Shooting Techniques - November in Churchill
If this question does not belong here, would appreciate being directed to the right place.
Anyway, we're heading to Churchill, Canada in November to spend time with the polar bears (we hope). I'm wondering if anyone can direct me to some books/resources about photographing these spectacular animals in the wild, and about photography in a mostly white landscape. Just starting my research on this topic, so any guidance at all would be appreciated.
(I thought I would check out the websites of photographers like Nicklen and Rosing - although the latter shoots film only, so not sure I'll get anything helpful there since I am a DSLR user.)
Thanks in advance.
Anyway, we're heading to Churchill, Canada in November to spend time with the polar bears (we hope). I'm wondering if anyone can direct me to some books/resources about photographing these spectacular animals in the wild, and about photography in a mostly white landscape. Just starting my research on this topic, so any guidance at all would be appreciated.
(I thought I would check out the websites of photographers like Nicklen and Rosing - although the latter shoots film only, so not sure I'll get anything helpful there since I am a DSLR user.)
Thanks in advance.
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Comments
Do not trust your light meter, unless you understand Exposure Compensation thoroughly.
Moderator of the Technique Forum and Finishing School on Dgrin
The white of the snow will totally confuse the light meter. You will need to adjust exposure to compensate, usually at least 1 stop and many times as much as 1 2/3 or 2 stops.
Shoot RAW - this will give you much more latitude to correct for exposure errors and for correcting WB.
Shooting in Manual mode will give you much more control over the photos than letting the camera do your thinking for you.
If you have access to one, using an incident light meter will go a long way to mitigating the errors that are likely to be introduced by the camera light meter. Just be aware that if you are shooting a snow-filled scene and set your camera to the settings recommended by the incident light meter that your camera will almost always indicate that you are over-exposing the shot. But that's because the camera light meter doesn't know about snow and is trying to turn the white snow to a nice 18% gray.
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On the other hand, there is an expression about "finding a polar bear in a snowstorm", which suggests it's not all that simple.
May I suggest that your RGB histogram may be your best friend?
And Scott's advice on metering is very sound - reflective meters are useless or nearly so. An incident LM will work.
Pls. post pics and let us know how it goes!
VI