70-200 f/2.8 IS or not?
I had a conversation with a friend of mine the other day and couldn't get him to agree (or at least agree to disagree) that shooting sports with IS is generally an exercise in futility. I'm contemplating purchasing the 70-200 f/2.8 non-IS and my friend insists I need the IS for anything not involving a tripod. I disagree. In my experience shooting sports (baseball and football primarily and solely as a spectator, not a pro) I've found IS doesn't do much for me other than drain the battery faster. And not to toot my own horn, but I've got pretty steady hands and have been known to pull off a shot as slow as 1/8s.
So the question is, who's right?? The difference in price between the f/2.8 IS and non-IS is about $500 right now and that would be half the price for my next purchase which is a good mid-range (24-70 f/2.8L or 24-105 f/4L IS -- feel free to discuss!). I understand there are situations where IS is useful, but for me this lens would be used almost exclusively for sports.
I have considered the f/4 IS which is comparable in price to the f/2.8 non-IS, but I think I'd rather have the 2.8 for night games than the IS. Any suggestions would be appreciated!
So the question is, who's right?? The difference in price between the f/2.8 IS and non-IS is about $500 right now and that would be half the price for my next purchase which is a good mid-range (24-70 f/2.8L or 24-105 f/4L IS -- feel free to discuss!). I understand there are situations where IS is useful, but for me this lens would be used almost exclusively for sports.
I have considered the f/4 IS which is comparable in price to the f/2.8 non-IS, but I think I'd rather have the 2.8 for night games than the IS. Any suggestions would be appreciated!
40D, 10-22, 70-200 f/2.8L IS, 75-300 IS, 1.4x TC
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I did the Chinese Theatre backstage pictures (Travel>Thailand>Theatrics) at wyndhamhollis.com with mine first time out and was addicted at once. Site still being populated, by the way...
I don't suspect you're pulling off shots at 1/8 second when you're at the long end of the range. 1/8 second at 50 mm is a lot easier to keep sharp than 1/8 second at 200 mm (which, on a 1.6 crop camera is more like 320 mm). Rule of thumb of 1/focal length means you SHOULD be shooting at 1/500 second to get reliably sharp shots.
For sports, the money for the IS is absolutely worth it. You will get 2-3 stops advantage, and if you ever do anything that's relatively linear (motorsports, track & field, etc.) where you are panning, it has a dedicated panning mode which is good as well.
I have the 70-200 f2.8L IS and it is the best lens I own. It is fantastic in sharpness and bokeh, and the IS is most definitely a big aid. I shot with it for 3 weeks in Antarctica, mostly off a boat where a tripod was not an option. It made a *huge* difference. It's absolutely worth the $400-$500 premium for sports. There is simply no question.
The f/4 is also a good lens... but for sports, again, if you're going to be shooting indoors in any case, you'll want the extra stop of the 2.8.
If you are into panning then I guess it will help and if you want to take slow SS shots of other things then it will help.
But for sports like, soccer, football (american), volleyball, basketball it won't really help.
As for other shots, if I need to shoot slow SS (I have the non IS) I use my monopod, which was a lot cheaper than the additonal cost of the IS and I can use it with any lens camera I want.
I didn't find the IS worth the extra for what I use my lens for.
Gene
I think 70-200/2.8L is the best choice
New 2.8L IS cost nearly twice as good condition used 2.8L
I paid this premium already, but don't feel big difference between
IS and no IS.
Probably I got strong hands as you are
Anyway worst one from this pack of four - was 4L IS -
sold immediately without any regrets.
XTi, G9, 16-35/2.8L, 100-300USM, 70-200/4L, 19-35, 580EX II, CP-E3, 500/8 ...
DSC-R1, HFL-F32X ... ; AG-DVX100B and stuff ... (I like this 10 years old signature :^)
For those who have used both (z_28?), is there a noticeable weight difference between the 2.8's? I know there is a considerable weight difference between the 2.8 and the 4. Just curious if the IS adds anything.
One extra thought - 2.8 L's come with tripod ring, both 4L's NOT :cry
Since tripod ring for 4L IS cost about $150 !!!!!!!!!!!!!
it may be final decision maker.
Thanks you Canon for this white painted piece of metal, ring shaped,
priced as a diamond ring
XTi, G9, 16-35/2.8L, 100-300USM, 70-200/4L, 19-35, 580EX II, CP-E3, 500/8 ...
DSC-R1, HFL-F32X ... ; AG-DVX100B and stuff ... (I like this 10 years old signature :^)
Oh, and I even found some obligatory ducks to shoot for it's break-in.
http://www.chrislaudermilkphoto.com/
Also, like others have said, IS eats batteries. Sunday I was out shooting... non-is for 6 hours, 1300+ images, on two batteries in my XTi grip. The battery meter just went down to the middle notch within the last 30 minutes. Thats some insane run time!! My 70-300IS eats batteries significantly faster, probably for one because of IS and two because it has a inefficient foucing system...
The $500 I could save on the non-IS would be put towards a midrange to bridge the gap between the 10-22 and the 70-200. I have a month to decide as I don't really need the lens until early July. Right now I'm leaning towards non-IS, but the other posters here have made valid arguments for it as well. It'll be a tough decision for sure.
I strongly suggest 24-70/2.8L
Then you will be really excited, guaranteed
XTi, G9, 16-35/2.8L, 100-300USM, 70-200/4L, 19-35, 580EX II, CP-E3, 500/8 ...
DSC-R1, HFL-F32X ... ; AG-DVX100B and stuff ... (I like this 10 years old signature :^)
I too love this lens. Replaced the 28-135, which is in the $500 you mention earlier.
