Nice set, pretty girl. Personally, going forward I'm avoiding posing my subjects like in 6. I realized it's the chrome silhouette trucker mudflap pose.
-Jack
An "accurate" reproduction of a scene and a good photograph are often two different things.
Nice set, pretty girl. Personally, going forward I'm avoiding posing my subjects like in 6. I realized it's the chrome silhouette trucker mudflap pose.
Thanks. I don't care if its on a mudflap, its a classic and flattering pose for the right model.
True, I should have clarified that I won't be posing senior portraits that way. Unless they ask I guess. But I wonder for other models... is it overdone? Cliche? Kind of like a rock band posing on railroad tracks?
-Jack
An "accurate" reproduction of a scene and a good photograph are often two different things.
True, I should have clarified that I won't be posing senior portraits that way. Unless they ask I guess. But I wonder for other models... is it overdone? Cliche? Kind of like a rock band posing on railroad tracks?
I think all poses have been done. It's a matter of lighting, model, dress, and setting. The classics are classics for a reason. And I also refuse to do train tracks.
Comments
Numbers 4 and 5 really tickle my fancy.
6 not so much. Too much light on the legs. It overpowers the image.
Like nine a lot too!
Was this one of the forts on the NAS?
Thanks, these were taken at Ft Pickens, which is across the bay from NAS.
I agree on 6, I'm filing this one away mentally for lighting this kind of pose. The light was just to camera right. Should have moved it.
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An "accurate" reproduction of a scene and a good photograph are often two different things.
Thanks. I don't care if its on a mudflap, its a classic and flattering pose for the right model.
An "accurate" reproduction of a scene and a good photograph are often two different things.
Thanks!
I think all poses have been done. It's a matter of lighting, model, dress, and setting. The classics are classics for a reason. And I also refuse to do train tracks.