Canon EF 70-200 F/4 L review
Michiel de Brieder
Registered Users Posts: 864 Major grins
Well now,
as we seem to be making reviews and linking to stuff I think it is time for all those 70-200 F/4 L (for an L lens to be seen as el-cheapo :rofl) lovers out there to post some samples and your opinion of this lens here in public. I'll start off, so that others may finish
Okay, I've had this lens for some time now and I must say that there is little not to like about this lens.
Why did I buy this lens? I started off with a 28-105 and a 50mm F/1.4 and a D30 and I saw birds... birds birds and birds. They were quite close, but the 105mm never seemed to be enough to tackle them. So I thought: I need more tele reach. I began to do some research and after a while I found myself fixed on 2 lenses I dearly wanted. By some called, the best L lenses for the buck: the F/4's 17-40 and 70-200. They would complement the 50 by getting below it and getting over it. Those 10mm and 20mm in between? Try leaning forward and backwards and you'll see that those small steps are but minor differences. For birds it did not really 'cut the cake' so to speak, but it had it's uses:
Would you look at that bokeh [drool]
or perhaps this will suit you better:
or just a crazy portrait:
Well now, some nice examples and the reason why I bought the thing.... How to get to those samples?
It's easy! The 70-200 is a joy to use! It is light, very responsive and snappy, both on a 20D as on a D30 (and the difference in AF performance of those 2 may be known ). The lens rests nicely and comfortably in your hand and the ring USM delivers THAT punch when you need to make a slight adjustment to the AF for a given photo.
But, F/4, isn't that kinda dark? I mean, there's those 2 F/2.8 lenses ya know and.... mumble mumble. Yes, if I could cough it up, I'd be walking with an F/2.8 lens... Why would I do that if I am satisfied with this lens? Well, F/4 really DELIVERS for outdoor shooting, it's awesome! But when you get inside, you can tell that it is getting harder to work. My room has okay lighting, not much, but I can see where I'm going Here's what a 20D can do with that 70-200:
handshot ISO 800 @ 1/30th on 200mm (inc. 100% crop), not bad I'd say using a grip and controlling your breathing certainly helps getting such a shot, but the 70-200 is very friendly for handholdability. So, not bad right? Why would I want to have that F/2.8? Concert shooting my friends I'd love to have a seriously fast lens for that.... Until that time it's ISO 3200 for me
I started out with wanting birds... 70-200 is too short for that. What to do, what to do? I bought a Kenko Pro 1.4 TC... I already put up some surfing shots a while ago in a sports thread, but I'll give you one here too:
At full zoom with 1.4 TC, not bad I'd say, and very usable. The lens retains a lot of sharpness and is very handholdable with TC.
Now for a last sample of the lens:
Who says that landscapes come from wide angle lenses @ full tele and a nice pano crop I present to you my final graphical addition to this review.
All in all: I love this lens for some reasons:
1. colour richness
2. sharpness
3. overall usability
4. price
5. portability
Well people, add your reviews and hand over the questions! :deal
as we seem to be making reviews and linking to stuff I think it is time for all those 70-200 F/4 L (for an L lens to be seen as el-cheapo :rofl) lovers out there to post some samples and your opinion of this lens here in public. I'll start off, so that others may finish
Okay, I've had this lens for some time now and I must say that there is little not to like about this lens.
Why did I buy this lens? I started off with a 28-105 and a 50mm F/1.4 and a D30 and I saw birds... birds birds and birds. They were quite close, but the 105mm never seemed to be enough to tackle them. So I thought: I need more tele reach. I began to do some research and after a while I found myself fixed on 2 lenses I dearly wanted. By some called, the best L lenses for the buck: the F/4's 17-40 and 70-200. They would complement the 50 by getting below it and getting over it. Those 10mm and 20mm in between? Try leaning forward and backwards and you'll see that those small steps are but minor differences. For birds it did not really 'cut the cake' so to speak, but it had it's uses:
Would you look at that bokeh [drool]
or perhaps this will suit you better:
or just a crazy portrait:
Well now, some nice examples and the reason why I bought the thing.... How to get to those samples?
