First light with Canon 50mm 1.0 L
Manfr3d
Registered Users Posts: 2,008 Major grins
Hi,
I came across this lens at my camera shop yesterday and couldn't let
this once-in-x-years (?) opportunity go by without taking advantage of it.
Within the first 24 hours of having it absolutely fell in love with the images
it can produce. There weren't many interersting subjects around but I fired
away anyways. It's not the easiest task to get the focus where you want it
(for me at least) and ca's can be a pain if you don't pay attention to the
scene. But more often than not one is rewarded with an utterly smooth rendered
background ... simply bokehlicious! I hope you like looking at theses as much
as I do:
1.
5D II @ f/1.0, 1/640s, ISO 100
2.
5D II @ f/1.0, 1/250s, ISO 400
3.
5D II @ f/1.0, 1/160s, ISO 100
4.
5D II @ f1.0, 1/500s,ISO 100
5.
5D II @ f/1.0, 1/500s, ISO 100
6.
5D II @ f/1.0, 1/800s, ISO 100
7.
5D II @ f/1.0, 1/125s, ISO 100
8.
5D II @ f/1.0, 1/1000s, ISO 100
9.
5D II @ f/3.2, 1/50s, ISO 100
10. Notice the clipping in the bokeh caused by the mirrox box:
5D II @ f/1.0, 1/50s, ISO 100
Thanks for looking!
I came across this lens at my camera shop yesterday and couldn't let
this once-in-x-years (?) opportunity go by without taking advantage of it.
Within the first 24 hours of having it absolutely fell in love with the images
it can produce. There weren't many interersting subjects around but I fired
away anyways. It's not the easiest task to get the focus where you want it
(for me at least) and ca's can be a pain if you don't pay attention to the
scene. But more often than not one is rewarded with an utterly smooth rendered
background ... simply bokehlicious! I hope you like looking at theses as much
as I do:
1.
5D II @ f/1.0, 1/640s, ISO 100
2.
5D II @ f/1.0, 1/250s, ISO 400
3.
5D II @ f/1.0, 1/160s, ISO 100
4.
5D II @ f1.0, 1/500s,ISO 100
5.
5D II @ f/1.0, 1/500s, ISO 100
6.
5D II @ f/1.0, 1/800s, ISO 100
7.
5D II @ f/1.0, 1/125s, ISO 100
8.
5D II @ f/1.0, 1/1000s, ISO 100
9.
5D II @ f/3.2, 1/50s, ISO 100
10. Notice the clipping in the bokeh caused by the mirrox box:
5D II @ f/1.0, 1/50s, ISO 100
Thanks for looking!
“To consult the rules of composition before making a picture is a little like consulting the law of gravitation before going for a walk.”
― Edward Weston
― Edward Weston
0
Comments
www.Dogdotsphotography.com
Some more from today:
11. It doesn't have to be shot wide open all the time
5D II @ f/5.6, 1/50s, ISO 640
12. Getting darker
5D II @ f/1.0, 1/100s, ISO 800
13. Halo galore at f1.0
5D II @ f/1.0, 1/100s, ISO 500
― Edward Weston
www.Dogdotsphotography.com
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500px
It seems that these halos always show up around every strong
lightsource that is in focus in a strong contrast situation (at night
for example). Things get even funkier when you have serveral
such lightsources in the frame. The rings will connect sometimes
cutting each other off at the connecting points. Maybe I should
make some pics of it tomorrow and post em here ...
― Edward Weston
Gary
Unsharp at any Speed
14. Construction light
5D II @ f/1.0, 1/40s, ISO 800
15. Window reflections
5D II @ f/1.0, 1/50s, ISO 125
― Edward Weston
Neat to see your round of "test drive" shots.
www.mind-driftphoto.com
Would love to see that. I find it so fascinating that this lens does this One certainly could have fun with it.
www.Dogdotsphotography.com
Lauren Blackwell
www.redleashphoto.com
― Edward Weston
I was hoping you wouldn't say that; I keep trying to talk myself out of getting one. How much focus adjustment did it require? That would certainly be critical with this lens!
I had to adjust it to -3. However, my gf has a 550D where focus is
dead on without any adjustments. There are so many variables when
dealing with used lenses I recommend to always try the lens on your
camera before buying it.
― Edward Weston
Best,
Jay
JHPVideoTutorials.com - Free Photography Tutorials
Just for kicks here is a completely unprocessed 100% crop from a RAW file @ f/1.0 (focus was on the "O"):
Original frame:
― Edward Weston
Finally someone who actually owns one rather than most who simply blather on(parroting others who have never even laid their hands on one) about how terrible this lens is.
5D2/1D MkII N/40D and a couple bits of glass.
Agreed, but I'm betting Manfr3d's ability has something to do with the quality of the pix as well.
Lol, that may have something to do with it also.
I'm fairly sure if it were me posting this thread instead I'd have churned out complete rubbish.
5D2/1D MkII N/40D and a couple bits of glass.
Rather like my ability to pick up Rembrandt's brushes and draw stick people . . .
15.
5DII @ 100mm, 1/15s, f/2.8, ISO 3200
― Edward Weston
Beautiful -- it looks sweet
www.Dogdotsphotography.com
Absolutely! I feel shoots the way it looks (if that makes sense). Sometimes
I just go out shooting with it to see what it produces next. A fun lens to
use for sure
16. Nightstreet
5DII @ 50mm f/1.0, 1/40s, ISO 500
17. Smooth as Butter
5DII @ 50mm f/1.0, 1/800s, ISO 100
18. Odd placement
5DII @ 50mm f/1.0, 1/50s, ISO 100
― Edward Weston
Not a clue what's in/on those bricks. What are those and why?
Totally understand why you would just take that lens out and shoot
www.Dogdotsphotography.com
some kind of ventilation for the new wall before the final finish is applied?
I hope no one minds me updating this thread with some more pics.
19. Bike at Night:
5D II @ 50mm f/1.0, 1/50s, ISO 400
This next one is shot pretty much directly into the sun with a few leaves in front of it.
20. Into the green
5D II @ 50mm f/1.0, 1/1000s, ISO 100 (with 2-Stop ND filter)
― Edward Weston