Get serious . . . on a budget
HarveyMushman
Registered Users Posts: 550 Major grins
Let's say a person is contemplating a new Canon 300D, or maybe a Nikon D70. What do the experts here have to say about outfitting that dSLR with lenses from a company like Sigma, or Tamron, or . . . . ? These lenses tend to be considerably less expensive than their Canon and Nikon counterparts. Is there a performance price to be paid? Keep in mind that our shopper is not a pro by any means, just an enthusiastic amateur.
Tim
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I dont know enough about it myself.
In other words, it depends upon the specific lens you're looking at. I guess the next step for me is to figure out what lenses I would most use, then find out if Sigma or Tamron made highly thought of versions of those lenses.
Catapultam habeo. Nisi pecuniam omnem mihi dabis, ad caput tuum saxum immane mittam
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Besides...it's the photographer, not the camera. A good photographer can take excellent photos with a cheapo camera, but a bad photographer...well he's just gonna be bad no matter what.
That said, I've been buying Canon gear, but so far only one L lens. I'm trying to keep an open mind, tho.
"The Edge... there is no honest way to explain it because the only people who really know where it is are the ones who have gone over."-Hunter S.Thompson
Read the reviews of the lenses in Shutterbug and Pop Photography or at Photodo.net. Tamron and Sigma make some very nice lenses and some that are not as well thought of. Are all Chevys great? No of course not - but most of us would not refuse a ride in a Corvette and would turn our noses up at a Vega.
WHICH specific lens whether made by Canon, or Nikon or Sigma or Tamron is the real question. Tamron and Sigma both get good reviews for their macro lenses. And they are half the price of Canon lenses. Are they as mechanicaly solidly built as the Canon L glass - no they are not - but that does not mean that they are inferior optically. Some of the expense of the L lenses is in the robust mechnical housings - they are built tough for the use pros put them through - Think how many frames a Sports Illustrated Photog will shoot in one afternoon at an NFL game - thousands Saturday and turn around and do it again Sunday - that means the mechanical parts must be very robust. The D10 shutter is estimated to be good for ~150,000 frames - how long will it take for most of us to shoot that many frames? Some pros will do it in a season of football journalism......
As Fish knows - I own several L lenses and like them a great deal - but I did buy a Tamron 28-75 F2.8 Di lens and have been highly pleased with it - it is sharp and a very nice small compact lens - MUCH smaller than the Canon or Sigma equivalent - I will post a picture Fish has seen before that I believe will demonstrate the optical quality you can expect from this lens. I was surprised because this lens is on my D10 more often than my Canon 17-40L or my 70-200 L F2.8 IS. It is a nice length indoors and out.
This is a frame that was shot with the 28-75 Di Tamron
Tamron also makes a 28-300 mm zoom but it is not thought as highly of - very big zoom ranges are always suspect.
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Catapultam habeo. Nisi pecuniam omnem mihi dabis, ad caput tuum saxum immane mittam
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I will never wear out the iris on my Tamron 180 macro and it is Sharp. Is the Canon iris more robust - I suspect it is - but that is not that important to me - It certainly might be to an aspiring entomologist who shoots macros of insect all day long.
Much of Nikons success with photournalists in the 60s was the mechanical superiority of the Nikon bodies and lenses - not the optical superiority of their lenses. You pays your money and you takes your choice.
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Catapultam habeo. Nisi pecuniam omnem mihi dabis, ad caput tuum saxum immane mittam
http://www.mcneel.com/users/jb/foghorn/ill_shut_up.au
I have a lot of glass in my studio, many Nikon lenses, but also a bunch of non-Nikon stuff. Some because Nikon did not have an equivalent at the time (28-70 2.8, for instance), some because I use them so sparingly that I can't justify paying over twice as much for an itty bitty edge in quality (no 105 Micro here), and some because I actually preferred a different brand after shooting a few rolls (like that horrid two-touch 80-200 2.8 of yore).
