Where time stood still
I went off to a photography shoot in Aylmer ON, not far from me for the annual Tundra Swan migration. I didn't spend much time looking at the swans (how many times can you photograph swans?) but started looking for people as usual. Two Mennonite families were there, one leaving, one arriving. I didn't have much time to capture so I waited for the perfect moment to hit the shutter. In total I took maybe 6 shots. Here are my best two (I think ) I have one of the family in a line walking towards me as well that turned out pretty well. Let me have it...
1. When I saw that Grandpa was letting the young boy take the reins I knew what shot I wanted. Grandpa was not very visible in the shot so I had to dodge a bit in PP. This was taken through the car windshield
Boy, these must really be bad. 81 views and not a soul to give any C&C even to say they're not right for this forum.
Hardly. Weekends are slow on Dgrin--don't fret.
They're both very good shots. I prefer the first. I think you should try to increase the contrast inside the buggy--I'd like to see the guy with the beard and the kid stand out more.
They're both very good shots. I prefer the first. I think you should try to increase the contrast inside the buggy--I'd like to see the guy with the beard and the kid stand out more.
Thanks for the C&C Richard. I really appreciate it. I've upped the contrast inside the buggy. What do you think? More? It doesn't look as contrasty here as it does in LR2
The use of a camera is similar to that of a knife. You can use it to peel potatoes, or carve a flute. ~ E. Kahlmeyer
... I'm still peeling potatoes.
Thanks for the C&C Richard. I really appreciate it. I've upped the contrast inside the buggy. What do you think? More? It doesn't look as contrasty here as it does in LR2
The kid looks great, but I would still try to do more with the bearded guy.
Hi Patti,
I was one of the original 81 views, but I had put it in my head that we were holding off on comments until the exercise was over --don't know where I got that.
I really like the one with the kid in the buggie--I like the little kid looking directly at you from inside--this normally doesn't work, but it does here. I also like the older man, I find the cool aviator style sun glasses so out of place for this shot.
In the second shot, I'm surprised they are not all turning to look at you, the place looks so desolate. I guess they are used to being photographed, all but the little guy that is.
Who needs a crowded urban environment for great street shots!
Hi Patti,
I was one of the original 81 views, but I had put it in my head that we were holding off on comments until the exercise was over --don't know where I got that.
I really like the one with the kid in the buggie--I like the little kid looking directly at you from inside--this normally doesn't work, but it does here. I also like the older man, I find the cool aviator style sun glasses so out of place for this shot.
In the second shot, I'm surprised they are not all turning to look at you, the place looks so desolate. I guess they are used to being photographed, all but the little guy that is.
Who needs a crowded urban environment for great street shots!
Aren't those sunglasses a contrast to their way of life? The buggy shot was a real thrill to get. I was in my friend's car and shot through the window in a terrible rush.
The photos were taken at a wildlife conservation area just south east of me thus the desolate looking area.
Thanks for your feedback. I'd be interested to know if you prefer the cropped or the original frame of the boy glancing back.
The use of a camera is similar to that of a knife. You can use it to peel potatoes, or carve a flute. ~ E. Kahlmeyer
... I'm still peeling potatoes.
Aren't those sunglasses a contrast to their way of life? The buggy shot was a real thrill to get. I was in my friend's car and shot through the window in a terrible rush.
The photos were taken at a wildlife conservation area just south east of me thus the desolate looking area.
Thanks for your feedback. I'd be interested to know if you prefer the cropped or the original frame of the boy glancing back.
With the sunglasses he reminds me of a member of ZZ top--probably not the look he was going for--not that he knows who they are.
I know I am out of my humble league here but I wanted to participate. I may not be in the guidelines but thats ok, I live on a quiet lake so people are hard to come by this time of year ... (not complaining)
1) The lake I live on is dangerously low, I wanted to capture that by shooting from an area that should be underwater. I was on my belly and crawled around at dusk, this was the best one.
