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Large prints
How large of a print can you make from a 6.3mp 10D photo (large/fine), and still have it look good?
"Consulting the rules of composition before taking a photograph, is like consulting the laws of gravity before going for a walk." - Edward Weston
"The Edge... there is no honest way to explain it because the only people who really know where it is are the ones who have gone over."-Hunter S.Thompson
"The Edge... there is no honest way to explain it because the only people who really know where it is are the ones who have gone over."-Hunter S.Thompson
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That depends entirely on the viewing distance. You can get a great looking sharp image from a 2mp camera and put it on a billboard, and as the cars pass by they would be amazed at the sharpness and clarity. Or you can have an 11mp image and view it on screen at 400% and it will look terrible ;-)
I find though that for normal to close viewing distances, 150ppi (pixels per inch) and higher looks very good. The farther away you get, the lower the resolution can be. A formula that may or may not be of interest:
target ppi = 3500 / viewing distance in inches
If you had an 11x14 made from a 10D for example, it would print at 186 ppi. It could be viewed from 19 inches away and look great.
If that image were blown up to 6 ppi, or an image 36x28 feet (still assuming the 11x4 aspect ratio here) you could view it from 48 feet away and it would look just as wonderful in its sharpness and clarity.
For critical work that will be viewed very close, I try to stick as close to 300ppi for prints as I can, so that would put it in the 8x10 and smaller arena.
"Failure is feedback. And feedback is the breakfast of champions." - fortune cookie
Great answer Shay, that's tremendously informative.
Catapultam habeo. Nisi pecuniam omnem mihi dabis, ad caput tuum saxum immane mittam
http://www.mcneel.com/users/jb/foghorn/ill_shut_up.au
A large image from my 10D is 3072 x 2048. How do I get PPI from that?
"The Edge... there is no honest way to explain it because the only people who really know where it is are the ones who have gone over."-Hunter S.Thompson
Go to http://www.normankoren.com/ and look at the art gallery prints he has for sale that were shot with a D10 and printed on an Epson Stylus Photo 2200. The Epson 2200 prints nicer pictures for me than I ever was able to print in a darkroom with color negative material or black and white.
The picture below I can spread across my desktop of two 18 inch monitors and the image is sharp and almost grain free and almost 25 inches across.
One trick to rezzing up images in Photoshop is not to do it all at once but to record an action that enlarges your image size by 10% and repeat this several times. This seems to give better enlargements in Photoshop than rezzing up all at once. Page 68 in Kelby's book PhotShop for digital Photographers describes the technique in detail - but by enlarging the image size 10% at a time with resampling on, time after time - he does in 12 times in a row - you can create quite large images with much less degradation than you might think.
Pathfinder
Moderator of the Technique Forum and Finishing School on Dgrin
if you have an image 3072x2048 and you print it without cropping at 300 ppi (pixels per inch) then the image would be:
3072 / 300 = 10.24 inches
2048 / 300 = 6.82 inches
if you print it at 30x20 inches then you would wind up with a ppi of:
3072 / 30 = 102.4 ppi
2048 / 20 = 102.4 ppi
Remember that ppi, or pixels per inch is not the same thing as dpi, or dots per inch when it comes to inkjet printers. Each pixel of the image printed on an inkjet printer is made of multiple "dots". The terms ppi and dpi are used quite often interchangeably, but for accuracy when dealing with math, I like to separate their meanings.
"Failure is feedback. And feedback is the breakfast of champions." - fortune cookie
"The Edge... there is no honest way to explain it because the only people who really know where it is are the ones who have gone over."-Hunter S.Thompson
Paris, France
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i'm off on vacation and asked shay to watch my back here. of course, he answered beautifully... shay you are awesome!
i'm filing that answer away for future ref
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I made a point to see Star Wars Episode II in digital and was astonished that they could project it at 1920 x 1040 and have it look so good. The screen was big and your instincts tell you it's gonna look bad that big, but no.
Mike,
I specialize in very large prints for clients. I've recently moved from medium format to digital and am looking for the best way to enlarge my prints to as large as 50x35 inches for frames photographic art. I've tried bicubic and genuine fractals with good success, but the quality still isn't up to my medium format enlargement standards. Can you tell me specifically who I need to contact to find out more about Fuji's commercial service for super enlargements? Thanks Gary
http://www.garymercerphoto.com
By this, you mean going into Image Size, and increasing the pixel count and the dot per inch fields, correct?
A former sports shooter
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Catapultam habeo. Nisi pecuniam omnem mihi dabis, ad caput tuum saxum immane mittam
http://www.mcneel.com/users/jb/foghorn/ill_shut_up.au
* Go to Image/Image Size
* Check Resample Image
* Change Resample image Interpolation Method to Bicubic Smoother
* In the Document Size box, change the unit of measurement to Percent.
