My old man
I keep at my semi-spontanous portraits:
-Ulrik
Canon EOS 30D, Canon 50mm f/1.4, Sigma 70-200 f/2.8, Sigma 18-50 f/2.8, Tokina 12-24 f/4. Sigma 1.4 TC, Feisol 3401 Tripod + Feisol ballhead, Metz 58 AF-1 C, ebay triggers.
Canon EOS 30D, Canon 50mm f/1.4, Sigma 70-200 f/2.8, Sigma 18-50 f/2.8, Tokina 12-24 f/4. Sigma 1.4 TC, Feisol 3401 Tripod + Feisol ballhead, Metz 58 AF-1 C, ebay triggers.
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However, I would like better to see a not so confusing background and a better balance between the two sides of the face.
I am just curious: which lens ?
When I say that the background is a little confusing, distracting I don't mean that is change to an homogeneous one. I just mean not so distracting.
Well, just me...:D
Hey!
Thanks for your comments! I can try to make a version where i diffuse the background a bit more in PS, darken it and make it more blurry!
It is my old trusty sigma 18-50 2.8 at f/2.8 and 50mm. I have to say that this lens is among my best buys..
again, thanks for your comment!
Canon EOS 30D, Canon 50mm f/1.4, Sigma 70-200 f/2.8, Sigma 18-50 f/2.8, Tokina 12-24 f/4. Sigma 1.4 TC, Feisol 3401 Tripod + Feisol ballhead, Metz 58 AF-1 C, ebay triggers.
Great shot, thanks for sharing!
Jeff
-Need help with Dgrin?; Wedding Photography Resources
-My Website - Blog - Tips for Senior Portraiture
The background is busy, but to me his expression and the sharpness of his eyes takes over the picture and I am not bothered.
Great work!
Canon EOS 30D, Canon 50mm f/1.4, Sigma 70-200 f/2.8, Sigma 18-50 f/2.8, Tokina 12-24 f/4. Sigma 1.4 TC, Feisol 3401 Tripod + Feisol ballhead, Metz 58 AF-1 C, ebay triggers.
Only, I take exception to him being called an 'old man', even if he is yours!
Don
'I was older then, I'm younger than that now' ....
My Blog | Q+ | Moderator, Lightroom Forums | My Amateur Smugmug Stuff | My Blurb book Rust and Whimsy. More Rust , FaceBook .
Canon EOS 30D, Canon 50mm f/1.4, Sigma 70-200 f/2.8, Sigma 18-50 f/2.8, Tokina 12-24 f/4. Sigma 1.4 TC, Feisol 3401 Tripod + Feisol ballhead, Metz 58 AF-1 C, ebay triggers.
2) I agree with Jeff about the black point. Needs some levels work, and a slight increase in the contrast for my taste. It kinda feels like a straight monotone shot without much b&w adjustment. If this were my shot, I think I'd have done some curves and levels and contrast adjustment to give his face/skin features some character. Even when I shoot and finish in monotone from RAW, I never leave it as-is.
3) The background is a bit busy. Perhaps some lens blur would solve it.
4) I'd like to see this same shot with him looking directly at the camera.
Great shot of your dad. The "Old Man" comment, at least from how I took it, is a term of endearment. Didn't offend me in the least. I never had a dad who I had enough respect and love for to want to photograph him. But if I did, a shot like this is probably what I'd take.
www.portraitwhisperer.com
Hey!
Thanks for your long and very constructive comment! I love you guys on this forum, I get lots of good input both photographically and pp-wise I have tried to pp this one a bit in the line of what you and some of the other guys have said. I ended up with something like this: (was this what you were after?)
Canon EOS 30D, Canon 50mm f/1.4, Sigma 70-200 f/2.8, Sigma 18-50 f/2.8, Tokina 12-24 f/4. Sigma 1.4 TC, Feisol 3401 Tripod + Feisol ballhead, Metz 58 AF-1 C, ebay triggers.
I'm not sure about the bright edges/lines that remain in the background--look like they're jutting out of his head. Maybe slightly less contrast in the background to even that out a little? I'd almost hate to darken the lines, too, and lose the background entirely.
2) As for his face/skin....much better. It now has character and brings out an interesting aspect to his personality that the original photo lacked. It tells me that he's seen a lot, worked hard in his life, and earned every wrinkle on his face. Now...back off on the contrast just a tad and I'd frame it. We always have to be careful not to go to extremes with any adjustment we make to a photo. Take it in stages as you adjust. Look at something else for a couple minutes, then go back and look at it again. Sometimes if we sit and stare at a photo we're working on for too long, it's difficult to give it an objective eyeball and make a wise determination about whether the change was too much, too little, or just right.
3) The eyes look great. Not sure if you hsve them special att, but I really like how they look now.
www.portraitwhisperer.com
Regards,
Canon EOS 30D, Canon 50mm f/1.4, Sigma 70-200 f/2.8, Sigma 18-50 f/2.8, Tokina 12-24 f/4. Sigma 1.4 TC, Feisol 3401 Tripod + Feisol ballhead, Metz 58 AF-1 C, ebay triggers.
