Weekly Assignment #147: 1-2-3
Nikolai
Registered Users Posts: 19,035 Major grins
Let's start with something as simple as 1-2-3. :wink
1 subject;
2 lights;
3 totally different looks.
My personal recommendations:
I intentionally use trade-specific terms without explaining what they are. Use google/bing to find out their meaning. It's a part of the learning curve, consider it your homework.
Each entry should consist of 3x2=6 images: for each look you'd need to submit a final image plus a picture of your setup.
OK, lights, camera, action!
1 subject;
2 lights;
3 totally different looks.
My personal recommendations:
- Diagonal lighting: rembrandt main/key + rim/hair
- Shape silhouette: both lights as rims
- Clamshell: butterfly key + horror main (or vice versa).
I intentionally use trade-specific terms without explaining what they are. Use google/bing to find out their meaning. It's a part of the learning curve, consider it your homework.
Each entry should consist of 3x2=6 images: for each look you'd need to submit a final image plus a picture of your setup.
OK, lights, camera, action!
"May the f/stop be with you!"
0
Comments
Doesn't mean you have to do it immediately though ;-)
Great idea Nik - thanks for launching this!
You'll get another one, I'm sure:-)
And you're welcome!
Moderator of the People and Go Figure forums
My Smug Site
Moderator of the People and Go Figure forums
My Smug Site
Just two lights. No reflectors. Gobos/grids/backdrops are ok.
We will have a chance to use refectors, no worries
If you (or anybody else) struggle with the lack of subjects/models, get something like a garden gnome or a classic bust, or some other sort of life-size-like statue (doesn't have to be exactly 100%).
Ok, that's a great idea (and I may well have to resort to something along those lines), but I'm laughing out loud at the thought of glamour-lighting a garden gnome....
It is never to late to become what you might have been.
www.behindthezoom.com
Hey, at least you won't get any *diva*-like attitude (pun intended ;-)
Got ya
Oh, I dunno - mess with their toadstools and some of those garden gnomes can get pretty uppity.... :lol :haha
Do we post the images in this thread?
Chris
When you come to a door... walk through it.
If it's locked... find an open window.
Yes, you do. Also please check out #148. It's kinda critical that everyone participates in it.
No worries, I know models do not grow on trees.
Oh, wait... Sometimes they do:
rofl
Seriously, keep thinking about it, and in the mean time, please check out the #148 "Nightmare 2010".
Consider this entry one for me, will set up and do again during the week. Just think this thread needs an entry.
Rembrandt
Clamshell
SET-UP
Rim
SET_UP
For all the shots I need better control of spill light, especially the rim lighting if I want the unlit areas darker. A larger ratio of key to fill would likely help the Rembrandt lighting as well, but with poor control of spill light in a small biege colored room makes that a little harder.
Guess it is time to make gobos and snoots for better control.
And yes that is my son... Dressed up for Halloween. He is really excited about his dress
Thank you! I hope you would catch up with the rembrandt setup shot.
It would also help if you added captions to the individual images. I mean, I have no issues telling which is which, but I guess those who are new to all this may have some problems identifying the setup name with the results.
And yes, light spill is one the biggest enemies for studio portraiture. Shoot-through umbrellas and tight spaces (and generally light-colored indoor paint) only make it worse. Unfortunately the only way to get both soft light and tight spill control is to use some sort of a softbox with a grid, but those kinds of things get co$tly fast... As a "po' man" option (especially considering a high portability of your setup) one can try to do it outdoors (back yard/driveway) after sunset. At least in that case there will be pretty much zero reflection coming from the walls/ceiling, and the only thing you'd have to watch for is the reflection from the ground. The latter can be minimized if shooting on the asphalt-covered pavement (as opposed to a much lighter concrete) or completely blocked by a few yards of black non-reflective fabric.
HTH
I really don't think my Rembrandt was the best example of Rembrandt lighting I got of him, but this is definitely the best picture of the shots I did get with that lighting setup.