* Type in 110
* Click OK
Kelby claims that by doing a series of 10% increases, you get a clean resized image. Obviously, you have to repeat this step many times depending on how large you want to make your image. He has a sample image in his CS book that's been enlarged from 4.75" x 4.75" up to 20" x 20", and he claims there's a negligible loss of quality.
He suggests creating an Action, so that it takes little time to do the upsizing. I've done so, and resized images for broadcast, and not noticed any degradation. I have not tried it for a large print.
Catapultam habeo. Nisi pecuniam omnem mihi dabis, ad caput tuum saxum immane mittam
http://www.mcneel.com/users/jb/foghorn/ill_shut_up.au
Thanks! Obviously, if you start from a RAW image the results will be better than if you start from a JPG. But I would imagine you could still take a JPG image and do the same thing and get favorable results. I'm thinking I'm going to risk the $$$ for two 20x30 posters, a before print and one after doubling the pixel count by repeating that method, and see what difference I see.
A former sports shooter
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Welcome!
I was reading several threads on imagingreview.com (cost $120/year to subscribe...bummer) and some photographers were comparing large prints from 4x5 cameras to 11-megapixel 1Ds, 14 and 22-megapixel medium-format back images.
The concensus was digital has four big advantages and one disadvantage. It was shaper with 14 and 22-megapixel backs, had more accurate color fidelity, less noise (smoother images) and an easier workflow.
The disadvantage is it didn't have as much range between highlight and shadow as film, particularly negative film, so they were complaining of either blown highlights or lost shadow detail in high-contrast lighting.
There was some chatter about upsizing via interpolation from lower-res images and the concensus was nothing beats original pixels.
One thing I very frequently see photographers do is upsize to something like 300 dpi, not knowing that large format printers are frequently in the range of 200 dpi, so you upsize and the lab downsizes, losing fidelity.
Here's more about that: http://www.smugmug.com/help/print-quality
Thanks,
Baldy
Makes perfect sense. Upsizing create pixels by "guessing". The models that perform the guess might be pretty good, though, but its still a guess. It would seem if you want to go through the trouble of guessing new pixels, determine the dpi of the target printer and make your new image match that exactly. That way the printer isn't re-sampling your re-sampled image yet again.
A former sports shooter
Follow me at: https://www.flickr.com/photos/bjurasz/
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You would not have to print them to see - just enlarge them and look at them in the PROOF view in PS - right?
Moderator of the Technique Forum and Finishing School on Dgrin
I looked at the portion of the yellow flower of the 53 inch image on your smugmug site, and the there is a yellow band next to the petals of the flower - is this due to camera movement or chromatic aberration or errors in upsizing or what?
My images have been limited to 19 inches due to my printer, but I will try looking at some images in the proof view in PS and see what they might look like printed at 3 x 5 feet. Interesting discussion.
Moderator of the Technique Forum and Finishing School on Dgrin
Yes, but I'm strange, I like to see paper.
A former sports shooter
Follow me at: https://www.flickr.com/photos/bjurasz/
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I have a project that I am interested in and need a suggestion. I want to print my own books consisting of 5 x7 or 8x12 images on the right hand side of a landscape oriented paper that is bound down the left side to open like a book. I am interested in a service or something that does the binding and front and back covers. Have you heard of anything like this?
Moderator of the Technique Forum and Finishing School on Dgrin
Its easy to find places that will spiral or comb bind in this manner. Think Kinkos, Office Max, etc. You should be able to find a local vendor that can do a more traditional binding, either paper or hard cover. I would scan the local yellow pages for book binding. Or look for a "real" print place (one that does offset printing, not just photocopying). Also, ask Kinkos, they might know who in town does the things that they cannot. Ask the Chamber of Commerce, or a local university.
A quick google came across this: http://www.trixiepixgraphics.com/books/book_binding.html
That was only the first hit, I'm not endorsing them, just pointing you a direction. I searched for "book binding service".
A former sports shooter
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http://www.fredmiranda.com/forum/topic/122037
Moderator of the Technique Forum and Finishing School on Dgrin
http://www.albumsinc.com/products/ztra.php
Regards,
Brad
www.digismile.ca
It took awhile to figure out mypublisher's software but it was pretty powerful because you could put multiple photos of different sizes on a page, whereas with Shutterfly you only got one per page.
Shutterfly's was about twice the cost and the cover was really nice. There's a window cut in the cover to see part of the 1st page photo, which looked better in our opinion than having a cover photo glued to the outside like mypublisher did.
I thought Shutterfly's printing was pretty good, but my daughter puckered when she saw it and said, "Dad, they're so yellow! Can't you see that? I look like I have jaundice." So she took the mypublisher book to the reception and wouldn't let anyone see the book from Shutterfly.
I thought it was yellow, but not that yellow.
I don't have pricing information, but I know they have a beautiful product.
Laurie
www.PhotoByLaurie.com
Thanks, Glenn