2). While having coffee and contemplating going out for the shoot, my pup crawled up on my recliner and got in a direct line of sunlight, I struggle with indoor lighting and loved that she was in her own spotlight. She kept waking up so it took forever, but worth it, I loved working with the light and perspective, not sure if it worked but it was fun. Sometimes the best photo ops are right under our noses, I shot 10 of her and this was the best one.
Thanks for this exercise.. the restraint was tough!
What sadist thought up this exercise...oh, wait, I remember now.
I went out on Sunday planning on doing it, but I ran into a political demonstration against bullfighting, and thought, the hell if I'm only going to take 10 shots. You'll probably get to see some of those pics within the next week. In the meantime, I finally went out this morning, and these are my two favorites:
I'll save my comments on the experience till more of you have had a chance to post.
What sadist thought up this exercise...oh, wait, I remember now.
I went out on Sunday planning on doing it, but I ran into a political demonstration against bullfighting, and thought, the hell if I'm only going to take 10 shots. You'll probably get to see some of those pics within the next week. In the meantime, I finally went out this morning, and these are my two favorites
Richard I like both of your shots but particularly #2. The distortion of the shadow at the head gives the impression of a hat suggesting the shadow belongs to another man.
The use of a camera is similar to that of a knife. You can use it to peel potatoes, or carve a flute. ~ E. Kahlmeyer
... I'm still peeling potatoes.
Rainbow: I like the composition of #1 a lot, but wish that you had caught her just a fraction of a second sooner. I know how that goes . What's especially nice is that there are several mannequins receding in the background. Maybe bump the contrast a hair? #2 is sort of interesting, but the reflections are not clear enough to be recognizable, so to me they distract.
OK, here are a few thoughts about this exercise. At first, I thought I wasn't going to get a single shot. I was surprised by how often I raised my camera--almost automatically--but then thought, nah, not worth it. I found myself paying a lot more attention to metering than I usually do and as a result, I didn't ruin any shots because of exposure. OTOH, I accidentally pressed the shutter release all the way once when all I wanted to do was check the metering, so I guess you could say I lost 10% . There was one juxtaposition shot I blew because I was just a little late. Had I been shooting in my usual fashion, I probably would have squeezed off three or four shots and one of them might have worked. In the end, I worked up six of the nine shots, and I was fairly happy with four. I was out this morning shooting, and while I wasn't repeating the exercise, I did find myself a little less trigger happy.
It was an interesting experience for me because it made me think about the way I had been shooting. Whether it has lasting value remains to be seen.
I'd like to hear from the others who did this. And I would encourage people who didn't to give it a try whenever it's convenient and post their results and comments. Note that I have added links to all the exercises in the Tips and Resources sticky.
I am now less trigger happy too, I take that extra millisecond to check horizon level and other things that can be easily *fixed*.. and at one time, ME, vowed never to manipulate a photo, ever.
I'm a bit smooshy in mood today so I will tell you I long for the day, with my film camera in hand, waiting for that exact right moment, praying everything was set right, (like camera ON) and the complete adrenaline rush of clicking the shutter, and waiting (days and dayssssss) to get the photo to see just how it worked,,, what excitement! At .22 cents per shot, you couldn't be trigger happy... each click had to count.. so thanks for bringing some of that back to me! (sorry I love to bow)
It was an excellent exercise. It has literally been decades since I went out on a dedicated photo shoot (much less with a time and shot limit). So I had to give thought to destination (I chose the target-rich S. F. downtown, accessible by BART subway) and equipment (I ended up using the 24 -105 and did not use the 70-200). And hardest was setting aside the time to do so within the deadline.
My initial concern was whether I could find ten worthwhile shots in two hours (opposite of limiting my trigger finger). But I also did not want to pass by good shots due to the ten shot limit. So I also took my P&S for other shots since I was not going to pass up some shots if I were going to spend 1/2 day on this. Probably took another 50 shots with this.
First lesson: find a restroom before starting the two hours so that the back end is not rushed or distracted...
Best part is walking around looking for a likely photo and when finding it, giving thought to what would be the best angle. Sometimes I circled for a few minutes contemplating the angle for the one or two shots that I would take.
