Nikon D3 (and D300) Samples
Nikon put some D3 samples out on the web. Up to ISO 6400...
http://nikonimaging.com/global/products/digitalcamera/slr/d3/sample.htm
http://nikonimaging.com/global/products/digitalcamera/slr/d3/sample.htm
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- Mike
IR Modified Sony F717
http://2H2OPhoto.smugmug.com
Very nice indeed...
Lee
Marin Country, California
Canon EOS 5D, 17-40 f/4L, 20-35 f/2.8L, 28-70 f/2.8L, 70-200 f/4L, 70-200 f/2.8L
24 f/1.4L, 35 f/1.4L, 50 f/1.4, 85 f/1.8, 85 f/1.2L, 135 f/2L, 300 f/4L IS
OSX Addict
I tried both the d3 and the d300 at a local Nikon thing yesterday. The ergonomics of both cameras are great! I also got to look at some A3 prints from iso 25600.. amazing! If I didn't have lots of canon gear and if I didn't plan to wait till 2010 before a new cam, I would be set..
Canon EOS 30D, Canon 50mm f/1.4, Sigma 70-200 f/2.8, Sigma 18-50 f/2.8, Tokina 12-24 f/4. Sigma 1.4 TC, Feisol 3401 Tripod + Feisol ballhead, Metz 58 AF-1 C, ebay triggers.
Nikon has released its first sampel images for the D3 and the D300. The D3 samples include and a ISO 3200 and 6400 shot while the D300 samples were both done at ISO200.
http://behret.smugmug.com/ NANPA member
How many photographers does it take to change a light bulb? 50. One to change the bulb, and forty-nine to say, "I could have done that better!"
Thanx for the linx HArry.
ISO 6400 image is truly impressive. Not even a hint of color noise. Awesome!
Carry on with the discussion.
Thanks,
Moderator of the Cameras and Accessories forums
One thing I noticed is that in the darker parts of the image and even some of the middle tones there is a "hint" of color noise, but very close to black the noise is completely quenched. It is a type of DSP I haven't seen before, although you can do it with manual processing.
Extremely encouraging!
Moderator of the Cameras and Accessories forums
I wonder is this is JPEG-based "style" feature, or is it what you get in RAW already.
Overall I don't see a big difference between those images and noise reduced ISO 1600 RAW files from a Canon 5D (which I spend a lot of time looking at). I wouldn't be too surprised if, when all the pixel peeping is said and done, that the D3 will judged to have a small advantage over Canon's latest 1 series offerings in high ISO response. It does make you wonder if this will put pressure on Canon to bring out an upgrade to the 5D.
The Canon 5D was announced over 2 years ago. Isn't it about time for a 5Ds or something?
16 MegaPixels, 5 frames per second, ISO (really big number here) ...
Moderator of the Cameras and Accessories forums
The 5D is essentially a 30D with a full frame sensor in it so I wouldn't be too surprised to see Canon do the same thing with the 40D. I am betting on more like 14MP than 16MP so they have more than the D3 but don't eat into 1Ds sales. Also keeping the pixel pitch low will help them match the D3 noise performance.
What I'd really like is something more akin to my old EOS-3 with a 1 series AF system and shutter in a smaller lightwight body; albeit weather sealing would be nice. I am not likely to upgrade just to get a better sensor; the 5D sensor is good enough for my needs. I would, however, consider upgrading to get those 19 high sensitivity cross-type AF points and a faster flash sync speed as long as I don't have to pay the 1 series size and weight penalty to get it.
Wow.. extremely nice. The D3 is on my wish list for next year.
Thanks for the link!
This is a huge step for Nikon. The 3200 & 6400 images are amazingly clear. OK, so they look a bit noise-reduced & are equal to or a hair cleaner than 5D images. That's huge considering where Nikon's high ISO noise used to be. This certainly puts pressure on Canon for their next generation.
Oh, and having seen the high ISO output from a 1DsMkII, it's about on par with these, IIRC. I'll comment further after I use one for a weekend shoot later this month & have a sizable batch of my own RAWs to play with.
http://www.chrislaudermilkphoto.com/
Until we get independant reviews based on "production" cameras, I would not recommend drawing too many conclusions. We just don't know the conditions these images were shot under or any post-processing that might have been done.
I would say that these are astonishingly good images if they are in fact representative. I just don't know for sure if they are representative.
I have my fingers crossed and I am very hopeful.
Looking good Nikon!
Moderator of the Cameras and Accessories forums
Chris,
We probably should not hijack this thread and talk too much about Canon. If you want to start another thread and do a comparison that would be fine.
This is Nikon's time to celebrate!
Moderator of the Cameras and Accessories forums
Anyone remember i said "Nikon may produce something that will blow all canons"
My Gallery
It's UNBELIEVABLE! Seriously, it's like magic. I'm totally floored. Now I'm depressed, My D200 bums me out now. I'll have to wait another 5 years until the D3 is some pro photographers cheap cast-off that he is pawning to get the new D5 which, by the way, will take noiseless pictures of dark matter.:cry :cry :cry
hoping this message finds you well -Ian
No intention of hijacking. If the thread is still alive once I've gotten my grubby paws all over that camera, I'll limit to what I intended: are the files I get similar to these samples.
I would think the Nikon samples are probably the best representation of the potential we've seen was they show the complete settings for the image: shutter, aperture, ISO being the most important, but they also include what lens (their 24-70/2.8 on most all IIRC). That gives a fairly good idea of the conditions & you can go replicate those settings on a competing camera to compare--at least as well as can be done on cross-system comparisons.
Anyway, it certainly appears Nikon has delivered on the promise of the specs. It also should give Canon a big kick in the pants to go innovate again.
http://www.chrislaudermilkphoto.com/
If this should go somewhere else by all means I don't want to hijack anything!
Good question. The thing to remember is that you get the best results on the lower ISOs. Its cool to be able to shoot at high ISOs but I've seen folks shoot at ISO 1000 on a sunny day just because they could.
The "fast" glass usually is the highest quality glass and will usually get you the best results if used properly. The good thing about the ability to shoot at higher ISOs is that you don't need to get the "fastest" glass.
Unless you are a lunatic like myself you really don't need the "fast" glass. Of course if you can afford it, why not get the best.
http://behret.smugmug.com/ NANPA member
How many photographers does it take to change a light bulb? 50. One to change the bulb, and forty-nine to say, "I could have done that better!"
I love shooting at F1.4 or 1.8 depending on whether Im wearing the 50 or the 85 today...
Have to say the noise looks good so far - I rarely shoot my D2x at more than 320 - makes weddings a real pain in the ass
Do we know if the D300 will offer similar performance - Im very tempted to get one and skip a Nikon generation, rent a D3 when I need to...
chris
http://www.michaelhelbigphotography.com
http://www.thewildpig.blogspot.com
For what I do, if I could afford a 1D Mk III & it's ISO6400, that would allow me to stop the lens down one stop for the shot (thus getting me closer to the sharpness sweet spot), but I'd still want at least f2.8 to give the AF a better view, and to help me compose.
But then I'm a lunatic, too.:crazy
http://www.chrislaudermilkphoto.com/
If you want to compare cameras, start a new thread and keep it civil.
Moderator of the Cameras and Accessories forums
Haven't see anyone mention this yet, some amazing "real world" shots from a D3: http://cliffmautner.typepad.com/my_weblog/2007/09/ok-its-after-1a.html
http://wall-art.smugmug.com/