Boston Ballet / 3 Masterpieces / 14 May 2008
Concerto Barocco
Chorgraphy: George Balanchine
Lighting Design: Margaret Tracey
Sarah Wroth
Canon EOS-1D Mark III / 85m f/1.2
f2.0 @ 1/320 / ISO 1600
Romi Beppu & Melissa Hough
Canon 5D / 135m f/2
f2.0 @ 1/640 / ISO 1600
Canon 5D / 135m f/2
f2.0 @ 1/640 / ISO 1600
Dark Elegies
Choreography: Anthony Tudor
Lighting Design: Lisa Pinkham
Gabor Kapin
Canon EOS-1D Mark III / 85m f/1.2
f1.4 @ 1/200 / ISO 1600
Jared Recick
Canon EOS-1D Mark III / 85m f/1.2
f1.2 @ 1/200 / ISO 1600
Erica Cornejo
Canon EOS-1D Mark III / 85m f/1.2
f1.2 @ 1/200 / ISO 1600
In The Upper Room
Choreography: Twyla Tharp
Lighting Design: Jennifer Tipton
Erica Cornejo & Lia Cirio[
Canon 5D / 135m f/2
f3.2 @ 1/800 / ISO 1600
Erica Cornejo
Canon 5D / 135m f/2
f2.8 @ 1/800 / ISO 1600
Chorgraphy: George Balanchine
Lighting Design: Margaret Tracey
Sarah Wroth
Canon EOS-1D Mark III / 85m f/1.2
f2.0 @ 1/320 / ISO 1600
Romi Beppu & Melissa Hough
Canon 5D / 135m f/2
f2.0 @ 1/640 / ISO 1600
Canon 5D / 135m f/2
f2.0 @ 1/640 / ISO 1600
Dark Elegies
Choreography: Anthony Tudor
Lighting Design: Lisa Pinkham
Gabor Kapin
Canon EOS-1D Mark III / 85m f/1.2
f1.4 @ 1/200 / ISO 1600
Jared Recick
Canon EOS-1D Mark III / 85m f/1.2
f1.2 @ 1/200 / ISO 1600
Erica Cornejo
Canon EOS-1D Mark III / 85m f/1.2
f1.2 @ 1/200 / ISO 1600
In The Upper Room
Choreography: Twyla Tharp
Lighting Design: Jennifer Tipton
Erica Cornejo & Lia Cirio[
Canon 5D / 135m f/2
f3.2 @ 1/800 / ISO 1600
Erica Cornejo
Canon 5D / 135m f/2
f2.8 @ 1/800 / ISO 1600
If not now, when?
0
Comments
E
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I think your crops could do well by a tiny bit more room on the bottoms, below the dancers, to the footlights area. I feel like the shots need a bit more 'anchorage'
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I am particular to the first shot . Well done
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looks like your handling of 85/1.2 has greatly improved!
Awesome job!
Regards,
Bungee
Phil Collum Photography
San Diego, CA, USA
Equipment list in my profile
This is really good criticism, Andy and not really the sort of thing I see best. There is an issue, I've experimented and found a position to shoot from which gets really nice dramatic angles. But the front edge of the stange is always there. For example:
Perhaps I should leave some of it in? Perhaps I should experiment more with shooting positions? Something to think about.
I like to shoot the dress rehearsal. It is possible to shoot performances, but there are many restrictions and the result isn't very good photography, IMHO.
Flash is verboten and counterproductive, anyway, since I cannot possibly do better than the lighting directors (whom I credited by name this time. They are true heroes of these performances, and I want to show what they do.
Let me know if you plan to attend a performance, I often attend to relax from shooting at the dress rehearsal. The experience is so completely different.
That makes sense ... You got beautiful shots from the last performance, I got to say. I could imagine those are very hard to shoot, even with the stage light, the dancers were moving very fast, especially during the last one! WOW, BEAUTIFUL work!!
I'll let you know next time I'll go to a performance. My friend has season tickets, and her husband is not always interested in going ... haha, so I'm usually the second choice How do you get to go to a researsal? Do you need to get special tickets, or do you just need to know the right people?
I showed the two images to my wife (a former dancer) and she did not like seeing the front of the stage at all. I wonder if there might be some inherent conflict of aesthetics between dance and photography. For example, as a photographer, I rather like the reflections of the feet on the stage; a dancer might feel that they diminish the purity of the line they are working so hard to create. Tricky stuff. I suppose the intended audience of the pics comes into play here. You might kick this around with the artistic director of the company if you have the chance.
In any event, it is always a pleasure to see your pics, John, and I look forward to seeing more.
Sorry to correct but this is Sarah Wroth.
Am always in awe of the 'cleaness' of your pics - mine studio and stage shots are always so grainy!
Can't wait to see more
Regards Margaret
John,
The stage edge doesn't bother me. Seeing the edge gives the picture more of a "you're really there" feel.
Great shots by the way
Thank you very much!!! I try hard, but it was only a matter of time before I made this kind of mistake.
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