If you could only have 2 lenses...
swintonphoto
Registered Users Posts: 1,664 Major grins
Just to make interesting discussion...
If money were no issue, and you could only choose two lenses to use for the rest of your life, what would they be (All systems please chime in!)?
Mine would be:
Zuiko 14-35 f2
Zuiko 35-100 f2
Man how awesome would it be to have those! Anyone want to give me $4000 so I can buy them?
If money were no issue, and you could only choose two lenses to use for the rest of your life, what would they be (All systems please chime in!)?
Mine would be:
Zuiko 14-35 f2
Zuiko 35-100 f2
Man how awesome would it be to have those! Anyone want to give me $4000 so I can buy them?
0
Comments
Those are amazing lenses and alone are a compelling reason to choose an Olympus system.
Unfortunately, money "is" an object and a limited resource (for me at least) so "'tis just a dream and nothing more". :cry
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Presumably that is the case for all digital SLRs, not just Olympus - correct?
Not quite.
Nikon and Canon both have full-frame dSLRs now. Lenses used with these bodies perform with the same (or very similar) FOV as they would on a film 35mm camera body.
Nikon also has many crop 1.5x dSLRs while Canon has both crop 1.6x and 1.3x dSLRs. Sigma uses crop 1.7x imagers.
Then the Olympus, Panasonic and Leica "Four Thirds System" imagers use a different aspect ratio than the rest of the dSLR manufacturers.
Each of these can be compared to each other, but each has to also be considered a "system" of its own in order to really understand how it will work best for "your" situation.
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Holy crap That's a whole other variable that I wasn't aware of that I now need to learn about! I told you I was a n00b
mpe65
pp
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DA 100 Macro
I shoot primarily landscapes and nature, so I doubt there is a better combination.
70-200mm f2.8 Nikkor
they havent made the two lenses i would choose yet....
but, the "Hubble" would suit me ok...
The mentioned pair has since been joined by an ultrawide and two bright primes - but I still have those two and those are probably the two I'd keep if I couldn't trade a leg for the rest of my current glassware.
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for hours, getting stared at and taked to by strangers because of big-o-
white-lens syndrome, spending thousands of euros to do all this, I have come
to the conclusion that all I need to enjoy this hobby is a fullframe camera
with a big bright viewfinder. And the two lenses I would choose are:
Canon 24mm/2.8 (300g) and
Canon 50mm/2.5 (260g)
― Edward Weston
Canon EF-S 17-55mm, f/2.8 IS USM
Canon EF 70-200mm, f/2.8L USM
Plus I would add:
Canon EF 1.4x II teleconverter
Canon 500D Close Focus diopter (in 77mm)
Tripod and Panoramic head
2-3 flashes plus a bracket or 2 and off-camera cords and RF slaves
Several flash modifiers
That would give tremendous flexibility and there is very little that could not be done (assuming a competent camera body of course.)
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For me, as a Pentax user, it kind of boils down to "range or quality"?
So, since my photography skills kinda stink, as do my PP skills, and I shoot solely for my own amusement, I'll go for range.
Pentax DA*16-50mm F2.8
Pentax DA 55-300mm F4-5.8
Can I add a Raynox macro adapter?
Shooter on a shoestring.
24-70 2.8
70-200 2.8 IS
With Crop
17-55 2.8
70-200 2.8 IS
My Gallery
Canon 350D
24-70 2.8L
70-200 2.8L IS
580EX II
1.4x Extender
Gitzo 3531 w/ RRS BH-55 Ballhead
RRS L-Plate, quick release clamp and plates
* Nikkor 17-35mm
I love this lens! I used it almost exclusively on a recent trip through Colorado and Utah. Super sharp, excellent color and great in low light situations.
* Nikkor 24-70mm
This lens has been great for all kinds of portraits and "normal" range shots. I even got some decent macro-like shots with its relatively close focusing distance. Again, SUPER sharp and bright lens, best portrait lens I've used. Great bokeh, too.
My next two lenses: Nikkor VR 70-200mm (2.8) and 105mm VR macro. I used to have the 18-200mm DX zoom (bought with the D300 body) which was extremely versatile (changing lenses can be a drag, and I'm really missing the longer tele ranges right now!) but a bit disappointing in performance (lacking sharpness and detail). Of course, since all my lenses are now full frame, I find myself lusting after that D700...
1. Olympus 7-14 F4
2. Olympus 14-35 F2.
I rarely need to shoot any longer but there is always the 40-150 which cames with the camera just in case.
I would choose:
Pentax DA 12-24--I like very wide to capture the ever-changing skies
Mamiya/Sekor 60mm M42 Macro f. 2.8--There are always photo-worthy objects to shoot with a macro lens. This is my favorite of three macro lenses as its rendition is unique. As a preset, the handling action is very cinematic and fun.
M
I am planning a trip to Eygpt in late December. I want to travel light and just bring 2 lens (one mounted and the other standby).
Currently, my preference is the 24-105 F4 IS and 70-200 F2.8 IS.
The first one is a very useful wide range walk around lens for almost everything. Later on is great for portrait and some special landscape but a bit heavy.
I may bring along the 17-40 and the 2X TC "just in case"
flickr.com/photos/photoskipper/
I am planning a trip to Eygpt in late December. I want to travel light and just bring 2 lens (one mounted and the other standby).
Currently, my preference is the 24-105 F4 IS and 70-200 F2.8 IS.
The first one is a very useful wide range walk around lens for almost everything. Later on is great for portrait and some special landscape but a bit heavy.
I may bring along the 17-40 and the 2X TC "just in case"
flickr.com/photos/photoskipper/
On a full framer, a Canon 17-40 and a Canon 28-300is.
Basking in the shadows of yesterday's triumphs'.
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Between the two they cover alot of ground...
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On a recent trip to Montana and Yellowstone I practiced this very thing, when away from the van hiking in the hills I carried these two lenses. I zoomed by using my feet, and I accomplished ultra wide shots by shooting a series of images and stiching them together in CS3.
There are lighter lens and setups available but this combo seemed to work well for me.
When I need to travel light with my Canon XTi, I go with:
EF-S 10-22
EF 24-105 f/4L IS
I actually find this particular combination exceptional for travel photography. It gives me excellent coverage and descent low-light capability in most situations. It's very rare that I ever need anything longer than 105 on a crop body.
I love my primes for low light and portraits, but I can easily get by without them when space is limited.
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