It's easy! The 70-200 is a joy to use! It is light, very responsive and snappy, both on a 20D as on a D30 (and the difference in AF performance of those 2 may be known ). The lens rests nicely and comfortably in your hand and the ring USM delivers THAT punch when you need to make a slight adjustment to the AF for a given photo.
But, F/4, isn't that kinda dark? I mean, there's those 2 F/2.8 lenses ya know and.... mumble mumble. Yes, if I could cough it up, I'd be walking with an F/2.8 lens... Why would I do that if I am satisfied with this lens? Well, F/4 really DELIVERS for outdoor shooting, it's awesome! But when you get inside, you can tell that it is getting harder to work. My room has okay lighting, not much, but I can see where I'm going Here's what a 20D can do with that 70-200:
handshot ISO 800 @ 1/30th on 200mm (inc. 100% crop), not bad I'd say using a grip and controlling your breathing certainly helps getting such a shot, but the 70-200 is very friendly for handholdability. So, not bad right? Why would I want to have that F/2.8? Concert shooting my friends I'd love to have a seriously fast lens for that.... Until that time it's ISO 3200 for me
I started out with wanting birds... 70-200 is too short for that. What to do, what to do? I bought a Kenko Pro 1.4 TC... I already put up some surfing shots a while ago in a sports thread, but I'll give you one here too:
At full zoom with 1.4 TC, not bad I'd say, and very usable. The lens retains a lot of sharpness and is very handholdable with TC.
Now for a last sample of the lens:
Who says that landscapes come from wide angle lenses @ full tele and a nice pano crop I present to you my final graphical addition to this review.
All in all: I love this lens for some reasons:
1. colour richness
2. sharpness
3. overall usability
4. price
5. portability
Well people, add your reviews and hand over the questions! :deal
0
Comments
Michiel de Brieder
http://www.digital-eye.nl
thanks for this review. it helped alot with my decision on the 70-200
smugmug: www.StandOutphoto.smugmug.com
160mph down the straight at Donnington Park shame about the fence but i still like it
Rugby
Football
Canoing
Horse Racing
It can do the lot these are after 4 months with a DSLR
and 70-200
Thanks for looking
Gary
Just curious about you saying "there is little not to like". I'm just curious of what some things about this lens that someone may not like? It won't affect whether I purchase it or not, but I'm just curious.
Also, can someone post a photo of the 70-200 f/4 on a 20D? (or a camera of about the same size) I'd like to see about how big it is on a 20D.
http://redbull.smugmug.com
"Money can't buy happiness...But it can buy expensive posessions that make other people envious, and that feels just as good.":D
Canon 20D, Canon 50 1.8 II, Canon 70-200 f/4L, Canon 17-40 f/4 L, Canon 100mm 2.8 Macro, Canon 430ex.
Thanks for the great review and the pictures, you as well Gary. I love my 70-200 f4. Not real great at using it yet but when I do get my act together on rare occasions...Ohoo it is so nice
These aren't the best but they were all taken the first week I got the 70-200
All in all this is a great lens. Since I got it for free (bday present) it's even better.
Eric
It's better to be hated for who you are than to be loved for who you're not.
http://photosbyeric.smugmug.com
there is a trade-off, you get a light weight, very portable and usable lens, but F/4 isn't that big a hole As mentioned in my review: if I had the money I'd buy an F/2.8 version because I like concert shooting. The full-stop makes a huge difference there. Otherwise I'm totally satisfied with the lens (even for concert shooting it suffices when there is enough light). So indeed, there is little not to like, except maybe dor a small trade-off
Hope that helped!
P.S. I'll post a picture of it on my 20D when I get home tonight!