I always have a lens on loan for a while before I buy it, or even a couple to do a shootout before I decide. When I can't detect which is which under the loupe, I know I'll spring for the cheaper one, or the one that pleases me most mechanically, but the brand is not going to be a factor. I'm too old and have too big an investment to even care about brand snobs that won't use anything else without ever actually doing a comprehensive test.
Your original question though was, how to outfit your new DSLR with a lens on the cheap. I know that Nikon is planning a package of the D70 with a zoom lens (and I think a memory card) for not much more money than the D70 itself.
Another thought is think about something like a 50mm f1.8. Sure it's not going to be the most flexible lens in the world, but either Canon or Nikon's 50 1.8 would be very good optically, pretty solid mechanically and inexpensive. One of my buddies used to joke that the Nikon 50 1.8 was cheaper than a genuine Nikon body cap.
Cletus, I already have a 35 - 80 (4 - 5.6) Nikon zoom, and I could probably get my brother's 50mm (1.8), so I have the "body cap" basics covered.
Looks like a Sigma or Tamron lens would be fine for my purposes, as long as I shop carefully and select some of their nicer glass. I think spending pro-class money is just wasteful pretention for someone like me, who's just trying to learn.
I'm hearing a lot of "Sigma & Tamron". You're forgetting the maker of some of the most exciting lenses in its market. Tokina makes great stuff in its ATX Pro range, and I know many pros that use them, specially in journalism. Check them out.
Anywhooo,
Zero-Zero is right. Tokina makes some very nice stuff as well, so don't rule them out.
Catapultam habeo. Nisi pecuniam omnem mihi dabis, ad caput tuum saxum immane mittam
http://www.mcneel.com/users/jb/foghorn/ill_shut_up.au
Sigma makes a 24-70mm f/2.8 EX Aspherical DF for $400, Tamron makes a AF 28-75mm f/2.8 XR Di for $320 and a SP AF 28-105mm f/2.8 LD Aspherical IF for $800, and Tokina makes 28-80mm f/2.8 AT-X 280AF Pro for $550.
Does anybody have any direct experience with any of these lenses?
"The Edge... there is no honest way to explain it because the only people who really know where it is are the ones who have gone over."-Hunter S.Thompson
I have owned the Tamron AF 28-105 f2.8 LD in the Nikon AF mount and always thought it was a little soft especially wide open at f2.8 - Photodo.com agrees with me apparently as they score it 2.4 MTF which is just fair at best. The Canon 28-80 f2.8 L is rated 3.9 for comparison.
From reading individuals posts on dpreview and Luminous Landscape and other photo sites, I suspect that there is some variation between each lens of a type from a single manufacturer - some posters insist on trying the lens they purchase for several days before they agree to keep it - I bet you must have a good relationship with your dealer to get this arrangement - but it might be the best way if you can get this sort of deal.
If you do not HAVE to have a ZOOM - consider a Cannon 50m f1.8 or 50mm f1.4 - The f1.8 is only $70 - pocket change so to speak. The f1.4 is slightly more at $299.95 Photodo gives the f1.4 an MTF of 4.4 - VERY GOOD! Then you can also get the Canon 85mm f1.8 for $329 - It is a very nice lens that doesn't get a lot of hoopla due to the noise its big sister the f1.2 L gets. But the 85 f1.8 is rated at MTF 4.1 which is good also and focuses faster and is much smaller taking a 58mm filter - the same as the 50mmf1.4 . ( The 85 f1.2 gets rated by Photodo at a stellar 4.6 but is costs $1475 - more than the 85 f1.8 the 50 f1.4 and the Tamron or Sigma mid zooms combined! )
Since you already own a 17-40L you will then be set to go..... Just my two cents -
It is funny but I own a 17-40L and a 70-200L IS and a 50 and a 85 - and longer lenses - but the majority of my pictures are taken with the 28-75 Tamron zoom -It is just such a useful zoom range for people and small lanscape details - maybe I should have gotten the Canon since I use it so much of the time...............