(And for the record: "my old man" is a very, very positive remark, no negative connotations implied.. )
Canon EOS 30D, Canon 50mm f/1.4, Sigma 70-200 f/2.8, Sigma 18-50 f/2.8, Tokina 12-24 f/4. Sigma 1.4 TC, Feisol 3401 Tripod + Feisol ballhead, Metz 58 AF-1 C, ebay triggers.
I was just goofing on ya because of My age. See my Avatar and Profile images. LRmvcDonR
Don
'I was older then, I'm younger than that now' ....
My Blog | Q+ | Moderator, Lightroom Forums | My Amateur Smugmug Stuff | My Blurb book Rust and Whimsy. More Rust , FaceBook .
Hey!
I didn't think you did, I was just clearifying Age is a mark of honor where I'm from..!
Canon EOS 30D, Canon 50mm f/1.4, Sigma 70-200 f/2.8, Sigma 18-50 f/2.8, Tokina 12-24 f/4. Sigma 1.4 TC, Feisol 3401 Tripod + Feisol ballhead, Metz 58 AF-1 C, ebay triggers.
Don
'I was older then, I'm younger than that now' ....
My Blog | Q+ | Moderator, Lightroom Forums | My Amateur Smugmug Stuff | My Blurb book Rust and Whimsy. More Rust , FaceBook .
"Your decisions on whether to buy, when to buy and what to buy should depend on careful consideration of your needs primarily, with a little of your wants thrown in for enjoyment, After all photography is a hobby, even for pros."
~Herbert Keppler
Jeff
-Need help with Dgrin?; Wedding Photography Resources
-My Website - Blog - Tips for Senior Portraiture
www.portraitwhisperer.com
Canon EOS 30D, Canon 50mm f/1.4, Sigma 70-200 f/2.8, Sigma 18-50 f/2.8, Tokina 12-24 f/4. Sigma 1.4 TC, Feisol 3401 Tripod + Feisol ballhead, Metz 58 AF-1 C, ebay triggers.
Okay, my one comment for the day, and then I'm off to bed. I really liked the latter versions, for all the reasons others have already commented on. I'll say in general, the catch lights in the eyes were a little distracting for me. Someone early on suggested having him look at the camera. I think that would have allowed the catch lights to not sit right in the darkest part of his eyes (pupils). I think that off set effect gives depth to the eyes that's lost when the lights are dead-center as they are in your shot. All that said, I still really-really like the shot. Good work.
CTU Photography
50mm 1.4, 85mm 1.8, 24-70 2.8L, 35mm 1.4L, 135mm f2L
ST-E2 Transmitter + (3) 580 EXII + radio poppers
I really do NOT like the later versions! I much, much prefer the first, but that is not to say that it couldn't be improved. However, the later versions are so sterile and stark! They make me think of an abattoirs! Or they look like a cops and robbers movie capture, or someone on death row a la tabloids, so condemning! He is caught in the glare of the searchlights! He is going to be shot! Is everyone letting their primal envy show?!
It's just my developing bias showing, I know, but I really am coming to intensely dislike portraits that isolate the subjects into a nothingness place, all meaningless , or blurred, insipid, anonymous, without a role, without a voice. I am reminded of the old nostrum "Children should be seen but not heard"! - "A background should be as characterless as intolerance and ruthlessness can make it".
No! Speaking personally, I am nothing removed from my milieu of the things I live among. Our relationship is symbiotic, there is mutual dependence and benefit, and there is antagonism and tension. Take my things away and I am without a skin, I gape senselessly as a fish out of water. I am without a stage to act my drama. I am a cutout without dimensions.
I love your background. I love how the subject carries it on his shoulders and yet leans into it for support. I love how like his face it has its highlights and shadows. How his roundnesses contrast with its rectilinearities. How he comes out of it and returns into it. He and it are one cloth. The picture behind tells some of his story. What? we wonder.
To stamp the background out of existence, or to make it merely a setting, is to avoid confronting its challenge for a photographer. It is sometimes, maybe usually, hard to get the background on your side. I believe you have to dialogue with it as much as with the subject. Not guillotine it in postprocessing!
I would like to see your B&W have more modeling, more tonal variation, definition and more richness. The background, if left alone, will come onside, I believe.
Thanks.
Neil
http://www.behance.net/brosepix
Canon EOS 30D, Canon 50mm f/1.4, Sigma 70-200 f/2.8, Sigma 18-50 f/2.8, Tokina 12-24 f/4. Sigma 1.4 TC, Feisol 3401 Tripod + Feisol ballhead, Metz 58 AF-1 C, ebay triggers.
They are both good.....but this one is fantastic!!!!thumbbow
Put a nice frame on it and give it to your old man! this is such a wallhanger !