Harsh Light and Lazy Slackers
I took these photos on a trip last September to Smith Rock, Oregon, of a group of friends doing some "slacklining". I kept nearly 200 photos, and a lot of them worked pretty well, but I had a real problem with the harsh light washing out the colors. These are a few of the better ones I managed to save with some work on the computer. Perhaps you folks can help me out some with tips for working in really bright sunlight?
Not knowing much about REAL photography:dunno, I let my camera do the magic for me on the "auto" setting. It's a 6mp digital Fuji F700.
This pic is pretty sweet, but since my only choice was to shoot from the shadowy side, I couldn't quite get his skin to work out right. It was either really bland and colorless, or really dark. In the end it's satisfactory, but I think it could be better.
Shutter: 1/208 sec.
Aperture: F/5.7
Focal length: 16mm
ISO 200
This pic I used the flash to fill in the foreground, since it was close enough and all in shadow. It worked out better than most of the shots, but there's still some rather harsh highlights. Incidentally, I was fortunate enough to get a picture of myself shooting this picture from a friend a few months later.:):
Shutter: 1/416 sec.
Aperture: 5.7
Focal length: 8mm
ISO 200
This one I didn't manage to get to look as good as I wanted it. Luckily Chris was not born with the same pasty white Alaskan skin that I have, or it would have been ruined.:D the colors and contrast here is a bit bland for what I would have wanted.
Shutter: 1/315
Aperture: 5.7
Focal Length: 8mm
ISO 160
So anyway, any tips on shooting in bright light would be appreciated, in case I ever find myself back in some hot, sunny place where Alaskan white boys were never meant to be.:D Thanks all!
Not knowing much about REAL photography:dunno, I let my camera do the magic for me on the "auto" setting. It's a 6mp digital Fuji F700.
This pic is pretty sweet, but since my only choice was to shoot from the shadowy side, I couldn't quite get his skin to work out right. It was either really bland and colorless, or really dark. In the end it's satisfactory, but I think it could be better.
Shutter: 1/208 sec.
Aperture: F/5.7
Focal length: 16mm
ISO 200
This pic I used the flash to fill in the foreground, since it was close enough and all in shadow. It worked out better than most of the shots, but there's still some rather harsh highlights. Incidentally, I was fortunate enough to get a picture of myself shooting this picture from a friend a few months later.:):
Shutter: 1/416 sec.
Aperture: 5.7
Focal length: 8mm
ISO 200
This one I didn't manage to get to look as good as I wanted it. Luckily Chris was not born with the same pasty white Alaskan skin that I have, or it would have been ruined.:D the colors and contrast here is a bit bland for what I would have wanted.
Shutter: 1/315
Aperture: 5.7
Focal Length: 8mm
ISO 160
So anyway, any tips on shooting in bright light would be appreciated, in case I ever find myself back in some hot, sunny place where Alaskan white boys were never meant to be.:D Thanks all!
John Borland
www.morffed.com
www.morffed.com
0
Comments
First off WELCOME and second,that first shot blows me away.
I would have soiled my britches for sure.
Cincinnati Smug Leader
"The Edge... there is no honest way to explain it because the only people who really know where it is are the ones who have gone over."-Hunter S.Thompson
Really nice shots, though You might want to pick out one of your worst "bright Sun" pics and post it in the Photoshop Forum. I'm sure lots of folks would like to take a crack at it plus, I'm sure you'll get some suggestions about how to shoot under these conditions, for next time.
Thanks for sharing,
Steve
After the fact, the Shadows/Hightlights feature of Photoshop is useful to open up the shadows nicely, while maintaining good contrast.
Nice shooting & watch your step : .
TML Photography
tmlphoto.com
http://redbull.smugmug.com
"Money can't buy happiness...But it can buy expensive posessions that make other people envious, and that feels just as good.":D
Canon 20D, Canon 50 1.8 II, Canon 70-200 f/4L, Canon 17-40 f/4 L, Canon 100mm 2.8 Macro, Canon 430ex.
Not that they've ever replied to my submissions. But I think these are extremely striking and very up the their alley. Not much to lose and a lot to gain.
Moderator of: Location, Location, Location , Mind Your Own Business & Other Cool Shots
As far as PS questions those aint for me.
Holy cow, so really just them on a rope.
Well there were two lines up at the time. The long one in the first pic went alongside a rock outcropping for a ways before breaking out into the exposed gap. This is a pic that kinda shows the area as we were getting the line set up: http://www.morffed.com/2004.php?action=slideshow&image=gslacklining04
Then the second I took from the little cave across the gap in the third pic. My buddy actually managed to get a picture of me taking the shot, which was quite cool. See that one here: http://www.morffed.com/climb/smith/john07.jpg
Thanks for all the comments guys, I appreciate it. I did try sending these to Climbing Magazine, but they didn't need them at the time. I guess Outside wouldn't be a bad way to go either. Thanks for the suggestion, I'll have to kick my lazy self into gear and give that a shot.
www.morffed.com
Cool shots.
Ian
Myself having just turned 18, hanging out with these guys for a week was an incredible experience. More than that, it was an honor that I did not expect, or even realize until I actually spent time with them and got to know them. Legends in their own right. Mad respect for all of them. I personally never did make it across either line, but I took a few falls trying, so I came home content, knowing that I gave it my best. It's definitely a whole different ball game when you take slacklining out of the backyard.
Just a little anecdote to go with the pics.
www.morffed.com
thanks for sharing the shots and story
moderator of: The Flea Market [ guidelines ]
Definetly a "defining moment" in life
Ian