Monolith and Storm
Lighthound
Registered Users Posts: 10 Big grins
My first post over here! Thanks to Mikko for bringing my attention to this fine site (we met in Yosemite a couple weeks ago). Any tips as to B&W workflow would be appreciated. Is there any routine procedure you guys do with your B&W processing from RAW's?
This image was taken with a Canon 5D, C/Y Zeiss Vario Sonnar 35-70mm lens.
This image was taken with a Canon 5D, C/Y Zeiss Vario Sonnar 35-70mm lens.
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Please see attached. I just got a 24" Samsung LCD, but it isn't calibrated yet. I susepct my brightness/contrast might be over the top, so what you're seeing is a bit more subdued. I need to get some calibration hardware/software to optimize... I have several shots of this scene bracketed and should be able to get even more detail out of the rock, but I am not at all adept at Photoshop.
Don
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That cloud looks like it's threatening a tornado! Gotta say... I prefer the b/w now. Just up the contrast and see if you can bring out more detail in the cloud.
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This is a gorgeous first shot. Lots of drama and a great view.
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I made curves adjustment above the horizon, and also did a bit of dodging and burning in this version. Is this looking better on your screens? Other than the standard B&W filters in PS and endless tweaking in the channel mixer, is there a baseline workflow people are using for their B&W?
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There's a hundred ways to skin a cat... er, process BW. I tend to make an adjustment layer in CS3 with the BW conversion tool and adjust sliders to taste, then add some luminosity toning but there are many, many other ways to do this too, if you are brave enough to do a Google search.
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It's good to see you found the place. Nice shot where was this one taken? Have you gotten any thing worked up from Yosemite?
Mikko