A neighborhood kid.
I took a few shots of a neighborhood kid at the studio.
I got about 250 shots in a half an hour. At that time, the kid wanted no more of it.
At 14 months, I'm amazed he lasted that long.
Two lights with umbrellas were used, one on either side of him.
The one on the left was about 5 feet high, the right one was about 3 feet high. A rough guess, I'd say the lights were about 10 degrees in front of him.
His folks were pleased with what we got, but I'm sure I could have done a little better. We had a couple of other props, but just never really got to them.
I'm real new to this studio shooting thing, so if you have any advice, I'll take it.
On with the shots.
They were taken with a Canon 30D with a Tamron 17-50 f2.8 lens.
Most shots were taken wide open to help blur the background.
For the most part, this worked OK.
This one the color is still off a little.
His Grampa made the honkey (half horse, half donkey) for him.
I got about 250 shots in a half an hour. At that time, the kid wanted no more of it.
At 14 months, I'm amazed he lasted that long.
Two lights with umbrellas were used, one on either side of him.
The one on the left was about 5 feet high, the right one was about 3 feet high. A rough guess, I'd say the lights were about 10 degrees in front of him.
His folks were pleased with what we got, but I'm sure I could have done a little better. We had a couple of other props, but just never really got to them.
I'm real new to this studio shooting thing, so if you have any advice, I'll take it.
On with the shots.
They were taken with a Canon 30D with a Tamron 17-50 f2.8 lens.
Most shots were taken wide open to help blur the background.
For the most part, this worked OK.
This one the color is still off a little.
His Grampa made the honkey (half horse, half donkey) for him.
dave.
Basking in the shadows of yesterday's triumphs'.
Basking in the shadows of yesterday's triumphs'.
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Thoughts on lighting: The only thing I can think of is a different placement for the lights. Maybe have your main light 45 degrees from camera (either side) and a fill right behind the camera with something like 1.5 or 2 stop difference in the lights.
Might also try a bit of cross lighting, just to get some atmosphere. Might not work so well with a young one, but with older subjects (especially guys) it will add an added measure of drama to the photos.
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I like 2, 4,6 and 7 with 4 as my favorite.
I know nothing about lighting (thats why I always lurk in this forum) but think you have done really well.
If I were your client, I'd be pleased! (okay, so I am not helpful, but I am encouraging!)
ann
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Great work. Kids scare me, so you have my most profound admiration! OK . . . picky stuff. For me, the light's a bit too even right to left. I'd move one of the lights farther back, or turn it down a couple stops. With a child, you gotta take what they give you, so it really doesn't matter which side you have closer (stronger), the little bugger'll turn the other way anyhow.
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Thanks Scott.
I didn't get to move the lights around much, the kid just wouldn't let me have the time.
After his Mom would put him somewhere near a prop, I got 5 or 6 quick shots off before he took off.
If I ever get an older (5 or 6 year old) as a model, I'll try your suggestions.
Thanks Ann.
No clients involved in this. It was more of a trade of services.
She got a few, Ok, I'll say it, good pictures of the kid. I got to have a model to try out in the studio.
Icebear, kids can't scare you any more than they scare me.
I use "always on" lights. So I'm guessing by turning it down a stop, I move the lights farther away.
I see now that his white shirt was getting a little "hot" in some of the shots.
I didn't notice any clipping when I viewed in on the camera, I may have brought it on during the post work.
Thanks again folks.
Basking in the shadows of yesterday's triumphs'.