American Geisha, or Kimono in Winter
It's been a long time since I've been shooting, but a friend wanted to do something fun one afternoon (in February! brrr!) with a costume she had from the fall. My goal was to get some vintage-looking shots - not exactly classic, but more the type of look that one would find from media dating from the 1930s or 1940s.
I am pretty inexperienced with models and relished the experience. I'd appreciate any feedback if anyone's got any.
Additionally, I know the poses are all a bit similar but for some reason my attempts to replicate traditional postures all fell a little bit flat. :scratch
And one obviously non-vintage look:
I am pretty inexperienced with models and relished the experience. I'd appreciate any feedback if anyone's got any.
Additionally, I know the poses are all a bit similar but for some reason my attempts to replicate traditional postures all fell a little bit flat. :scratch
And one obviously non-vintage look:
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Comments
Moving away from photography and into cinema. PM me if you have questions about DSLR workflow or production questions.
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It appears to me that the processing is right for the look you were trying to achieve. I prefer the color shot the least. My favorite is #2. #2 may be a good candidate for a LAB conversion BW. I think it would help get that smooth and delicate skin look.
Thanks for sharing.
Jeff
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She did the makeup and hair herself (though it was a wig), so I take no credit for that. I'm all thumbs with that stuff.
Photos that don't suck / 365 / Film & Lomography
I like #2 and #5 the best, I think, Especially 5. I'm a sucker for eyes, what can I say The only thing I'm not sure about is the brick-pattern in the top-left corner on #5. But removing that might give a totally different feel to it as well, so I'm really not sure.
Actually, I really like #4 as well. I really like the 'distant' feel from it. As if your she is almost not aware that the image is taken. Does that make sense? It's also the one that feels most 'real geisha' to me.
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I do think she has nice eyes and she is not afraid to look right at the camera. But I agree about liking poses where she is looking away, too.
Posing models is quite something. It's much faster and easier (I think, overall) to get candids
Photos that don't suck / 365 / Film & Lomography
It's not the bricks so much that I was talking about, but more the contrast between the bricks and the gaps between them (don't know the technical english term, sorry ). Maybe darken the whole brick area, but get the contrast down. Does that make sense?
www.ivarborst.nl & smugmug
Would like to see more work with these.
Thanks for sharing!
Neil
http://www.behance.net/brosepix
I really like #1--the composition and the elegant distance from your subject really appeal to me. #2 holds the most potential out of the rest for me. Another strong composition, but her eyes are lacking pop for me. Smoothing her skin a bit, per ivar's suggestion, would also add to the overall vintagey look, I think, and help bring those eyes out a bit more. They're just a smidge too dark for my taste.
Very nicely done. And much more elegant than my own goofy effort. :giggle
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Kerry I love that pic of you. So adorable! Also, I really love all of your wall colors.
You know, #2 was the first one I processed right after the shoot, then I shelved the set for a week and pulled them out again and processed the rest. So I didn't take as much time or have any artistic direction with that one. I think you have really noticed that, as I didn't do anything specific to her face or eyes like I did in the others.
Gotta love these perceptive Dgrinners.
Photos that don't suck / 365 / Film & Lomography