My first posted shot I would title "I'm a Girl Watcher" from the song as that is immediately what came to mind when I saw the three "guys" hanging there. So I had to find the angle and then await the object of their attention: "...Here comes one now..."
Second shot was my last shot of the day (and my eleventh, not counting two immediate deletions -- kinda like getting the 37th shot on a roll of film...:ivar ). It was instantly my favorite of the day and was unexpected as I was ready to pack it up. He had a silent picture sort of expression and was dressed to match (even with the bumbershoot!)... and what a setting!
Value: the discipline was a good reminder to go for quality over quantity. BUT the best value for me was to plan photo-dedicated excursions as it was both educational, fun, and resulted in some nice keepers (I will post others in the near future).
Rainbow: I like the composition of #1 a lot, but wish that you had caught her just a fraction of a second sooner. I know how that goes . What's especially nice is that there are several mannequins receding in the background. Maybe bump the contrast a hair? #2 is sort of interesting, but the reflections are not clear enough to be recognizable, so to me they distract.
Patti, Ben and Dee: Thanks.
Thanks for the feedback.
In #1, a fraction second earlier likely would have been better, BUT I had to be sure I had a worthy subject with this being the first of my ten shots (foiled by the challenge!).
I reprocessed #2 to "stamp out" some of the reflections -- wish they were not there at all...
And thanks for setting up this exercise. I do hope others partake in the near future and post their results.
Comments
I went off to a photography shoot in Aylmer ON, not far from me for the annual Tundra Swan migration. I didn't spend much time looking at the swans (how many times can you photograph swans?) but started looking for people as usual. Two Mennonite families were there, one leaving, one arriving. I didn't have much time to capture so I waited for the perfect moment to hit the shutter. In total I took maybe 6 shots. Here are my best two (I think ) I have one of the family in a line walking towards me as well that turned out pretty well. Let me have it...
1. When I saw that Grandpa was letting the young boy take the reins I knew what shot I wanted. Grandpa was not very visible in the shot so I had to dodge a bit in PP. This was taken through the car windshield
2.
alternate crop is here
The other contender is here
... I'm still peeling potatoes.
patti hinton photography
... I'm still peeling potatoes.
patti hinton photography
Are you Kidding ?? :wow
I just saw this for the 1st time and been staring at the 1st one ever since
I'm trying to think of what I can come up with that even comes close.
My Galleries
Flicker
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Hardly. Weekends are slow on Dgrin--don't fret.
They're both very good shots. I prefer the first. I think you should try to increase the contrast inside the buggy--I'd like to see the guy with the beard and the kid stand out more.
Thanks Benjamin. I appreciate you taking a look. I'm looking forward to your work on this exercise.
... I'm still peeling potatoes.
patti hinton photography
Thanks for the C&C Richard. I really appreciate it. I've upped the contrast inside the buggy. What do you think? More? It doesn't look as contrasty here as it does in LR2
... I'm still peeling potatoes.
patti hinton photography
The kid looks great, but I would still try to do more with the bearded guy.
I replaced the photo immediately above after adding more to the bearded man.
... I'm still peeling potatoes.
patti hinton photography
I was one of the original 81 views, but I had put it in my head that we were holding off on comments until the exercise was over --don't know where I got that.
I really like the one with the kid in the buggie--I like the little kid looking directly at you from inside--this normally doesn't work, but it does here. I also like the older man, I find the cool aviator style sun glasses so out of place for this shot.
In the second shot, I'm surprised they are not all turning to look at you, the place looks so desolate. I guess they are used to being photographed, all but the little guy that is.
Who needs a crowded urban environment for great street shots!
_________
Aren't those sunglasses a contrast to their way of life? The buggy shot was a real thrill to get. I was in my friend's car and shot through the window in a terrible rush.
The photos were taken at a wildlife conservation area just south east of me thus the desolate looking area.
Thanks for your feedback. I'd be interested to know if you prefer the cropped or the original frame of the boy glancing back.
... I'm still peeling potatoes.
patti hinton photography
With the sunglasses he reminds me of a member of ZZ top--probably not the look he was going for--not that he knows who they are.
