibly outside the range of the built-in flash.
Supported by: Benro C-298 Flexpod tripod, MC96 monopod, Induro PHQ1 head
Also play with: studio strobes, umbrellas, softboxes, ...and a partridge in a pear tree...
Nikon D80, D300, D700 all gripped, Nikkor 50 f1.8 Nikkor 18-200 VR Nikkor 70-200 VR f2.8 Nikkor 28-300 VR, Sigma 50-150 f2.8 Sigma 80-400 OS Sigma 150-500 OS Nikon SB600
I hear ya. It is big. And if you're hand-holding a high-quality lens like the Sigma (or L glass) in that focal-length range for any length of time, you also need to build up your left arm muscles to support it .
God Bless Canon "L" lenses, every one, with their high optical quality (I even own a couple). The white barrel on longer ones provides a kick-butt, take-no-prisoners, "Heh, I'm pro glass!!" look (kicking sand in the face of nearby Nikons) ... but that white barrel does have its downside -- it's not as unobtrusive as a matte-black barrel, esp on a black camera body. So at least children won't run and birds hide quite as quickly from the Sigma 80-200 as from a Canon 70-200 L or 100-400 L!
Canon claims that the white (Canon calls it "putty") color on the longer L lenses is to reduce heat build-up in the sun ... but do you think Canon really objects when the TV camera pans over photographers on the sidelines of a pro sporting event and all those white lenses pop out in the picture?? Canon has even run magazine ads showing photos of large gaggles of pro sports photogs shooting an event, where 90% of the lenses are white, impuning that pros overwhelmingly depend on Canon cameras and L glass. (Canon no doubt was clever enough to pick an event for the ad with an unusually high white-to-black lens ratio )
Supported by: Benro C-298 Flexpod tripod, MC96 monopod, Induro PHQ1 head
Also play with: studio strobes, umbrellas, softboxes, ...and a partridge in a pear tree...
Nikon D80, D300, D700 all gripped, Nikkor 50 f1.8 Nikkor 18-200 VR Nikkor 70-200 VR f2.8 Nikkor 28-300 VR, Sigma 50-150 f2.8 Sigma 80-400 OS Sigma 150-500 OS Nikon SB600
Nikon D80, D300, D700 all gripped, Nikkor 50 f1.8 Nikkor 18-200 VR Nikkor 70-200 VR f2.8 Nikkor 28-300 VR, Sigma 50-150 f2.8 Sigma 80-400 OS Sigma 150-500 OS Nikon SB600