A question
[Deleted User]
Major grinsBournemouth, UKPosts: 0 Major grins
Not sure where to post but as the forum title says if you have to ask it go here!!
Can somebody explain to me the Aperture "F" number in plain english and in less than 65 words so that a real numpty like me can understand it :scratch
My understanding is that the lower the "F" number the sharper\quicker speed the picture is taken at but the depth of field is shorter e.g. the item you focussed on is clear and sharp (in a perfect world) but the background is blurred, the higher the "F" number the less sharp the focussed area but the greater the depth of field..........................or am I barking up the wrong tree.
I look forward to the your comments
Tim
Can somebody explain to me the Aperture "F" number in plain english and in less than 65 words so that a real numpty like me can understand it :scratch
My understanding is that the lower the "F" number the sharper\quicker speed the picture is taken at but the depth of field is shorter e.g. the item you focussed on is clear and sharp (in a perfect world) but the background is blurred, the higher the "F" number the less sharp the focussed area but the greater the depth of field..........................or am I barking up the wrong tree.
I look forward to the your comments
Tim
0
Comments
Did it help any?
www.intruecolors.com
Nikon D700 x2/D300
Nikon 70-200 2.8/50 1.8/85 1.8/14.24 2.8
Cheers
Brian
http://photos.katzclix.com
blog - http://blog.katzclix.com
The clever bit comes in combining these settings to meet your surrondings.
If its not to differcult to ask, where does the DoF come into it??
Tim
He then ties out the impact of changing each of those: a small
f-stop number lets in more light (bigger 'hole') but also reduces the DoF, meaning the amount of the image that is in focus (or blurred) in front of and behind the actual focused upon subject.
A shallow DoF may be great for a sports action shot where you are trying to isolate the athlete from all the distracting elements around them, but usually not what you want to do if shooting the Grand Canyon. Or maybe even a group portrait.
-Fleetwood Mac
F1.0 is as you should see, no lost of light inside lens, DOF is minimal.
Any higher number, smaller hole, less light, more DOF.
Actual DOF may be vary in different lenses due to design, quality etc.
Books don't bite (usually)
XTi, G9, 16-35/2.8L, 100-300USM, 70-200/4L, 19-35, 580EX II, CP-E3, 500/8 ...
DSC-R1, HFL-F32X ... ; AG-DVX100B and stuff ... (I like this 10 years old signature :^)
Thanks
Tim
f/4.0 is actually 1/4.
f/8.0 is actually 1/8.
In the above examples, the diameters of the apertures are 1/4 and 1/8 the focal length of the lens. The aperture f/16 has a diameter that is 1/16th the length of the lens.
To state it another way, an aperture of 1.0 (which is very unusual) would have a diameter equal to the length of the lens.
This is why the larger the number (a smaller fraction), the smaller the aperture.
This is what finally made me understand the significance of the f-number when I learned it umpteen years ago. . . .
Not to confuse things, but. . . .
Depth of field is controlled by three factors:
1. The aperture (larger apeture, i.e. f/1.8 shallow DoF; smaller aperture, i.e. f/16, greater DoF)
2. Distance from film plane to subject (the closer you are, the shallower the depth of field)
3. Focal length of lens (the longer the lens, the shallower the DoF)
If you're paying attention, numbers 2 and 3 are related as they both refer to magnification.
Chew on this for a while and note it in your photos. It will all "click" before you know it.
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