Deconstructing a process
monkeydane
Registered Users Posts: 45 Big grins
I recently ran into this artist via another forum and am amazed at his animal portraits. I say portraits because the technique he's used seems to make you much more connected to the subject than a normal zoo or safari pic.
His gallery is here:
http://photo.net/photodb/folder?folder_id=788471
I've been trying to adapt some of his technique to bring people into a few of my shots as well but I'm having a hard time figuring out how he got that look.
Most definitly he's making a great capture, but it can't all be lighting at the time of the shot, anyone have any ideas on some steps to start me down the path?
I'm wondering if it's some Draganizer type of filter, or maybe even lucis art on some, I've tried duplicating layers with multiply, playing with Draganizer, anyone seen something like this before?
His gallery is here:
http://photo.net/photodb/folder?folder_id=788471
I've been trying to adapt some of his technique to bring people into a few of my shots as well but I'm having a hard time figuring out how he got that look.
Most definitly he's making a great capture, but it can't all be lighting at the time of the shot, anyone have any ideas on some steps to start me down the path?
I'm wondering if it's some Draganizer type of filter, or maybe even lucis art on some, I've tried duplicating layers with multiply, playing with Draganizer, anyone seen something like this before?
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Whatever he does, I like them very much. His contact info is in his profile, so you could just ask.
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I have skimmed through the book... won't tackle it seriously until I've gone through Professional Photoshop and understood it
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Start with an image. Obviously.
Go to layer> new layer> adjustment layer> curves.
Set the highlight part of the curve (the top right end) to an output of around 105
Make a mask in this layer
Using the paintbrush, select black as the colour, and then reduce the opacity/flow/hardness of the brush. Keep it low, so you can control it.
Paint the bits you want to highlight. Keep it light though, and build up gradually.
I hope that helps you work out what you want.
I had a quick go and it might just work!
His photos are amazing thanks for sharing the link monkeydane - very inspiring.
New Portfolio
After playing with Draganizer, then following some other techniques to try and get it close to what I want, a simple curves adjustment and layer mask gets a similar effect.
Just goes to show, many different roads all lead to the same place.
Thanks for the post that does help alot.
http://forums.dpreview.com/forums/read.asp?forum=1006&message=26453350
Some notes on the technique:
http://forums.dpreview.com/forums/read.asp?forum=1006&message=26454188
Yep, this was much easier, but I did find all sorts of great ideas on how to tweak what 've got into what I want. one of the results before final, final tweaking.
http://monkeydane.smugmug.com/photos/249575407_HTifX-L-1.jpg
Nice one there monkey and I see Pam is also here, hey Pam, i put up your lioness shot (as a link, i dont want to get into trouble lol) and see if people can help me deconstruct it.
What i cant make out is how do you increase saturation so much, in your lioness pic the color is just in the right places and they apprear golden and not yellow which results if you try to bump up your saturation in a myriad of ways...tried lab, mixer, sat...
can you help us out and let the mystery unfold? how did you pp that lioness shot apart from the dodging and burning. hehehe.
Hi CB,
Most of the color of the lioness is from some custom curves I've created along with a bit of hue/sat.
oh thanks so much Pam. Would you receive it as bad taste if i ask you to walk me through it? I obviously wouldnt wanna impose but i am overly fixated on how you did it...im telling you i never really liked going into PS but ever since i saw your lion, ive been spending like 3 hours a night trying to get the darn thing correct and i havent progressed a bit hahahaha.
you just made me wanna hunk down and learn PS but im really more of a show me then ill follow and then try to experiment type of a learner.
thanks so much for replying Pam.
One technique that works for me sometimes is something I learned from a photographer named Lazlo. He's got it to the point where people are calling it an effect
http://www.kentdesign1.com/nuke_new/html/toning_tutorial.php
You might try the steps outlined here, with some good dodge and burn and a hue/sat "wash" layer to give you wat you're looking for.
It's not for veryimage, but it works wonders on the right ones.
I don't think you'll want to follow this method exactly, but you'll learn a lot of useful techniques.
PamR, love that lioness! Although I have always admired this style of processing, I've never been able to achieve satisfactory results myself - mine always end up looking overdone. Yours is beautiful.
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Thanks Lori and MOnkey....ill give those a whirl!