-Fleetwood Mac
Boy, you really love your 24-70, huh? So do I (my own 24-70, that is). My current lineup now is: Tokina 12-24/4, Canon 24-70/2.8L, 70-200/2.8L plus the 50/1.8 Mk I. A very versatile setup & I rarely run into a situation where I really miss having another lens. Of course there's always some lens lust (Sigma 120-300, 35/2, 135/2, a nice macro....), but I can handle 98% of what I want to shoot with what I have now.
Now back on topic. I saw some comments on IS eating batteries. In all the time I've used IS lenses (70-200/2.8 & 300/2.8), I really didn't notice much of any impact on my battery life. I use a 20D with the BG-E2 7 have been able to run IS all day long with no trouble--I don't even recall the meter moving after 12+ hours of near-constant shooting. Maybe the one Sterlingtek I have in there makes that much difference?
http://www.chrislaudermilkphoto.com/
On a totally unrelated note, my 10-22 is out for delivery!
I honestly have not seen any noticeable battery drain from IS. I have run IS lenses for hours at a time (all day long on a few occasions), and the batteries still had plenty of juice left in them. I have yet to run the camera dry. I'm sure IS has an additinal drain, but in my experience it's negligible.
http://www.chrislaudermilkphoto.com/
I own the 75-300 IS USM and I never had any battery issues with that lens. But it's also far less powerful than the 70-200.
Anyway, I just ordered 2 additional batteries so I don't have to worry so much
PS - loving the 10-22. It's so bizarre seeing things through the view finder that aren't even in my own field of vision!
He has a 70-200mm f.8L IS listed for $1365..
http://www.dgrin.com/showthread.php?t=62705
John Muir
Hand it to the wife and she takes a couple snapshots, they come up nice and sharp
IS "ONLY" stops hand/camera shake ... it does not stop subject motion. So if you're shooting action at ... say 1/30 all the stationary objects will be crystal sharp .. but all the people running will be nearly as blurry as if you shot without IS. The only thing that can stop action is a fast shutter speed or a flash (but you don't want to use a camera mounted flash at a sporting event as it may disctract/interfere with the play of the participants.) The shutter speed required to stop sports action is sufficient to eliminate hand/camera shake.
Most people don't understand IS. IS allows you to obtain/attain higher quality images of non/slow moving subjects in low light situations. IS is a substitute for high ISO when you do not need a fast shutter speed to stop action ... and as such it can be very handy ... but it does not apply to every situation.
If the lens is only for sports ... then you don't need IS (although it is helpful for the occassional pan.) Additionally, a tripod is better than IS (but often a tripod is not practical.)
For me, I would love to have IS on all my lenses ... but the extra expense, the limited application (I shoot is more action than stationary) ... just isn't worth the expense.
Gary
PS This is what I like about the 70-200 Non-IS
and
and
Unsharp at any Speed
congrats on the 10-22. I love mine, wish I used it more.
On the 70-200 if you have the cash, then get the IS. Myself, I spent the extra $600 (at the time) on a 580ex and a grip. I love my non-IS lens, it is sharp and fast. the extent of my sport shooting is youth AYSO soccer and the non-IS works great for that. on another note... you might find the 200 a bit short for most sports unless you have great seats but the great IQ of these lenes will allow you to crop in nice.
Tim
Thanks for your input Tim! I'm leaning towards the IS version. In fact, I'm sure that's what I'll end up with. It's only money, right?
I'll likely compliment it with the 1.4x TC which should make up for the lens being too short. If it weren't for that, I might have gotten the f/4 IS but the TC would turn that into a 5.6 which is too slow.
I just took my 10-22 out for a drive at the Concourse d'Elegance in Beverly Hills. It was fantastic being able to fit an entire car in frame from a foot away.
Canon cameras, Lenses and accessories.
5D2/1D MkII N/40D and a couple bits of glass.
Yeah, when you have access to a tri/monopod then I agree the IS isn't worth the extra money. But unfortunately I won't have that luxury sitting in the bleachers at Dodger Stadium :cry
I've just purchased a 77mm UV Hoya, so I guess I'm at least committed to the f/2.8
5D2/1D MkII N/40D and a couple bits of glass.
My feeling is that IS mode 2 provides a few more keepers when the subject is close and moving fast in daylight and the photog is handholding. I suspect it is really compensating for inexperience panning handheld, but I'm willing to be wrong there.
In poor light --
For indoor, handheld sports, IS helps a great deal and can save your bacon at shutter speeds under 1/1000.
In all cases, the monopod helps much more than IS, and it is a whole lot cheaper.
http://midnightblue.smugmug.com
Canon
IS "stabilizes" the camera sensor so not to reflect a certain amount of hand/camera shake. The reason that IS isn't necessary for sports/action is that the higher shutter speeds required to "stop" action are also of sufficient speed to eliminate (stop) camera/hand shake as well. Additionally, the IS delay between shutter release and image capture wipes out sequential (i.e. 5FPS) shooting.
IS is handy when you don't have a tripod. I think of IS as a methodology for improving IQ of static scenes under low light conditions (IS minimizes the need to raise one's ISO.)
IS is also very handy for panning. I chose not to add IS to my lenses because the majority of my shots are action oriented and I'd rather use the difference between IS and Non-IS towards more stuff (glass/another camera body.)
I wish all my glass had IS, but at the rates Canon charges for an item I would rarely use ... I think I am happier with the additional gear.
Gary
Unsharp at any Speed