Filters...

OakleyOakley Registered Users Posts: 446 Major grins
edited March 12, 2008 in Accessories
I really don't know much about them. I've always just had the one that was included on my 18-70mm - a SKY (IA) 67mm (whatever that means...) but now that I just got my new 18-200 I need to decide if I need to buy a filter for it (72mm).

I see there are different types for different occasions. But I'm not sure I need one.

1. Anyone know a good reasource on the web to get filter information? I haven't had any luck with google.

2. In today's photoshop world, do I really need a filter (or filter set) that will 'tweak' my photos? Or is the primary purpose of a filter simply lens protection?

Thanks!

Ryan
Ryan Oakley - www.ryanoakleyphotography.ca [My smugmug site]
www.photographyontheside.com [My blog about creating a part-time photography business]
Create A Gorgeous Photography Website with Smugmug in 90 Minutes [My free course if you need help setting up and customizing your SmugMug site]

Comments

  • Scott_QuierScott_Quier Registered Users Posts: 6,524 Major grins
    edited March 9, 2008
    With PS, there's very little that you can do with filters that can't be done with PS. So, I would take a pass on most (if not all) enhancement filters.

    But, there are two classes of filters that are difficult or impossible to duplicate in PS:
    • Circular Polarizer - cut's reflections, tends to increase contrast of clouds in sky (depending on angle to the sun), enhances the greens of foliage, etc
    • Neutral Density filters - used to cut the amount of light admitted to the sensor - good for getting slower shutter speeds when shooting warter, etc
    To save expenses, get one filter large enough for your largest lens and one or more step rings to allow you to mount it on your smaller lenses.

    Do you need a UV/Sky/Clear filter to protect the front element of the lens? In many instances, this is a religious question. But, when shooting at places like the beach, dusty environs, etc - it can save the front element (at the cost of a much less expensive filter).

    When you choose a filter, put some money into it. In this, as with many things, the more you pay - the better the quality of the product. Though not a linear relationship, it is a direct relationship --> money:quality.
  • OakleyOakley Registered Users Posts: 446 Major grins
    edited March 9, 2008
    Thanks for your reply Scott. Your info is very timley. Thanks!

    Ryan
    Ryan Oakley - www.ryanoakleyphotography.ca [My smugmug site]
    www.photographyontheside.com [My blog about creating a part-time photography business]
    Create A Gorgeous Photography Website with Smugmug in 90 Minutes [My free course if you need help setting up and customizing your SmugMug site]
  • pyrypyry Registered Users Posts: 1,733 Major grins
    edited March 9, 2008
    classes of filters that are difficult or impossible to duplicate in PS:
    • Circular Polarizer - cut's reflections, tends to increase contrast of clouds in sky (depending on angle to the sun), enhances the greens of foliage, etc
    • Neutral Density filters - used to cut the amount of light admitted to the sensor - good for getting slower shutter speeds when shooting warter, etc

    Add graduated grays, some silly effects and redhancers to the list. The rest like colors and white ballance filters are only needed if you want to see the effect before taking the shot.

    As for the silly effects, most are too silly to be of any use, you only really see them in filter catalogs. But I do have a friend who has bought a few clear glass filters and scratched them, he then uses them to produce a controlled highlight flare when he's shooting live bands.
    Do you need a UV/Sky/Clear filter to protect the front element of the lens? In many instances, this is a religious question. But, when shooting at places like the beach, dusty environs, etc - it can save the front element (at the cost of a much less expensive filter).

    I belong to the absolutely yes club. It's not just about dust, starting from removing a lens cap that is already in your pocket :D

    UVs or protecting filters will save your day, question is when and how often.
    When you choose a filter, put some money into it. In this, as with many things, the more you pay - the better the quality of the product. Though not a linear relationship, it is a direct relationship --> money:quality.

    This is true, properly coated filters cause much less flare. Especially if you end up stacking them. Hoya's Pro1 Digital line is what I'd go for. And you don't need the filter to lose UV, there's a slightly cheaper option which is just a well coated clear glass, a pure dirt filter.
    Creativity's hard.

    http://pyryekholm.kuvat.fi/
  • henryphenryp Registered Users Posts: 144 Major grins
    edited March 11, 2008
    Oakley wrote:
    Anyone know a good reasource on the web to get filter information?

    Guide To Using Filters.
  • lightyearlightyear Registered Users Posts: 185 Major grins
    edited March 11, 2008
    Filters
    I agree with an above comment that filter use/non-use may be a reliegious selection, but my faith is WITH filters. I prefer to spend my time looking through the camera and not at the computer screen, and prefer to create my image to the extent posible in camera, not in computer. The B&H Filter article is a brief excellent summary of filter use, but I can also suggest a book (now in later edition)by Joseph Meehan which covers filters in their entrirety in a very readable and well illustrated fashion. I lent it to a friend, hence cannot provide exact title. The book, written for film users originally equally applies to digital use, unless (as suggested by another -except for polarization and neutral density- you choose to do it at the computer). Good luck.
    Stan
  • DesignsmithDesignsmith Registered Users Posts: 45 Big grins
    edited March 12, 2008
    lightyear wrote:
    I agree with an above comment that filter use/non-use may be a reliegious selection, but my faith is WITH filters. I prefer to spend my time looking through the camera and not at the computer screen, and prefer to create my image to the extent posible in camera, not in computer. The B&H Filter article is a brief excellent summary of filter use, but I can also suggest a book (now in later edition)by Joseph Meehan which covers filters in their entrirety in a very readable and well illustrated fashion. I lent it to a friend, hence cannot provide exact title. The book, written for film users originally equally applies to digital use, unless (as suggested by another -except for polarization and neutral density- you choose to do it at the computer). Good luck.
    Stan
    Stan

    Are you referring to Complete Guide to Filters for Digital Photography by Joseph Meehan? My wife gave this book to me for Christmas this year and I’ve used a lot already. I find it helpful and I think that regardless of your POV re: pre vs. post treatment that it would be a good resource to keep handy. I tend toward doing as much as I can at the time I take the shot, but it make sense to me to use all of the tools available to produce a quality image.
    DS

    The real voyage of discovery consists not in seeking new landscapes but in having new eyes.
    -Marcel Proust

    Sony A100: Dician VG-1 grip: Made Products Camera Armor: Sony 18-70 f3.5-5.6: Minolta 50 f1.7: Minolta 28-80 f3.5-5.6: Minolta 7-210 f4: Sigma 70-300DL f4-5.6:
    Cambron 2x converter: Minolta 3500xi: SanDisk Ultra II 2GB x6: Lexar Pro 8GB x3: Cokin filter system: PSP X2:
Sign In or Register to comment.