I much prefer your cropped version.
_________
He does rather. I think it's a safe bet that he has no inkling of who ZZ Top is. Thanks for your input re the different crops too.
... I'm still peeling potatoes.
patti hinton photography
... I'm still peeling potatoes.
patti hinton photography
... I'm still peeling potatoes.
patti hinton photography
1) The lake I live on is dangerously low, I wanted to capture that by shooting from an area that should be underwater. I was on my belly and crawled around at dusk, this was the best one.
2). While having coffee and contemplating going out for the shoot, my pup crawled up on my recliner and got in a direct line of sunlight, I struggle with indoor lighting and loved that she was in her own spotlight. She kept waking up so it took forever, but worth it, I loved working with the light and perspective, not sure if it worked but it was fun. Sometimes the best photo ops are right under our noses, I shot 10 of her and this was the best one.
Thanks for this exercise.. the restraint was tough!
1.)
2.)
I went out on Sunday planning on doing it, but I ran into a political demonstration against bullfighting, and thought, the hell if I'm only going to take 10 shots. You'll probably get to see some of those pics within the next week. In the meantime, I finally went out this morning, and these are my two favorites:
Cheers,
I like the contrast in both shots.
My Galleries
Flicker
G+
yes yes the challenge.. very challenging.. love the photos...
2
Reprocess of #2 to decrease reflections
Comments to follow...
:whip
... I'm still peeling potatoes.
patti hinton photography
Rats! Just my luck! :cry
Patti, Ben and Dee: Thanks.
It was an interesting experience for me because it made me think about the way I had been shooting. Whether it has lasting value remains to be seen.
I'd like to hear from the others who did this. And I would encourage people who didn't to give it a try whenever it's convenient and post their results and comments. Note that I have added links to all the exercises in the Tips and Resources sticky.
Cheers,
I am now less trigger happy too, I take that extra millisecond to check horizon level and other things that can be easily *fixed*.. and at one time, ME, vowed never to manipulate a photo, ever.
I'm a bit smooshy in mood today so I will tell you I long for the day, with my film camera in hand, waiting for that exact right moment, praying everything was set right, (like camera ON) and the complete adrenaline rush of clicking the shutter, and waiting (days and dayssssss) to get the photo to see just how it worked,,, what excitement! At .22 cents per shot, you couldn't be trigger happy... each click had to count.. so thanks for bringing some of that back to me! (sorry I love to bow)
thank you this one will stay with me!
My initial concern was whether I could find ten worthwhile shots in two hours (opposite of limiting my trigger finger). But I also did not want to pass by good shots due to the ten shot limit. So I also took my P&S for other shots since I was not going to pass up some shots if I were going to spend 1/2 day on this. Probably took another 50 shots with this.
First lesson: find a restroom before starting the two hours so that the back end is not rushed or distracted...
Best part is walking around looking for a likely photo and when finding it, giving thought to what would be the best angle. Sometimes I circled for a few minutes contemplating the angle for the one or two shots that I would take.
My first posted shot I would title "I'm a Girl Watcher" from the song as that is immediately what came to mind when I saw the three "guys" hanging there. So I had to find the angle and then await the object of their attention: "...Here comes one now..."
Second shot was my last shot of the day (and my eleventh, not counting two immediate deletions -- kinda like getting the 37th shot on a roll of film...:ivar ). It was instantly my favorite of the day and was unexpected as I was ready to pack it up. He had a silent picture sort of expression and was dressed to match (even with the bumbershoot!)... and what a setting!
Value: the discipline was a good reminder to go for quality over quantity. BUT the best value for me was to plan photo-dedicated excursions as it was both educational, fun, and resulted in some nice keepers (I will post others in the near future).
Thanks for the feedback.
In #1, a fraction second earlier likely would have been better, BUT I had to be sure I had a worthy subject with this being the first of my ten shots (foiled by the challenge!).
I reprocessed #2 to "stamp out" some of the reflections -- wish they were not there at all...
And thanks for setting up this exercise. I do hope others partake in the near future and post their results.