PS Curves questions...
Unbrok3n
Registered Users Posts: 444 Major grins
So after reading the "making your photos pop" tutorial, I've been experimenting with curves. I dont have many "dull" iamges, but curves seems to help out a lot with everything! Now, I have really no idea what I'm doing. Just making s's and seeing what looks good.
Could someone lead me to somewhere (or quickly do it yourself) that could give me a rundown of curves?
What is the gray area in the background? Is the lower half contrast? Is there a way to just raise the contrast of a certain part without points?
And many more questions...
Sorry for only asking questions...and thanks so much for any help!
Could someone lead me to somewhere (or quickly do it yourself) that could give me a rundown of curves?
What is the gray area in the background? Is the lower half contrast? Is there a way to just raise the contrast of a certain part without points?
And many more questions...
Sorry for only asking questions...and thanks so much for any help!
graphic designer/photographer
0
Comments
Check this out.. http://dgrin.smugmug.com/gallery/1865354
and you can search photo shop for a tutorial
WWW.smileys-photography.smugmug.com
http://members.ozemail.com.au/~binaryfx/links.html#C - Scroll down to curves!
Start here:
http://www.gurusnetwork.com/tutorial/curves/
http://www.ledet.com/margulis/Makeready/MA21-Defanging.pdf
http://www.biomedstudio.com/CorrectByNumbers.pdf (http://www.jkost.com)
http://www.eddietapp.com/PDFs/ccmethod_cs.pdf
Then graduate to:
http://www.ledet.com/margulis/PLC_Ch02.pdf (free full chapter)
http://www.ledet.com/margulis/PP7_Ch02_ByTheNumbers.pdf (free full chapter)
Hope this helps,
Stephen Marsh
http://members.ozemail.com.au/~binaryfx/
http://members.ozemail.com.au/~binaryfx/
http://prepression.blogspot.com/
I tried some very moderate curving with the "tanzania" galleries on my website. If somebody has some time could you tell me if they look decent or not? (they are also taken with an old p&s and not with my d80, but its the pp im worried about
thanksss!
Thanks!
Moderator of the Technique Forum and Finishing School on Dgrin
I agree with Pathfinder.
Apart from cosmetic GUI touches, the basic underlying approach of remapping an input value to an output value has not changed - curves still basically generally work the same in later versions of Photoshop compared to earlier ones.
Stephen Marsh
http://members.ozemail.com.au/~binaryfx/
http://members.ozemail.com.au/~binaryfx/
http://prepression.blogspot.com/
Now I just have to get learning!
So if I want to bring out a certain part of a picture, (im practicing with a pic I have of a red and black bug on a green leaf) I want to find the highs and lows of the "centerpiece" and curve between those 2 points? I ctrl clicked on the light and dark spots on the bug (the light point os made was in the middle of the curves line, and the dark was towards the bottom) then I made a slight s curve. It made it look a lot better, but just so I understand, was that focusing only on the bug since those were the points I created?
Sorry, I probably sound like an idiot.
Once again, it mostly looks like just a contrast boost. What am I missing?
Moderator of the Technique Forum and Finishing School on Dgrin
But anyway,
Ive gone through a couple basic tutorials by now on curves and setting the shadows and highlights, and Im confused on which levels for RGB to use.
For example, on the "popping" tutor here on Dgrin the poster sugessts 7 7 7 for black and 247 247 247 for white(rgb) and in Scott Kelby's CS2 book for Digital Photographers he suggests 20 20 20 for black and 244 244 244 for white. I understand they are different shots ( a portrait and a colorful lights at a carnival) but how do you when to change the values? The pop articles says to default those settings. SHould you always use the same calues for black and white when setting your points?
I hope someone can explain this. Thanks
Personally, mine are set at 5,5,5 and 248,248,248. You could probably use higher numbers for a black point when printing on matter paper, rather than glossy, as matte paper prints to a lesser Dmax value, a less deep, dark black. Part of the nature of matte versus glossy paper.
Moderator of the Technique Forum and Finishing School on Dgrin
I asked this question in another forum and someone said this:
It has long been argued that those settings are incorrect because they don't exploit the full gamut of the monitor. And unless you're specifically preparing photos for printing there's no need to modify the black and white clipping points as in your example.
See this thread; especially the contributions by Thomas Niemann: http://forums.dpreview.com/forums/read.asp?forum=1006&message=25629602
Or better yet, go to his site at http://www.epaperpress.com/psphoto/index.html and click on Color Correction > Black/White and see what he has to say.
If I'm not mistaken some of the more recent Photoshop book like Photoshop CS3 Studio Techniques by Ben Willmore omit this advice on remapping clipping points.
Now I'm just completely confused. Isnt the point of setting the black and white to get the full tonal range of the picture? Should I do it with every picture? Somebody help. Sorry, I just want to make sure im learning correctly.
The new behavior means it's much safer to yank the Brightness and Contrast sliders around without clipping the heck out of your image. It's still one of the cruder tools and we should all stick with Curves, but at least they will no longer mercilessly wreck the images of newbies who try them first.
When one sets the black/white endpoints, one is usually setting range and altering colour balance in one step.
The original image may have a casted shadow of say 15r 12g 16b, setting the black point at an idealised neutral R=G=B value of say 10r 10g 10b will extend the tonal range as well as affect the original colour balance. Usually this is a good thing, however there will also be exceptions.
The white point is similar.
So, there are three general goals when adjusting the tonal range of an image. 1 - Change tone and colour balance with the one curve operation (usually to each individual channel, ignoring the master/composite curve). 2 - Change tone without affecting hue. 3 - Change hue/saturation without affecting tone.
Not every image will require endpoint adjustments, it would be crazy to force an image to the extremes if it did not benefit from the move. Some images may require adjustment of tonal range - but not colour balance (luminosity blend mode curves). Some may require adjustment of colour balance, but not range (color blend mode curves). Some may require separate luminosity and colour curves instead of a single normal blend mode curve.
It is not always so much about the extreme (or near to) darkest and lightest areas of the image - but more so the darkest and lightest areas of the image that contain detail or that are more critical to the observer than areas of lesser importance (targeting the curve moves to the content, rather than to the darkest/lightest areas).
The questions that you are now asking go beyond the basics, to more advanced. I would suggest my earlier link to these two resources:
http://www.ledet.com/margulis/Makeready/MA21-Defanging.pdf
http://www.ledet.com/margulis/PP7_Ch02_ByTheNumbers.pdf
The second link is an entire free chapter, the preceding first chapter in the book goes into your questions of the why/when of image editing.
P.S. When posting images for review of your edits, it would be helpful to see the original, as well as the edited image on the same page.
Sincerely,
Stephen Marsh
http://members.ozemail.com.au/~binaryfx/
http://members.ozemail.com.au/~binaryfx/
http://prepression.blogspot.com/