Michiel de Brieder
http://www.digital-eye.nl
-daniel-
smugmug: www.StandOutphoto.smugmug.com
I love this lens, it is the only lens in my bag I feel TOTALLY comfortable shooting wide open. I'm not sure I will ever need an f2.8 lens, I shoot weddings, and portraits, and I use an 85 1.8 for the portraits. I don't see Canon making any EF-S L lenses now that they made EF-S go by the way of Nikkor IX, and the Minolta Maxxum XI, dead ends. The 24-70 f2.8 L simply doesn't cover my needs in one lens, and I'm not using 2 to cover what 1 should. SO unless a sub 1k 85 f1.2L or a sub 500 dollar 135mm f2 L comes my way, I won't invest in another piece of L glass unless I could swing a full frame body. Now that everyone is thoroughly confused, here are some of my fav's.
As a side note I think it is a great lens for photojournalism (aside from the 'hey steal me, I'm expensive' color) not that I do that sort of work
Michiel de Brieder
http://www.digital-eye.nl
Your review was helpful in making my decision. I just bought this lens from Arjunrc. I will be using it on my new 350D. Let's see how the pictures come out. I am a beginner at photography.
EF-S 18-55mm
EF 50mm f/1.8 I
EF 70-200mm f/4L
Sigma 24-70mm f/2.8
Kata T-212
http://redbull.smugmug.com
"Money can't buy happiness...But it can buy expensive posessions that make other people envious, and that feels just as good.":D
Canon 20D, Canon 50 1.8 II, Canon 70-200 f/4L, Canon 17-40 f/4 L, Canon 100mm 2.8 Macro, Canon 430ex.
smugmug: www.StandOutphoto.smugmug.com
Although I am a bit late, here are my 2ct.
I shoot mainly outdoors and the 70-200 F4 is great for that. Also size and weight is the maximum I personally want to carry along as I walk the city streets quite a lot. Guess that makes me the only person not looking at the 2.8 IS
If you want to shoot at night (or use the tripod anyhow), get the tripod ring. Lets your turn the camera from "landscape" to "portrait" without using the tripod head and balances the camera/lens weight. Very handy but unfortunately not included in the price. As I remember it sets you back about 100 US$.
T
Rob
One note on the tripod ring. Apparently there is a ring for a different lens that only differs in the fact that it's black instead of white and it costs a bit less than the "official" ring. Look for the Tripod Ring A(B) for the 200mm f/2.8 and save yourself a few bucks.
Michiel de Brieder
http://www.digital-eye.nl
- background clearly defocused, preferentially with speculars or light sources
- shot at the * short * end of the focal range (in other words at or near 70 mm and not at or near 200 mm focal length)
Thanks in advance for posting an example.
Thierry
It seems I nearly always shoot at or close to 200mm. I could have a try this weekend if you get no other replies. Brian
- W. Somerset Maugham
1/400 sec
f11
ISO 200
Focal Length 70mm
Eric
It's better to be hated for who you are than to be loved for who you're not.
http://photosbyeric.smugmug.com
Aperture: f/5.6 ISO: 800 Focal Length: 70mm Exposure Time: 0.025s (1/40)
the oval type highlights oof at the top are like overgrown vanity globe bulbs in a mall, like marquis lights. Focal length 70mm, focus about 5 feet maybe?, close but not at the minimum, and whoah I was holding 1/40th of a sec, must have skipped the coffee that morning. Any blurriness you see I will attribute to camera shake and not the lens though. If you desire it original size PM me and I'll give you the link.
Yes, Blurmore, the pic you posted is exactly what I wanted. All I can say is: this is a great lens, and a very good offering by Canon to offer that kind of performance at a lower price point than the 2.8.
The reason I've asked is because the 70-200 2.8 L presents IMHO inconsistent optical performance accross the focal range: excellent at 200mm, but not at all at the same level at 70mm (if you see a pic taken with the 70-200 f2.8 L in the conditions that I've posted, pay attention to the bokeh, and you'll see what I mean). The 70-200 f4 L does not seem to suffer from the same issues. Interesting.
Thierry