2 lens choices, need advice
I've previously asked for advice on different lenses to purchase, taking those recommendations into consideration, I have decided on two different choices. I was hoping people might give their opinions as to which choice they like better.
1. Canon 17-40L & Canon70-300 IS
2.Tamron 17-50 & Canon 70-200L
Thanks!!
1. Canon 17-40L & Canon70-300 IS
2.Tamron 17-50 & Canon 70-200L
Thanks!!
0
Comments
Now, as for the wide lens, I do not own either the 17-40 nor the Tammy, but from all the reviews I have read, the 17-50 edges out the 17-40 in some tests as far as IQ. You also get an extra stop for low light situations. From the reviews, it sounds like Tamron's two best lenses are the 17-50 and 28-75.
Canon 5DII, Canon 7D
Canon Canon 24-70 f/2.8L, Canon 35 f/1.4L, Canon 70-200 f/2.8L IS II, Canon 85 f/1.2L II, Canon 500mm f/4 IS, Zeiss 21mm ZE
Speedlite 580ex II, Canon 430ex
#2 is the way I went when I switched to Digital. I tested the Tamron and the Canon 17-40 and the Tamron was a better all around lens. The build is not up to the Canon L build but the optics sure were on the two that I tested.
I have since repalced the Tamron with a pair of Canon's (16-35 f2.8 & 24-70 f2.8) I have kept the Tamron and still use it on occasion. It's just that good. I have to say that my 70-200 choice was the f2.8 as well. More expensive than the f4 versions but the speed is worth it to me.
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I own 24 -105 F4L and 70-200 F2.8 L IS, planning to get the 17-40 L F4 next month to complete the coverage from wide (17 mm) to tele (200 mm and 400 mm with 2X TC) for the 5D. Collected the Tamron 11-18 for landscape and firework, Bigma 18-200 as walk about lens and the old 70 -300 (from the old EOS 5) for the Rebel.
Your plan shows there is a bit of gap either 40 -70 or 50 -70. (if crop sensor will be 64 to 112 o 80 -112 mm) where the common portrait range.
It is depends on what you plan to do and your current lens line up. It would be better to have some overlapping between 2 lens so that you don't need to change the lens so often in the field. The new EFS 17-85 IS is pretty cool. It can replace the 17 -40 or 17 -50. Personally, I feel the chance of using focal lenght beyond 300 mm is not that often. So if you own the crop sensor and get a 200 L, it is already 320 mm, good enough for most of bird photo. Consider a 1.4X TC for the 70-200 L later to extend the coverage as a cheaper alternative. (then you may have 640 mm lens)
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Canon 5DII, Canon 7D
Canon Canon 24-70 f/2.8L, Canon 35 f/1.4L, Canon 70-200 f/2.8L IS II, Canon 85 f/1.2L II, Canon 500mm f/4 IS, Zeiss 21mm ZE
Speedlite 580ex II, Canon 430ex
Also what is meant by crop sensor? I don't know if I own one, but since I don't know what one is I'd assume I don't.
IS is handy when hand holding a hefty lens like the 70-200, though not imperative to have. It is a handy tool.
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Now, for the IS, Image Stabilization is a technology where Canon has put mechanics into the lens to help compensate for your hand shaking while taking the picture. If you were to shoot an image in lower light, the light sensor in your camera would sense low light and compensate by keeping the shutter open for a longer period of time (unless of course you adjust this action manually). With the shutter open a longer period of time, this causes any shaking to get captured by the sensor and makes the resulting image fuzzy or blurry. Image Stabilization will help with this by compensating for your hand shaking and the resulting image should be sharp. It really comes in handy for when you cannot or will not be shooting on a tripod.
Canon 5DII, Canon 7D
Canon Canon 24-70 f/2.8L, Canon 35 f/1.4L, Canon 70-200 f/2.8L IS II, Canon 85 f/1.2L II, Canon 500mm f/4 IS, Zeiss 21mm ZE
Speedlite 580ex II, Canon 430ex
My thoughts on IS is that it's a nice tool, but not critical. If the budget doesn't allow for it, don't sweat it. There are other ways to get a sharp image (better technique, find a solid base in a tripod, monopod, or even beanbag on a solid object). I borrowed & rented 70-200/2.8 IS lenses for a long while, then finally bought myself the non-IS version as budget did not allow for hte additional $500. I honestly don't miss the lack of IS, and I mainly use the lens where I'm pushing the envelope (f2.8, ISO 3200, barely enough shutter).
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L lenses are nice and built nicer generally, but I think the 50-150mm would fit my needs better b/c it's faster.
Can't speak about the 70-300mm IS, but I did own the 75-300mm f4-5.6 IS USM and it was disappointing. Very soft and slow to focus.
HTH's
EOS 7D, Zeiss 50mm f/1.4, EF 24-70mm f/2.8L, EF 135mm f/2L, EF 200mm f/2.8L II, EF-S 10-22mm f/3.5-4.5 USM, EF 1.4 Ext II, 430EX, ST-E2, Tamrac Velocity 10X & Expeditioner 7 Bags.
I have the Canon EF 17-40mm, f4L and it is a superb optic. I also have a Sigma 18-50mm, f/2.8 EX DC, which was the best choice at the time. If I had to do it over with current choices, the Tamron SP 17-50mm, f/2.8 XR Di II LD Aspherical (IF) would top the list for top value standard zoom on a Canon crop 1.6x camera.
I recently got the Canon EF-S 17-55mm, f/2.8 IS and it is also a superb and high quality optic, but it's not really a value lens by any means.
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I agree with Ziggy's recommendations and those of others above. I've owned both the 70-300 and 70-200 f/4L lenses and prefer the 70-200 F/4 for the faster focus and build-quality. I also agree that the best value standard zoom is the Tamron 17-50mm. Optically is it excellent! I too have the Canon 17-55mm f/2.8 IS lens, but if I were looking for a less expensive quality zoom, I'd go for the Tamron. The 17-85 Canon lens is much slower (f/4-5.6 = 1-2 stops slower) and has a fair degree of distortion. The Canon 17-40 f/4L is also excellent, but you'll get a bit more zoom range out of the Tamron, and 1 more stop - no, it's not quite the build quality of the Canon 17-40, but still very good.