Canon 1D Mark IV!
rookieshooter
Registered Users Posts: 539 Major grins
Anyone interested?
http://www.canonrumors.com/
Tomorrow is also Canon's 50th anniversary. Congrats white lens shooters!
http://www.canonrumors.com/
Tomorrow is also Canon's 50th anniversary. Congrats white lens shooters!
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http://www.robgalbraith.com/bins/multi_page.asp?cid=7-10044-10310
PDN
http://www.pdngearguide.com/gearguide/content_display/news/e3i7d72e67f57c981694a5866b4e6d19841
Samples
http://web.canon.jp/imaging/eosd/samples/eos1dm4/
Got bored with digital and went back to film.
Figured the mk IV would be announced!
www.tednghiem.com
We've been working with Vincent again
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Nocturne, by Vincent Laforet - shot at ISO 6400 on Canon 1D Mark IV.
:jawdrop
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Holy moly!
www.tednghiem.com
My Gallery
With:
... the usability of this camera for sports, news and event photography should be amazing.
Moderator of the Cameras and Accessories forums
Me too!
Let's not forget wildlife, Ziggy!
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Absolutely.
Moderator of the Cameras and Accessories forums
Mmmmm Hmmm!
EFS 17-55 f/2.8 & 10-22 // Sigma 30mm f/1.4 & 50mm f/1.4
Sigma Bigma OS // Canon 70-200 IS f/2.8
BTW, dpreview has a preliminary look too:
http://www.dpreview.com/news/0910/09102001canon1d4.asp
$4,999
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I should have known that if I had to ask, I couldn't afford it!
EFS 17-55 f/2.8 & 10-22 // Sigma 30mm f/1.4 & 50mm f/1.4
Sigma Bigma OS // Canon 70-200 IS f/2.8
And the camera should yield some awesome photos in the right hands.
Other then the orientation AF detection...
I am somewhat, oddly, depressed and uninspired by the 1d4. cry
And no the video does NOT appeal to me at all.
And for some reason, it actually did make me love my current setup even more!
FWIW: I also found this...
http://asia.cnet.com/reviews/digitalcameras/0,39001468,45095238p,00.htm
The samples one the bottom just cannot be real. I refuse to believe those results.
The real question is how long after he buys it will he put it up for sale?
http://behret.smugmug.com/ NANPA member
How many photographers does it take to change a light bulb? 50. One to change the bulb, and forty-nine to say, "I could have done that better!"
You got me there! ha!
www.tednghiem.com
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It seems they took the pictures down already due to a request from Canon.
If you're shooting with a long lens it makes a gigantic difference. In fact I'm going to buy a crop body to compliment my D700 just for air shows, motorcycle racing, etc. The extra reach really comes in handy.
If you need more reach, they are called tele-converters.
The "crop" factor does reduce the field of view for any given focal length, similar to the practical effect of a teleconverter, hence the "conception" and "perception" of extra reach.
Another way to think about it is that if you had 2 boxes set up, and 2 camera systems in the boxes to create a blind test, and if each system had the same field of view and "f" setting, you would not be able to discern which system delivered which results based upon crop body or teleconverter "and" full-format body. There would be differences, of course, in shutter speed to achieve the same exposure of the same scene and lighting conditions.
I think we can agree that we are, in fact, thinking of the same results; it is only the "conceptual" differences that interfere with acceptance.
Moderator of the Cameras and Accessories forums
Isn't a camera like this pretty much intended for pro press and sports 'tog? If so, then I'd have thought "tele" is just what they need And since the other pro model is a ff, doesn't that pretty much cover everybody?
My question is why did they confuse their lineup with TWO "1" names? I had no clue until recently that they were actually different cameras, rather than different model/year of the same one. Very confusing until you reach Total Geek status (sadly, I think I'm now there.... ).
Yes, the Canon 1D MKIV intended market is mostly professional sports and news. They also know that a lot of professional studio, event, nature and wildlife photographers will use the camera as well.
The Canon "1" designation has always meant the pinnacle of the Canon camera line. It implies both speed and durability. The 1D and 1Ds share very similar, in some cases almost identical:
Body construction
Shutter box
Mirror box
Image processor and processing algorithms (although the recent 1D models use "dual" processors primarily to maintain image throughput speeds)
Responsiveness (not to be confused with fps)
In Canon-speak, the larger the number, and the larger the number of digits, the more recent the model and/or the more subordinate the series.
Moderator of the Cameras and Accessories forums
I don't agree. Unless you repeatedly go back and forth between various sensor sizes, the crop factor isn't an issue. Just use appropriate focal lengths for your composition whether you are using a 4X5 sensor or one the size of your fingernail.
This is something one encounters quite a lot in photography. I know that when people say things like "small sensors make your lenses longer" or "small sensors have more DOF" that they are talking about a real effect that has meaning in practice, but on a technical level these statements are completely wrong and don't help anyone to understand what's really going on.
The only thing an APS-C/Four-Thirds/etc. sensor does differently from full-frame is read a smaller area of the image circle. It doesn't change perspective, focal length, or DOF by itself. These things change, if at all, as a result of the photographer making other changes in an attempt to maintain certain invariants relative to full frame, such as field of view (which requires a change of focal length or position) or print size (which requires a change of magnification). These other changes are what cause the perceived effects. It's not that the effects aren't real, it's that they aren't caused by the sensor.
Got bored with digital and went back to film.
My thoughts exactly.
Also, "the af points don't cover as much on FF" thing is complete crap too.