Moderator of the Technique Forum and Finishing School on Dgrin
Canon 24-70 F2.8 L USM AF 1084.99 Abes of Maine
Canon 17-40mm F4.0 L USM AF EF Lens 678.99 Abes of Maine
Canon 70-200 F4.0 L USM Lens 554.99 Abes of Maine
Canon 100mm F2.8 Macro USM Lens 427.00 PCvideoOnline
Sigma 28-70mm f2.8 EX Aspherical DF AF 299.99 Abes of Maine/Ritz
Sigma 105mm f2.8 EX Macro 1:1 Autofocus Lens349.99 Abes of Maine
Sigma 70-200mm f2.8 EX APO IF HSM Autofocus Lens 629.99 Wells Digital
Sigma 24mm f1.8 EX DG Aspherical Macro AF Lens279.99 Abes of Maine
Tamron 17-35MM F/2.8-4 DI LD Super Wide Angle Zoom 479.99 Abes of Maine
Tamron SP AF 28-75mm 2.8 XR Di LD Aspherical [IF] Zoom 329.94 Canoga Cam
Tamron 28-105mm f/2.8 Auto Focus Lens 714.99 Abes of Maine
Tokina 28-80 f/2.8 ATX Auto Focus Lens 429.99 Abes of Maine
Tokina 80-200mm f/2.8 AT-X 828 AF PRO 519.99 Abes of Maine BACKORDER
A lot of my photography is done from a motorcycle, so I am concerned with durability. My understanding of the Canon L line is that it is built to take more "misuse." My inclanation is to buy Canon unless someone can tell me another brand will be as durable and take quality images.
Hutch
Catapultam habeo. Nisi pecuniam omnem mihi dabis, ad caput tuum saxum immane mittam
http://www.mcneel.com/users/jb/foghorn/ill_shut_up.au
of Maine is a NY store.
the 2 places that consistantly get top ratings in reliability and honesty
are http://www.bhphotovideo.com/ & http://www.adorama.com/
Operating System Design, Drivers, Software
Villa Del Rio II, Talamban, Pit-os, Cebu, Ph
In Atlanta, Peach Street Photo prices well, but I'm leery of their mailorder biz.
"The Edge... there is no honest way to explain it because the only people who really know where it is are the ones who have gone over."-Hunter S.Thompson
"The Edge... there is no honest way to explain it because the only people who really know where it is are the ones who have gone over."-Hunter S.Thompson
As for the lenses... I am firmly in the Canon camp.
I have/had ......................................will have
17-35 2.8L ......................................14mm 2.8L
28-70 2.8L .....................................17-35 2.8L (but give me an excuse for the 16-35L)
50 1.8 ...........................................50 1.8
85 1.2L .........................................85 1.2L
100-400 f4.5-5.6L IS .......................70-200 2.8L IS
...................................................400mm f4.0 DO IS
...................................................1.4x II
Sold 28-70 2.8L ... will sell 100-400 IS L
Operating System Design, Drivers, Software
Villa Del Rio II, Talamban, Pit-os, Cebu, Ph
I figured it out. I'm using the white background. I'm learning that white fonts don't show-up well against a white background.
Catapultam habeo. Nisi pecuniam omnem mihi dabis, ad caput tuum saxum immane mittam
http://www.mcneel.com/users/jb/foghorn/ill_shut_up.au
Thanks,
Hutch
Catapultam habeo. Nisi pecuniam omnem mihi dabis, ad caput tuum saxum immane mittam
http://www.mcneel.com/users/jb/foghorn/ill_shut_up.au
Here is a link to my image from the Tamron 28-75 Di -pathfinder.smugmug.com/photos/2196039-O.jpg
I also have the same image taken with a 70-200f2.8 IS L for comparison at smugmug. Can you see significant differences? These were handheld so the Tamron does not benefit from IS of course.
Moderator of the Technique Forum and Finishing School on Dgrin
"The Edge... there is no honest way to explain it because the only people who really know where it is are the ones who have gone over."-Hunter S.Thompson
We used to see the EXIF data on smugmug - but I do not see it for these two pictures even tho it is authorized for this gallery. Has this been changed in smugmug for some reason?
Moderator of the Technique Forum and Finishing School on Dgrin