No need to like them, but it would be nice to hear your thinking on it. Might look like it, but these definitely weren't snaps. Several more in my WIP gallery with different compositions.
I saw a chance to work on something that's been challenging me: Stopping motion in extremely dark, backlit situations. Believe me, it's something that happens a lot shooting street at night. I want to know what works with my setup to avoid motion blur if I choose. So basically a practice session.
No need to like them, but it would be nice to hear your thinking on it. Might look like it, but these definitely weren't snaps. Several more in my WIP gallery with different compositions.
I saw a chance to work on something that's been challenging me: Stopping motion in extremely dark, backlit situations. Believe me, it's something that happens a lot shooting street at night. I want to know what works with my setup to avoid motion blur if I choose. So basically a practice session.
Thanks for the comments.
Use a flash or high ISO (the wall could have been used to bounce some of the flash back). Position yourself where you can get some stability to reduce camera shake as well: wall, table etc.
Despite the blur, I find the subject matter is uninteresting for the last two. The first one might have been interesting. Cheers.
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I finally decided I'm just not digging these, sorry
I do like the body position you captured in #2
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I saw a chance to work on something that's been challenging me: Stopping motion in extremely dark, backlit situations. Believe me, it's something that happens a lot shooting street at night. I want to know what works with my setup to avoid motion blur if I choose. So basically a practice session.
Thanks for the comments.
Despite the blur, I find the subject matter is uninteresting for the last two. The first one might have been interesting. Cheers.